“We can no longer see, much less teach, transhistorical truths, timeless works of art, and unchanging critical criteria without a highly developed sense of irony about the grand narratives of the past,” declare the editors, who also coedited Visual Theory: Painting and Interpretation (1990). The field of art history is not unique in finding itself challenged and enlarged by cultural debates over issues of class, ethnicity, nationality, sexual orientation, and gender. Visual Culture assembles some of the foremost scholars of cultural studies and art history to explore new critical approaches to a history of representation seen as something different from a history of art. CONTRIBUTORS: Andres Ross, Michael Ann Holly, Mieke Bal, David Summers, Constance Penley, Kaja Silverman, Ernst Van Alphen, Norman Bryson, Wolfgang Kemp, Whitney Davis, Thomas Crow, Keith Moxey, John Tagg, Lisa Tickner. Ebook Edition Note: Ebook edition note: all illustrations have been redacted.

Studying the Star Trek myth from the original 1960s series to the 2009 franchise-reboot film, this book challenges frequent accusations that the Star Trek saga refuses to represent queer sexuality. Arguing that Star Trek speaks to queer audiences through subtle yet provocative allegorical narratives, the analysis pays close attention to representations of gender, race, and sexuality to develop an understanding of the franchise's queer sensibility. Topics include the 1960s original's deconstruction of the male gaze and the traditional assumptions of male visual mastery; constructions of femininity in Star Trek: Voyager, particularly in the relationship between Captain Janeway and Seven of Nine; and the ways in which Star Trek: Enterprise's adoption of neoconservative politics may have led to its commercial and aesthetic failure.

This book features 20 essays and an exclusive interview with Rod Roddenberry, son of 'Star Trek' creator Gene Roddenberry. In a fun and accessible way, 'Star Trek Psychology' delves deep into the psyches of the show's well-known and well-loved characters. It uses academic and scientific theories to analyze and answer such questions as 'Why do Trek's aliens look so human?' and 'How can the starship's holodeck be used for therapy?' This compilation examines alien neurobiology, discusses identity formation for shape shifters, explores the importance of emotion for artificial intelligence, and much more.

Psychotherapy across distance and time, from Freud’s treatments by mail to crisis hotlines, radio call-ins, chatbots, and Zoom sessions. Therapy has long understood itself as taking place in a room, with two (or more) people engaged in person-to-person conversation. And yet, starting with Freud’s treatments by mail, psychotherapy has operated through multiple communication technologies and media. These have included advice columns, radio broadcasts, crisis hotlines, video, personal computers, and mobile phones; the therapists (broadly defined) can be professional or untrained, strangers or chatbots. In The Distance Cure, Hannah Zeavin proposes a reconfiguration of the traditional therapeutic dyad of therapist and patient as a triad: therapist, patient, and communication technology. Zeavin tracks the history of teletherapy (understood as a therapeutic interaction over distance) and its metamorphosis from a model of cure to one of contingent help. She describes its initial use in ongoing care, its role in crisis intervention and symptom management, and our pandemic-mandated reliance on regular Zoom sessions. Her account of the “distanced intimacy” of the therapeutic relationship offers a powerful rejoinder to the notion that contact across distance (or screens) is always less useful, or useless, to the person seeking therapeutic treatment or connection. At the same time, these modes of care can quickly become a backdoor for surveillance and disrupt ethical standards important to the therapeutic relationship. The history of the conventional therapeutic scenario cannot be told in isolation from its shadow form, teletherapy. Therapy, Zeavin tells us, was never just a “talking cure”; it has always been a communication cure.

‘Psychoanalytic Mythologies’ presents a collection of essays on the theme of what it is to be a human subject in a culture permeated by psychoanalytic imagery. The author disturbs the strongly-held belief of those in thrall to psychoanalysis that it is universally true, and this thesis forms the recurrent motif that binds these essays together. Instead he argues that psychoanalysis functions as something that is only ever locally true. These arguments are elaborated upon in a range of contexts, from night clubs, garages and trains to theme parks, magic circles and yoga, and the different strands are distilled into a cohesive thesis in the definitive final essay ‘Psychoanalytic Myth Today’. The essays presented here were initially published in scattered newsletters and journals, and were written intermittently in a period stretching back over ten years. Ian Parker has written widely in this area, and these lively and innovative essays taken together form a searing manifesto against the accepted dogmas of psychoanalysis.

Creativity and Psychotic States in Exceptional People tells the story of the lives of four exceptionally gifted individuals: Vincent van Gogh, Vaslav Nijinsky, José Saramago and John Nash. Previously unpublished chapters by Murray Jackson are set in a contextual framework by Jeanne Magagna, revealing the wellspring of creativity in the subjects’ emotional experiences and delving into the nature of psychotic states which influence and impede the creative process. Jackson and Magagna aim to illustrate how psychoanalytic thinking can be relevant to people suffering from psychotic states of mind and provide understanding of the personalities of four exceptionally talented creative individuals. Present in the text are themes of loving and losing, mourning and manic states, creating as a process of repairing a sense of internal damage and the use of creativity to understand or run away from oneself. The book concludes with a glossary of useful psychoanalytic concepts. Creativity and Psychotic States in Exceptional People will be fascinating reading for psychiatrists, psychotherapists and psychoanalysts, other psychoanalytically informed professionals, students and anyone interested in the relationship between creativity and psychosis.

This acclaimed clinical guide and widely adopted text has filled a key need in the field since its original publication. Nancy McWilliams makes psychoanalytic personality theory and its implications for practice accessible to practitioners of all levels of experience. She explains major character types and demonstrates specific ways that understanding the patient's individual personality structure can influence the therapist's focus and style of intervention. Guidelines are provided for developing a systematic yet flexible diagnostic formulation and using it to inform treatment. Highly readable, the book features a wealth of illustrative clinical examples. New to This Edition *Reflects the ongoing development of the author's approach over nearly two decades. *Incorporates important advances in attachment theory, neuroscience, and the study of trauma. *Coverage of the contemporary relational movement in psychoanalysis. Winner--Canadian Psychological Association's Goethe Award for Psychoanalytic and Psychodynamic Scholarship

Screen Memories delves into the psychological features of mainstream movies from Casablanca to Working Girl. While most psychoanalytic film criticism is highly theoretical, Dr. Greenberg, a practicing clinician, writes in an entertaining, informative style that will appeal to fans and scholars alike. Greenberg begins with an overview of the history and methods of psychoanalytic film criticism. He then focuses upon character, motivation, and conflict in famous examples of detective, war, science-fiction, horror, and cult cinema. He also addresses the enduring emotional appeal of these genres to spectators from one generation to the next. Greenberg then fuses psychoanalysis and cultural criticism. He probes a type of big, bad picture which emerged in Hollywood in the 1970s and 1980s, embracing nearly every genre, with a particular focus on the hero's pathological narcissism in such films as Rambo and Top Gun.