"Of Stardust and Ashes We Are Made" is the poetic love story of our connection to Body and Earth and Soul. From disruption to joy, we fall from the heavens, and are refined in the fire. This is a love story to self, to the ones who shape us, to the ones who hurt us, to the ones who make us, to One who raises each and every time. This is the poetry of our movement and being.

"I will destroy you." I have searched for her for over half my life. Every night, I see her face in my dreams. Every morning, I wake to those words seared into my mind. She'll be my everything, the thing I've been searching for, the thing to complete me. The one who will choose to sit at my feet and serve me... the one I will never let go. But when I find her... She's a smart-mouthed, annoying, obnoxious little brat. Alice Benson is nothing but snark, chaos, and glitter, all rolled up into a tattooed curvy little body made to drive me to sin. As hard as I try to avoid her, I can't get her out of my head. I can't stop watching her. I can't stop wanting her. But when she finally opens up to me... I realize destruction never tasted so sweet. This is an interconnected standalone in the AnchorX series. It takes place after Let's Play a Game. This book was originally published under the title How to Tame a Brat. The content of the book has not changed.

When your world burns to ashes, the only thing left to do is rise.

Having gone from kidnapped faux princess to the legitimate heir to an intergalactic throne, an impulsive, sarcastic teen must take charge of her own destiny in this epic YA novel. On Earth, Delaney is a normal teenager who recently graduated high school with a fantastic best friend and a loving boyfriend. But Delaney isn’t on Earth. She’s on Xenith, a war-torn planet half a galaxy away. Originally mistaken for an alien princess, Delaney has gone from kidnapped imposter to the recognized heir to an alien throne. Oh, and she’s engaged to the prince of an enemy nation whose ruthless father is on the warpath. Torn between two planets, two fates, and two loves, Delaney is finally ready to choose her own destiny in Within Ash and Stardust, the stunning conclusion to Chani Lynn Feener’s Xenith Trilogy. Praise for the Xenith Trilogy: "A thoughtful, sexy adventure with winning characters just begging for a bedtime read." —VOYA on Amid Stars and Darkness "[A] pulse-pounding adventure." —Booklist on Between Frost and Fury

A comprehensive exploration of the final four decades of David Bowie’s musical career—covering every song he wrote, performed, or produced In Ashes to Ashes, the ultimate David Bowie expert offers a song-by-song retrospective of the legendary pop star's musical career from 1976 to 2016. Starting with Low, the first of Bowie's Berlin albums, and finishing with Blackstar—his final masterpiece released just days before his death in 2016—each song is annotated in depth and explored in essays that touch upon the song's creation, production, influences and impact.

A Hugo Award-winning author and music journalist explores the weird and wild story of when rock ’n’ roll met the sci-fi world of the 1970s As the 1960s drew to a close, and mankind trained its telescopes on other worlds, old conventions gave way to a new kind of hedonistic freedom that celebrated sex, drugs, and rock ’n’ roll. Derided as nerdy or dismissed as fluff, science fiction rarely gets credit for its catalyzing effect on this revolution. In Strange Stars, Jason Heller recasts sci-fi and pop music as parallel cultural forces that depended on one another to expand the horizons of books, music, and out-of-this-world imagery. In doing so, he presents a whole generation of revered musicians as the sci-fi-obsessed conjurers they really were: from Sun Ra lecturing on the black man in the cosmos, to Pink Floyd jamming live over the broadcast of the Apollo 11 moon landing; from a wave of Star Wars disco chart toppers and synthesiser-wielding post-punks, to Jimi Hendrix distilling the “purplish haze” he discovered in a pulp novel into psychedelic song. Of course, the whole scene was led by David Bowie, who hid in the balcony of a movie theater to watch 2001: A Space Odyssey, and came out a changed man… If today’s culture of Comic Con fanatics, superhero blockbusters, and classic sci-fi reboots has us thinking that the nerds have won at last, Strange Stars brings to life an era of unparalleled and unearthly creativity—in magazines, novels, films, records, and concerts—to point out that the nerds have been winning all along.

What is science fiction's mass market appeal? In what ways do its devotees treat it like a religion? This book includes analyses of science fiction writers like Isaac Asimov, as well as programmes like Star Trek and 2001.

This collection focuses on the interdisciplinary nature of current biblical studies, especially the interpretation of the Bible through the arts. Its aim is to illustrate how the crossing of boundaries enriches our understanding of the text itself. Contributors include Robert Carroll, Mary Douglas, Wendy Porter, Edward Kessler, Larry Kreitzer, John Hull and Martin O'Kane. The themes embrace literature (Kipling), music (Bach) and art (Holbein). The editor contributes an introduction and an illustrated essay on the Flight into Egypt as an icon of refuge.>

Has a repressive morality been the primary contribution of Christianity to the history of sexuality? The ascetic concerns that pervade ancient Christian texts would seem to support such a common assumption. Focusing on hagiographical literature, Virginia Burrus pursues a fresh path of interpretation, arguing that the early accounts of the lives of saints are not antierotic but rather convey a sublimely transgressive "countereroticism" that resists the marital, procreative ethic of sexuality found in other strands of Christian tradition. Without reducing the erotics of ancient hagiography to a single formula, The Sex Lives of Saints frames the broad historical, theological, and theoretical issues at stake in such a revisionist interpretation of ascetic eroticism, with particular reference to the work of Michel Foucault and Georges Bataille, David Halperin and Geoffrey Harpham, Leo Bersani and Jean Baudrillard. Burrus subsequently proceeds through close, performative readings of the earliest Lives of Saints, mostly dating to the late fourth and early fifth centuries—Jerome's Lives of Paul, Malchus, Hilarion, and Paula; Gregory of Nyssa's Life of Macrina; Augustine's portrait of Monica; Sulpicius Severus's Life of Martin; and the slightly later Lives of so-called harlot saints. Queer, s/m, and postcolonial theories are among the contemporary discourses that prove intriguingly resonant with an ancient art of "saintly" loving that remains, in Burrus's reading, promisingly mobile, diverse, and open-ended.