It’s just another job… right? Nicco Salarum is a thief, and a good one. In the rough-and-tumble city of Azbatha, where every street hustler has an enchantment in his back pocket, Nicco prides himself on using his skills – and the best technology money can buy – to get him into the houses and boardrooms of the wealthy. But Nicco’s last job went sour, leaving him in debt to a powerful gang boss, and deep in trouble. When a foreign wizard offers him a vast sum for a visiting diplomat’s trinket, he leaps at the opportunity. But nothing happens in a vacuum. Caught in a game where the futures of whole nations are at stake, Nicco finds himself racing against time to right his wrongs… and save his own skin.

One of the most inspiring stories in wrestling history, Cheating Death, Stealing Life sees Eddie Guerrero recount his saga in remarkably candid fashion, chronicling a life of heartbreaks and painful personal struggles in frank, graphic detail. Guerrero was born into Mexico's first family of sports entertainment, and his life story spans three generations of the wrestling business. His father, Gory Guerrero, was among the greatest legends of lucha libre—Mexican wrestling. Before Eddie was twenty, he was competing in the border town of Juarez, going on to work throughout Mexico. The family name made him an instant sensation but also cast a large shadow from which he would spend years trying to emerge. Paired with the late Art Barr, Guerrero cofounded what became the most hated—and popular—tag team in lucha libre, the infamous Los Gringos Locos. Cheating Death, Stealing Life offers a no-holds-barred glimpse behind the curtain into the secret world of wrestling, from the harsh realities of a lifetime spent in hotels and rental cars, to the politics that permeate the dressing room. Of course, tight-knit friendships are also forged. Guerrero tells of his personal bonds with such Superstars as Chris Benoit and Dean Malenko. It's also the story of Guerrero's private struggle, of a son caught in the shadow of a larger-than-life father and three older brothers, of a marriage that reached the brink of disintegration before being reborn as a more powerful and fulfilling relationship. Throughout, Eddie Guerrero pulls no punches describing his battles with self-doubt and inner darkness. In the end, Cheating Death, Stealing Life is a story of great courage and personal redemption, of Guerrero's bravery in facing his disease and fighting to become a better man in every light.

Examines the growing problem of identity theft, explaining how easy it is for anyone to assume someone else's identity, the devastating impact of such a crime, ways identity thieves work, and concrete ways to protect oneself against the crime.

Here's everything you need to know about how business really operates courtesy of Dogbert.

A story about baseball, family, the American Dream, and the fight to turn Los Angeles into a big league city. Dodger Stadium is an American icon. But the story of how it came to be goes far beyond baseball. The hills that cradle the stadium were once home to three vibrant Mexican American communities. In the early 1950s, those communities were condemned to make way for a utopian public housing project. Then, in a remarkable turn, public housing in the city was defeated amidst a Red Scare conspiracy. Instead of getting their homes back, the remaining residents saw the city sell their land to Walter O'Malley, the owner of the Brooklyn Dodgers. Now LA would be getting a different sort of utopian fantasy -- a glittering, ultra-modern stadium. But before Dodger Stadium could be built, the city would have to face down the neighborhood's families -- including one, the Aréchigas, who refused to yield their home. The ensuing confrontation captivated the nation - and the divisive outcome still echoes through Los Angeles today.

Two outsiders, a thief and an assassin, find an ally in the other as they fight an empire to stay alive. Rue Thaday accepts a job to steal some files for the Inter-Universal Military. When he comes face-to-face with his mark, Rue realizes there's more going on than meets the eye. He might even have been set up to take the fall while the IUM forces another planet to accept their rule. Vlatko's trying to find a way to survive. When Rue arrives in his life, Vlatko knows the thief has ulterior motives, but he's willing to risk everything for a taste of Rue's lips. Together, they have to find a way to keep Vlatko alive, and not allow the IUM to win the very dangerous power play they're caught up in. That might be the easy part, considering all the trouble appearing from Rue's unknown past, along with the assassins who want to kill Vlatko.

A raw and powerful memoir of Jaycee Lee Dugard's own story of being kidnapped as an 11-year-old and held captive for over 18 years On 10 June 1991, eleven-year-old Jaycee Dugard was abducted from a school bus stop within sight of her home in Tahoe, California. It was the last her family and friends saw of her for over eighteen years. On 26 August 2009, Dugard, her daughters, and Phillip Craig Garrido appeared in the office of her kidnapper's parole officer in California. Their unusual behaviour sparked an investigation that led to the positive identification of Jaycee Lee Dugard, living in a tent behind Garrido's home. During her time in captivity, at the age of fourteen and seventeen, she gave birth to two daughters, both fathered by Garrido. Dugard's memoir is written by the 30-year-old herself and covers the period from the time of her abduction in 1991 up until the present. In her stark, utterly honest and unflinching narrative, Jaycee opens up about what she experienced, including how she feels now, a year after being found. Garrido and his wife Nancy have since pleaded guilty to their crimes.

