"Stanly Has A Lynching" examines the ways in which the media as well as religious, political and social institutions have used ballads, fiction and folklore tales for over a century to celebrate, rather than condemn, the brutal lynching of a white man, Alexander Whitley, in 1892. How men in a small town in North Carolina justified this act of murder as "Just Desert" -- before, during and after the event -- is exposed when facts, rather than fiction, are brought into focus. Through her research and analysis, Ms. Hartsell demonstrates how a family legacy was tainted by a fabricated folktale embedded in religious motif. Many newspaper accounts from the 1800's help tell the story, conveying aspects of southern history and Lynch Culture not often found in textbooks.

From the assembled work of fifteen leading scholars emerges a complex and provocative portrait of lynching in the American South. With subjects ranging in time from the late antebellum period to the early twentieth century, and in place from the border states to the Deep South, this collection of essays provides a rich comparative context in which to study the troubling history of lynching. Covering a broad spectrum of methodologies, these essays further expand the study of lynching by exploring such topics as same-race lynchings, black resistance to white violence, and the political motivations for lynching. In addressing both the history and the legacy of lynching, the book raises important questions about Southern history, race relations, and the nature of American violence. Though focused on events in the South, these essays speak to patterns of violence, injustice, and racism that have plagued the entire nation. The contributors are Bruce E. Baker, E. M. Beck, W. Fitzhugh Brundage, Joan E. Cashin, Paula Clark, Thomas G. Dyer, Terence Finnegan, Larry J. Griffin, Nancy MacLean, William S. McFeely, Joanne C. Sandberg, Patricia A. Schechter, Roberta Senechal de la Roche, Stewart E. Tolnay, and George C. Wright.

"Fresh and innovative perspectives on how southerners across two centuries and from Texas to North Carolina have interpreted their past." The section on Charleston focuses primarily on three women: historic preservationists Susan Pringle Frost and Nell McColl Pringle and visual artist Alice Ravenel Huger Smith.--Cover.

This narrative is a chronological history of the first Lutheran institution of higher learning in the state of North Carolina. Although several individual North Carolina Lutheran congregations established their own private academies during the Church’s first 110 years in the state, it was not until 1855 that the North Carolina Lutheran Synod opened its first “high school of a collegiate character”.

This book argues that ethnic and racial tension brought on by the fighting in the borderland made Anglo-Texans feel justified in their violent actions against Mexicans.

Tabulated Statistics and Alleged Causes of Lynching in the United States

Cover -- Title Page -- Copyright -- Table of Contents -- Acknowledgments -- Prologue: Searching for a Troubled Past -- 1. Bygones -- 2. Old Demons of the New South -- 3. The Reaping -- 4. Presumed Guilt -- 5. A Blot Upon the State -- 6. A Reckoning -- Epilogue -- Appendix -- Notes -- Bibliography -- Index -- Cover 4.

Like many small towns, Oakboro experienced its development and growth because of the coming of the railroad. Called Five Roads for a time after the five intersecting trading paths, then Furr City after the store at the crossroads owned by C.C. Furr, the little community was the center of rural life. Oakboro and the surrounding area grew rapidly with the increase in rail commerce, and in 1915, the town was incorporated. Early landowners operated businesses and built stores, churches, and homes. Cotton gins, textile mills, roller mills, and lumber industries flourished soon afterward. Many of the original buildings were destroyed by fire or were demolished to make way for more modern structures, and few photographs from those early days remain. Oakboro preserves as much of the town's heritage as possible by showcasing its events and people in 20th-century photographs.