Stealing All Transmissions is a love story. It’s the story of how The Clash fell in love with America, and how America loved them back. The romance began in full in 1977, when select rock journalists and deejays aided the band’s quest to depose the rock of indolence that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s and culminates with their September 1979 performance at the Palladium in New York City. This concert was broadcast live on WNEW, and it concluded with Paul Simonon treating his Fender bass like a woodcutter’s ax. This performance produced one of the most exhilarating Clash bootleg recordings, and the photo of Simonon’s outburst which graced the cover of the London Calling LP was recently deemed the greatest rock’n’roll photograph of all time. That night marked one of the last opportunities for American audiences to see The Clash as a punk band, teetering between conviction and uncertainty, before they became a seriously brilliant rock group. Stealing represents a distinctive take on the history of punk, for no other book gives proper attention to the forces of free-form radio, long-form rock journalism, or Clash bootleg recordings, many of which are now widely available on the web. This story, which takes its title from the 1981 single “Radio Clash,” includes original interviews with key figures from the New York punk scene. This secret history concludes with an analysis of how we listen to music today and its impact on the written word.

"Stealing all transmissions is a love story. Its the story of how The Clash fell in love with America, and how America loved them back. The romance began in full in 1977, when select rock journalists and deejays aided the bands quest to depose the rock of indolence that dominated American airwaves. This history situates The Clash amid the cultural skirmishes of the 1970s, and culminates with their September 1979 performance at the Palladium, in New York City. This concert was broadcast live on WNEW, and it concluded with Paul Simonon treating his Fender bass like a woodsmans ax. This performance produced one of the most exhilarating Clash bootleg recordings, and the photo of Simonons outburstwhich graced the cover of the London Calling LPwas recently deemed the greatest rocknroll photograph of all time. That night marked one of the last opportunities for American audiences to see The Clash as a punk band, vying between conviction and uncertainty, before they became a seriously brilliant rock group. Stealing represents a distinctive take on the history of punk, for no other book gives proper attention to the forces of free-form radio, long-form rock journalism, or Clash bootleg recordingsmany of which are now widely available on the web."--Publisher description.

Kate Braverman grew up in Los Angeles in the late 1950s at the time when glitz was just beginning to be manufactured. Her Los Angeles was made up of stucco tenements, welfare, and the marginalized. It wasn't a destination city, it was the end of the line. Frantic Transmissions to and from Los Angeles chronicles the trajectory of Braverman's Left Coast generation with a voice of singular power. She was an antiwar activist in Berkeley, a punk-rock poet on Sunset Strip, a single mother in the East L.A. barrio, and a woman in recovery at AA meetings in Beverly Hills. By 1990 she was married and settled into a life of writing and teaching. In her forties, Braverman did the unthinkable and moved from Beverly Hills to New York's Allegheny Mountains to a 150-year-old farmhouse. In wide-ranging transmissions, Braverman deftly contrasts the social histories of Los Angeles with her new, timeless rural community; describes the effects of the changing seasons on her Californian, sun-drenched soul; and marvels at how a remote farmhouse can offer surprising consolations. Library Journal calls Braverman a "literary genius"; Rolling Stone describes her as having the "power and intensity you don't see much outside of rock and roll." Frantic Transmissions to and from Los Angeles offers an eccentric and insightful view of social and individual transformation.

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Alexander the Great's soldier, Lydias of Miletus, has survived the final campaigns of the king's life. He now has to deal with the chaos surrounding his death. Lydias throws his lot in with Ptolemy, one of Alexander's generals who has grabbed Egypt as his personal territory. Aided by the eunuch Bagoas, the Persian archer Artashir, and the Athenian courtesan Thais, Ptolemy and Lydias must take on all the contenders in a desperate adventure whose prize is the fate of a white city by the sea, and Alexander's legacy.

Since the Obama administration has taken office, government bureaucracy, government regulation and government spending have exploded. In his new book, Stealing You Blind, author Iain Murray reveals where all that money is going....and just how much of that money goes into the pockets of incompetent government workers, lazy union bosses, inept state educators, and bureaucratic officials. "The administration is swindling us", says Murray. "They promise to use tax payer dollars to give us better healthcare or a stronger financial system, but then use that money to line coffers, create more bureaucratic agencies, and fatten their wallets." Shocking and controversial, Stealing You Blind reveals how Obama and the Left are intent on on feeding government fat cats—and what you can do about it.

"A life recording hits with the Rolling Stones, the Who, Led Zeppelin, the Eagles, Eric Clapton, the Faces ..."--Jacket.

Roger Atwood knows more about the market for ancient objects than almost anyone. He knows where priceless antiquities are buried, who is digging them up, and who is fencing and buying them. In this fascinating book, Atwood takes readers on a journey through Iraq, Peru, Hong Kong, and across America, showing how the worldwide antiquities trade is destroying what's left of the ancient sites before archaeologists can reach them, and thus erasing their historical significance. And it is getting worse. The discovery of the legendary Royal Tombs of Sipan in Peru started an epidemic. Grave robbers scouring the courntryside for tombs--and finding them. Atwood recounts the incredible story of the biggest piece of gold ever found in the Americas, a 2,000-year-old, three-pound masterpiece that cost one looter his life, sent two smugglers to jail, and wrecked lives from Panama to Pennsylvainia. Packed with true stories, this book not only reveals what has been found, but at what cost to both human life and history.

Protecting her identity means life or death in this immersive epic fantasy inspired by the Mughal Empire. In a different life, under a different name, Razia Khan was raised to be the Crown Prince of Nizam, the most powerful kingdom in Daryastan. Born with the soul of a woman, she ran away at a young age to escape her father’s hatred and live life true to herself. Amongst the hijras of Bikampur, Razia finds sisterhood and discovers a new purpose in life. By day she’s one of her dera’s finest dancers, and by night its most profitable thief. But when her latest target leads her to cross paths with Arjun Agnivansha, Prince of Bikampur, it is she who has something stolen. An immediate connection with the prince changes Razia’s life forever, and she finds herself embroiled in a dangerous political war. The stakes are greater than any heist she’s ever performed. When the battle brings her face to face with her father, Razia has the chance to reclaim everything she lost…and save her prince.

Theft causes greater economic injury than any other criminal offense. Yet fundamental questions about what should count as stealing remain unresolved. Green assesses our legal framework at a time when our economy commodifies intangibles (intellectual property, information, ideas, identities, and virtual property) and theft grows more sophisticated.