This volume questions the extent to which Medieval studies has emphasized the period as one of change and development through reexamining aspects of the medieval world that remained static. The Medieval period is popularly thought of as a dark age, before the flowerings of the Renaissance ushered a return to the wisdom of the Classical era. However, the reality familiar to scholars and students of the Middle Ages – that this was a time of immense transition and transformation – is well known. This book approaches the theme of ‘stasis’ in broad terms, with chapters covering the full temporal range from Late Antiquity to the later Middle Ages. Contributors to this collection seek to establish what remained static, continuous or ongoing in the Medieval era, and how the period’s political and cultural upheavals generated stasis in the form of deadlock, nostalgia, and the preservation of ancient traditions.

Voice is a fleeting physical phenomenon that leaves behind traces of its existence. Medieval literary voices offers a wide-reaching approach to the concept of literary voices, both the vanished authorial ones and the implicit textual ones. Its impressive lineup deepens our understanding of how literary voices evoke the elusive voices lurking beyond the text, capturing the absent authorial voice, the traces of scribal voices and the soundscape of the uttered text. It explores multiple dimensions of medieval voice and vocalisations, and the interactions between literary voices and their authorial, scribal and socio-political settings. It contends that through the theorizing of literary voices we can begin to understand the ways in which medieval voices mediate or proclaim an embodied selfhood or material presence, how they dictate or contest moral conventions, and how they create and sustain narrative soundscapes.

This collection explores multiple artefactual, visual, textual and conceptual adaptations, developments and exchanges across the medieval world in the context of their contemporary and subsequent re-appropriations.

Essays on aspects of iconography as manifested in the material culture of medieval England.

In War and Conflict in the Middle Ages, Stephen Morillo offers the first global history of armed conflict between 540 and 1500 or as late as 1800 CE, an age shaped by climate change and pandemics at both ends. Examining armed conflict at all levels, and ranging across China and the central Asian steppes to southwest Asia, western Europe, and beyond, Morillo explores the technological, social, cultural, and environmental determinants of warfare and the tools and tactics used by warriors on land and at sea. Part I explains the geographical, political, and technological rules that shaped patterns of military activity everywhere. Part II explores how these rules played out in various historical contexts. Armed conflict played a central role in the making of the medieval world, and medieval people used war and conflict to create, expand, and defend their communities and identities. But the devastating effects of climate change and epidemic disease continually reshaped these communities and the nature of their conflicts. Broad in its scope and rich in detail, War and Conflict in the Middle Ages will be the go-to guide for students and aficionados of military history, medieval history, and global history.

It has long been assumed that England lay outside the Western European tradition of castle-building until after the Norman Conquest of 1066. It is now becoming apparent that Anglo-Saxon lords had been constructing free-standing towers at their residences all across England over the course of the tenth and eleventh centuries. Initially these towers were exclusively of timber, and quite modest in their scale, although only a handful are known from archaeological excavation. There followed the so-called 'tower-nave' churches, towers with only a tiny chapel located inside, which appear to have had a dual function as buildings of elite worship and symbols of secular power and authority. For the first time, this book gathers together the evidence for these remarkable buildings, many of which still stand incorporated into the fabric of Norman and later parish churches and castles. It traces their origin in monasteries, where kings and bishops drew upon Continental European practice to construct centrally-planned, tower-like chapels for private worship and burial, and to mark gates and important entrances, particularly within the context of the tenth-century Monastic Reform. Adopted by the secular aristocracy to adorn their own manorial sites, it argues that many of the known examples would have provided strategic advantage as watchtowers over roads, rivers and beacon-systems, and have acted as focal points for the mustering of troops. The tower-nave form persisted into early Norman England, where it may have influenced a variety of high-status building types, such as episcopal chapels and monastic belltowers, and even the keeps and gatehouses of the earliest stone castles. The aim of this book is to finally establish the tower-nave as an important Anglo-Saxon building type, and to explore the social, architectural, and landscape contexts in which they operated.

This edited book examines the multilingual culture of medieval England, exploring its impact on the development of English and its textual manifestations from a multi-disciplinary perspective. The book offers overviews of the state of the art of research and case studies on this subject in (sub)disciplines of linguistics including historical linguistics, onomastics, lexicology and lexicography, sociolinguistics, code-switching and language contact, and also includes contributions from literary and socio-cultural studies, material culture, and palaeography. The authors focus on the variety of languages in use in medieval Britain, including English, Old Norse, Norn, Dutch, Welsh, French, and Latin, making the argument that understanding the impact of medieval multilingualism on the development of English requires multidisiplinarity and the bringing together of different frameworks in linguistics and cultural studies to achieve more nuanced answers. This book will be of interest to academics and students of historical linguistics and medieval textual culture.

An examination of the uses, meanings, and social impact of Viking Age textiles. This volume offers the first full study of archaeological fabrics and their decoration found in the North Atlantic region and dating broadly from the Viking or Norse period. With contributions from both academic scholars and practitioners, it shows how approaching early medieval textiles from archaeological, historical and literary contexts, and through the processes of learning and employing the traditional skills of making them, brings about a more nuanced understanding of early medieval cloths: their creation, use and meanings within their respective societies. The book is divided into two parts. The first, "Textiles and their Interpretation", takes the reader on a journey from how wool was processed in the Viking Age, and the conservator's role in preserving and interpreting archaeological textiles, to different types of analyses that researchers use to understand and explain textiles from across the wide area of the Viking-influenced North Atlantic region. The second, "Understanding through Replicating", investigates the results of practical experiments in the reconstruction of surviving medieval fabrics and the resulting empirical conclusions that can be made about their manufacture and wider cultural implications.

Anglo-Danish Empire is an interdisciplinary handbook for the Danish conquest of England in 1016 and the subsequent reign of King Cnut the Great. Bringing together scholars from the fields of history, literature, archaeology, and manuscript studies, the volume offers comprehensive analysis of England’s shift from Anglo-Saxon to Danish rule. It follows the history of this complicated transition, from the closing years of the reign of King Æthelred II and the Anglo-Danish wars, to Cnut’s accession to the throne of England and his consolidation of power at home and abroad. Ruling from 1016 to 1035, Cnut drew England into a Scandinavian empire that stretched from Ireland to the Baltic. His reign rewrote the place of Denmark and England within Europe, altering the political and cultural landscapes of both countries for decades to come.

This book sheds light on the intimate relationship between built space and the mind, exploring the ways in which architecture inhabits and shapes both the memory and the imagination. Examining the role of the house, a recurrent, even haunting, image in art and literature from classical times to the present day, it includes new work by both leading scholars and early career academics, providing fresh insights into the spiritual, social, and imaginative significances of built space. Further, it reveals how engagement with both real and imagined architectural structures has long been a way of understanding the intangible workings of the mind itself.