Reclaim your time, money, health, and happiness from our toxic diet culture with groundbreaking strategies from a registered dietitian, journalist, and host of the Food Psych podcast. 68 percent of Americans have dieted at some point in their lives. But upwards of 90% of people who intentionally lose weight gain it back within five years. And as many as 66% of people who embark on weight-loss efforts end up gaining more weight than they lost. If dieting is so clearly ineffective, why are we so obsessed with it? The culprit is diet culture, a system of beliefs that equates thinness to health and moral virtue, promotes weight loss as a means of attaining higher status, and demonizes certain ways of eating while elevating others. It's sexist, racist, and classist, yet this way of thinking about food and bodies is so embedded in the fabric of our society that it can be hard to recognize. It masquerades as health, wellness, and fitness, and for some, it is all-consuming. In Anti-Diet, Christy Harrison takes on diet culture and the multi-billion-dollar industries that profit from it, exposing all the ways it robs people of their time, money, health, and happiness. It will turn what you think you know about health and wellness upside down, as Harrison explores the history of diet culture, how it's infiltrated the health and wellness world, how to recognize it in all its sneaky forms, and how letting go of efforts to lose weight or eat "perfectly" actually helps to improve people's health—no matter their size. Drawing on scientific research, personal experience, and stories from patients and colleagues, Anti-Diet provides a radical alternative to diet culture, and helps readers reclaim their bodies, minds, and lives so they can focus on the things that truly matter.

KIRKUS REVIEW Debut author Cacho-Negrete identifies the trends in American life that shaped her in this debut collection of personal essays. "I remain an immigrant, poverty my country of origin." So writes Cacho-Negrete early in this volume. Raised by an immigrant Jewish mother in Brooklyn during the 1950s and '60s, the author was a self-described "street kid"-one of a large demographic of latchkey children without much supervision or access to opportunity-who transcended her lot in life via education and a little luck. In the first essay, "Stealing," the author recounts the two periods of her life when she routinely shoplifted goods from stores: as a street kid to help feed her impoverished family and again as a divorced mother of two who found herself struggling to stay afloat in her tony suburb. In "The Season of My Grandfather," she writes about her interactions with her mother's estranged father, whom she met as a girl, sent by her mother to pick up payments for an outstanding debt. Not every essay is so dire, however. "Hair" recounts Cacho-Negrete's struggle to accept her curly hair as a teenager when it did not conform with mainstream conceptions of beauty. "On the Fire Escape" describes how that particular architectural feature, so associated with New York, played a role at various points throughout the author's life. Cacho-Negrete writes with a sharp, confident prose that evokes her settings with hyperreal clarity: "We lived in tenements that leaned against each other for protection, their plastic-covered windows blind eyes in winter that popped open in spring to spy into each other's apartments. The hallways stunk from piss, pot, cheap perfume, cigarettes." The essays serve as a sort of fractured memoir, one that seeks to underline the iniquities inherent to the American experience. Even this political angle, however, is a piece of supporting information that adds to the autobiography. These are the foundational stories of Cacho-Negrete. They explain why she thinks the way she does. Whether or not the reader comes away thinking the same things, this brief residence in the author's head is illuminating. A pointed, energetic collection of personal essays. (Kirkus Reviews) "In this beautifully crafted, incisive collection, readers will admire Michelle Cacho Negrete's determination and fierce desire to transcend her early Brooklyn ghetto roots--particularly her sense of herself as a displaced outsider. What's also impressive about Stealing is not only how candid and open the author is, but how vividly she describes this complex human struggle." (Michael Steinberg -Author, Still Pitching) "Michelle writes with grace and clear-eyed, unsentimental vision." Sy Safransky, Editor, Sun Magazine) "Cacho-Negrete champions the poor, the marginalized...Throughout this profound, compelling collection, she preserves the vanishing past with a hard-hitting yet lush remembrance." (Lee Hope Betcher, Editor Solstice Literary Magazine) "With crisp, confident prose, Michelle explores the intricacies of our world in essays simultaneously unique and universal. A book to be read many times." (Barry Lyga - Best Selling New York Times author) "The America we face in these timely essays is often poor, frequently unjust, sometimes heartbreaking - and always illuminated by the author's fearless truths, keen insights, and fighting spirit." (Krista Bremer - prize winner lecturer and author of My Tender Struggle.) "Here is the power of the written word: Alone in his room, the reader feels a strengthened connection to all of humanity." (Gin Mackey, Author) "These stories grab hold and won't let you go. They will change you." (Anne B. Gass, lecturer, author - Voting Down The Rose) "Although these are separate essays, they are linked by these consistent themes and form in themselves an engrossing and beautifully-written memoir." (Jenny Doughty -Maine Poet

"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In Stolen Life—the second volume in his landmark trilogy consent not to be a single being—Fred Moten undertakes an expansive exploration of blackness as it relates to black life and the collective refusal of social death. The essays resist categorization, moving from Moten's opening meditation on Kant, Olaudah Equiano, and the conditions of black thought through discussions of academic freedom, writing and pedagogy, non-neurotypicality, and uncritical notions of freedom. Moten also models black study as a form of social life through an engagement with Fanon, Hartman, and Spillers and plumbs the distinction between blackness and black people in readings of Du Bois and Nahum Chandler. The force and creativity of Moten's criticism resonate throughout, reminding us not only of his importance as a thinker, but of the continued necessity of interrogating blackness as a form of sociality.