International justice has become a crucial part of the ongoing political debates about the future of shattered societies like Bosnia, Kosovo, Rwanda, Cambodia, and Chile. Why do our governments sometimes display such striking idealism in the face of war crimes and atrocities abroad, and at other times cynically abandon the pursuit of international justice altogether? Why today does justice seem so slow to come for war crimes victims in the Balkans? In this book, Gary Bass offers an unprecedented look at the politics behind international war crimes tribunals, combining analysis with investigative reporting and a broad historical perspective. The Nuremberg trials powerfully demonstrated how effective war crimes tribunals can be. But there have been many other important tribunals that have not been as successful, and which have been largely left out of today's debates about international justice. This timely book brings them in, using primary documents to examine the aftermath of the Napoleonic Wars, World War I, the Armenian genocide, World War II, and the recent wars in the former Yugoslavia. Bass explains that bringing war criminals to justice can be a military ordeal, a source of endless legal frustration, as well as a diplomatic nightmare. The book takes readers behind the scenes to see vividly how leaders like David Lloyd George, Winston Churchill, Franklin Roosevelt, and Bill Clinton have wrestled with these agonizing moral dilemmas. The book asks how law and international politics interact, and how power can be made to serve the cause of justice. Bass brings new archival research to bear on such events as the prosecution of the Armenian genocide, presenting surprising episodes that add to the historical record. His sections on the former Yugoslavia tell--with important new discoveries--the secret story of the politicking behind the prosecution of war crimes in Bosnia, drawing on interviews with senior White House officials, key diplomats, and chief prosecutors at the war crimes tribunal for the former Yugoslavia. Bass concludes that despite the obstacles, legalistic justice for war criminals is nonetheless worth pursuing. His arguments will interest anyone concerned about human rights and the pursuit of idealism in international politics.

On a humanitarian mission to the war-torn planet Jesel, Dr. Lara Simmons is used to dealing with lack of supplies, power outages and the constant earthquakes that afflict the planet. But when she's captured by the rebels who need her to perform a life-saving surgery, she finds herself in a situation her medical training didn't prepare her for. When the airship is blown out of the sky, she ends up in the Jeselian wilderness with no one to rely on but Blade Vengeance, an enormous tattooed rebel warrior. Dominant and unyielding, he doesn't hesitate to take her in hand when she disobeys the rules he lays out for her. Yet she soon learns he also knows how to deliver pleasure--with a passion she's never before experienced. Blade finds the doctor from Earth sexy as hell, especially when she's giving him attitude, but once he delivers her to headquarters, he tries to pull back from her allure. Known for single-handedly starting the revolution and freeing many of his people, his life is one of hardship, slavery and war. Going soft on a woman isn't part of his plan, especially with the final strike of the revolution so close. But when he sends Lara back to Earth to keep her safe during the upcoming battle, he inadvertently delivers her into enemy hands. Can he find and save her from the revolution he caused? Publishers Note: This story contains spanking and explicit sex scenes, including anal penetration. If such subject matter offends, do not buy this book. "There are some sexy spankings, romantic tension, and a creative alternate world (love the details about foreign creatures and plants, like rye-wolves & lemonberries)... If you like spanky sexy-times, tough alpha males and a fun read, this story is for you." - Alexis Alvarex, Author of Return "There's action, hotness, and enough emotion to have you tearing up at places. Lara is the perfect strong, intelligent heroine. And Blade is the quintessential alpha hero, who I was in love with before I even knew he was the hero. Fantastic, super scorching sci-fi!" - Aubrey Cara, author of Candi's Debt "Start off with a sexy, alpha male from another planet. Add in an awesome female lead character ...Then do some world building. Delicious fruits that made my mouth water; crazy, scary wild animals, telekinetic aliens, and uber freaky big headed, bad guy aliens. ...Yeah, this book had it all." -- Katherine Deane, author of Coach's Discipline

An invaluable introduction to the subject of genocide, explaining its history from pre-modern times to the present day, with a wide variety of case studies. Recent events in the former Yugoslavia, Rwanda, East Timor and Iraq have demonstrated with appalling clarity that the threat of genocide is still a major issue within world politics. The book examines the differing interpretations of genocide from psychology, sociology, anthropology and political science and analyzes the influence of race, ethnicity, nationalism and gender on genocides. In the final section, the author examines how we punish those responsible for waging genocide and how the international community can prevent further bloodshed.

James examines at a broad level the concept of universalistic and "dignitarian" human rights, as expressed in such covenants as the International Bill of Rights, two United Nations documents published in 1966 that delineate civil, political, economic, social and cultural rights for all human beings. He gives an interdisciplinary account of the historical, legal, political, theoretical and philosophical development of ideas about human rights from the beginnings of our understanding of them up to 1939, describes the horrors of World War II and the resulting goal of the then-developing UN to create a universal declaration of human rights, and examines the often clashing concepts and motivations behind the creation of the 1966 covenants.

A pirate attack with only one survivor A conspiracy woven across the planets A vengeance that will not be denied When pirates seize the inter-planetary freighter owned by Brad Mantruso's family, he is dumped into space. Saved from death by a passing Fleet ship, he is left with nothing but his skills, a gun, and a burning desire for vengeance. Acquiring a ship, he reinvents himself as the mercenary Captain Brad Madrid. Before he can pursue his enemies, however, he finds himself dragged into an unexpected conflict when his ship's history draws new enemies to him. Beset by pirates, slavers, and a woman who might be his savior-but definitely is a spy-it will take all of his skill, cunning, and new friends to claim his revenge!

From former UN Ambassador and author of the New York Times bestseller The Education of an Idealist Samantha Power, the Pulitzer Prize-winning book on America's repeated failure to stop genocides around the world In her prizewinning examination of the last century of American history, Samantha Power asks the haunting question: Why do American leaders who vow "never again" repeatedly fail to stop genocide? Power, a professor at the Harvard Kennedy School and the former US Ambassador to the United Nations, draws upon exclusive interviews with Washington's top policymakers, thousands of declassified documents, and her own reporting from modern killing fields to provide the answer. "A Problem from Hell" shows how decent Americans inside and outside government refused to get involved despite chilling warnings, and tells the stories of the courageous Americans who risked their careers and lives in an effort to get the United States to act. A modern classic and "an angry, brilliant, fiercely useful, absolutely essential book" (New Republic), "A Problem from Hell" has forever reshaped debates about American foreign policy. Winner of the Pulitzer Prize Winner of the Robert F. Kennedy Book Award Winner of the National Book Critics Circle Award Winner of the J. Anthony Lukas Book Prize Winner of the Anisfield-Wolf Book Award Winner of the Raphael Lemkin Award

"A bold and provocative history of how an overlooked 1923 treaty was among the most transformative events in modern history. On a hot summer afternoon in 1928, the leaders of the world assembled in Paris to outlaw war. Within the year, the treaty signed that day, known as the Peace Pact, had been ratified by nearly every state in the world. War, for the first time in history, had become illegal the world over. But the promise of that summer day was fleeting. Within a decade of the signing of the Pact, each state that had gathered in Paris to renounce war was at war. And in the century that followed, the Peace Pact was dismissed as an act of folly and an unmistakable failure. This book argues that that understanding is inaccurate, and that the Peace Pact ushered in a sustained march toward peace that lasts to this day. [This book] tells the story of the Peace Pact by placing it in the long history of international law from the seventeenth century through the present. It details the brutal world of conflict the Peace Pact helped extinguish and the subsequent era where tariffs took the place of tanks. Accessible and gripping, this hook will change the way we view the history of the twentieth century--and show how we must work together to protect the global order the internationalists fought to make possible."--Jacket.

The country’s wars in Iraq and Afghanistan, its interventions around the world, and its global military presence make war, the military, and militarism defining features of contemporary American life. The armed services and the wars they fight shape all aspects of life—from the formation of racial and gendered identities to debates over environmental and immigration policy. Warfare and the military are ubiquitous in popular culture. At War offers short, accessible essays addressing the central issues in the new military history—ranging from diplomacy and the history of imperialism to the environmental issues that war raises and the ways that war shapes and is shaped by discourses of identity, to questions of who serves in the U.S. military and why and how U.S. wars have been represented in the media and in popular culture.

In the Russian winter of 1878 a shy, aristocratic young woman named Vera Zasulich walked into the office of the governor of St. Petersburg, pulled a revolver from underneath her shawl, and shot General Fedor Trepov point blank. "Revenge!," she cried, for the governor's brutal treatment of a political prisoner. Her trial for murder later that year became Russia's "trial of the century," closely followed by people all across Europe and America. On the day of the trial, huge crowds packed the courtroom. The cream of Russian society, attired in the finery of the day, arrived to witness the theatrical testimony and deliberations in the case of the young angel of vengeance. After the trial, Vera became a celebrated martyr for all social classes in Russia and became the public face of a burgeoning revolutionary fervor. Dostoyevsky (who attended the trial), Turgenev, Engels, and even Oscar Wilde all wrote about her extraordinary case. Her astonishing acquittal was celebrated across Europe, crowds filled the streets and the decision marked the changing face of Russia. After fleeing to Switzerland, Vera Zasulich became Russia's most famous "terroristka," inspiring a whole generation of Russian and European revolutionaries to embrace violence and martyrdom. Her influence led to a series of acts that collectively became part of "the age of assassinations." In the now-forgotten story of Russia's most notorious terrorist, Ana Siljak captures Vera's extraordinary life story--from privileged child of nobility to revolutionary conspirator, from assassin to martyr to socialist icon and saint-- while colorfully evoking the drama of one of the world's most closely watched trials and a Russia where political celebrities held sway.

The Goddess Test meets Dexter in an edgy, compelling debut about one teen’s quest for revenge…no matter how far it takes her. Amelie Ainsworth is not alone in her head. Bound to a deal of desperation made when she was a child, Amelie’s mind houses the Furies—the hawk and the serpent—lingering always, waiting for her to satisfy their bloodlust. After escaping the asylum where she was trapped for years, Amelie knows how to keep the Furies quiet. By day, she lives a normal life, but by night, she tracks down targets the Furies send her way. And she brings down Justice upon them. Amelie’s perfected her system of survival, but when she meets a mysterious boy named Niko at her new school, she can’t figure out how she feels about him. For the first time, the Furies are quiet in her head around a guy. But does this mean that Amelie’s finally found someone who she can trust, or are there greater factors at work? As Amelie’s mind becomes a battlefield, with the Furies fighting for control, Amelie will have to decide which is worse: denying the only man she might ever love, or subjecting him to the fate the Furies want for him?