"Stanford White (1853-1906), arguably the most celebrated American architect of his day, was the visionary genius of the illustrious architecture firm McKim, Mead White. A defining figure of the Gilded Age, White lived an extravagant life, which ended prematurely in a sensational death. His celebrity as a result was such that perceptions of the man have to some degree distracted attention from an extraordinary body of work. Now, more than a century since his passing, the enduring quality of White's architectural legacy becomes ever more apparent as the circumstances of his life and death fade to the background. In acknowledgment of this legacy, Stanford White Architect comprehensively explores White's sumptuously rich oeuvre - from the residences he designed for himself and his wife, Bessie; to the extraordinary and opulent houses he designed for others; to those works beyond the residential. Stanford White Architect will serve for generations to come as a vivid testament to a resplendent life in architecture."--From book jacket.

In this extraordinary story the author digs and digs until she finds the whole story. Along the way she discovers that not only was her great-grandfather murdered by the husband of Evelyn Nesbitt, a showgirl at the time, who was enraged with jealously, only to be acquitted on the grounds of insanity, but that the repercussions of this event and of her great-grandfather's behaviour on the rest of the family and its subsequent generations was devastating. Throughout the gripping narrative snippets of information about Stanford are woven into the incredible tale of the author's own upbringing and the whole family. By the end the story of the murder and its sordid circumstances are revealed. A beautifully written and extraordinary powerful book.

Part architectural retrospective, part biography, and part cultural and social history, this volume is both a brilliant evocation of White's life and times and a portfolio of unforgettable images of his priceless legacy to New York. 141 illustrations.

The scandalous story of America’s first supermodel, sex goddess, and modern celebrity—Evelyn Nesbit. By the time of her sixteenth birthday in 1900, Evelyn Nesbit was known to millions as the most photographed woman of her era, an iconic figure who set the standard for female beauty, and whose innocent sexuality was used to sell everything from chocolates to perfume. Women wanted to be her. Men just wanted her. But when Evelyn’s life of fantasy became all too real and her insanely jealous millionaire husband, Harry K. Thaw, murdered her lover, New York City architect Stanford White, the most famous woman in the world became infamous as she found herself at the center of the “Crime of the Century” and a scandal that signaled the beginning of a national obsession with youth, beauty, celebrity, and sex.

Baker, working with previously unpublished materials, breathes new life into this legendary man who dominated American architecture at the turn of the twentieth century and gained infamy in the sensational manner of his death and the subsequent trial of his murderer. 50 black-and-white photos.

Evelyn Nesbit was a popular American chorus girl, an artists’ model, and an actress. In the early part of the Twentieth century, the figure and face of Evelyn Nesbit were everywhere, appearing in mass circulation newspaper and magazine advertisements, on souvenir items and calendars, making her a cultural celebrity. But it was on the evening of June 25, 1906 that she gained worldwide notoriety, when her husband, multi-millionaire Harry Kendall Thaw, shot and murdered architect and New York socialite Stanford White on the rooftop theatre of Madison Square Garden—leading to what the press would call “The Trial of the Century”. The Harry K. Thaw—Evelyn Nesbit—Stanford White story remains one of the great crime sensations of the Twentieth Century. Stanford White, an enormously rich man of high social position and supposedly blameless reputation, nevertheless led a private life that was at variance with his public reputation. His lavish stag dinner parties were well-known, and later played an important part in the famous murder trial. A gripping read.

Nominee: Reuben Award for Best Graphic Novel YALSA, Great Graphic Novels for Teens Bringing to life turn-of-the-century New York and the scintillating career of one of its most famous architects, as well as the vices that cost him his life, this true-crime graphic novel tells the story of one of the most scandalous murders of the times. Stanford White was one of New York's most famous architects, having designed many mansions and the first Madison Square Garden; his influence on New York's look at the turn of the century was pervasive. As he became popular and in demand, he also became quite self-indulgent: he had a taste for budding young showgirls on Broadway, even setting up a private apartment to entertain them in, including a room with a red velvet swing. When he met Evelyn Nesbit—an exquisite young nymph, cover girl, showgirl, inspiration for Charles Dana Gibson's drawing The Eternal Question and later for the movie The Girl in the Red Velvet Swing—he knew he was on to something special. However, Evelyn eventually married a young Pittsburgh decadent heir with a dark side who developed a deep hatred for White and what he may or may not have done to her.

For forty years (1880–1920), the now-legendary architectural firm led by Charles Follen McKim, William Rutherford Mead and Stanford White was responsible for many of the finest buildings in America. The Boston Public Library, Pennsylvania Station in New York, and the campus of Columbia University are among the national landmarks designed by these men and their partners, Bert Fenner and William Mitchell Kendall. This anthology of plans, elevations, and details of major works of McKim, Mead, and White is an invaluable reference source and inspiration for the student of architecture. As Allan Greenberg writes in his introduction: “The legacy of [McKim, Mead, and White] is so vast that . . . both its outer boundaries and its inner characteristics are only barely discernible. As architects of some of the most important buildings in the history of American architecture, the work of the office of McKim, Mead, and White reached a level of quality which has never been equaled by any large office before or after.” Charles Follen McKim cofounded the firm with William Rutherford Mead in 1878, along with his brother-in-law William B. Bigelow. One year later, Bigelow left the firm and was replaced by young Stanford White. Among the commissions that McKim worked on were the Villard Houses, the Boston Public Library, the Chicago World’s Fair Columbian Exposition and the Agriculture Building, the Columbia University campus, Symphony Hall in Boston, alterations to the White House, the Pierpont Morgan Library, Pennsylvania Station, and the University Club in New York. Stanford White, who, ironically, had replaced Charles McKim at the firm of Gambrill and Richardson in New York, joined the partnership in September 1879. A young, enthusiastic man who could “draw like a house afire,” in the words of McKim, White was responsible for many of the firm’s great architectural projects, including Madison Square Garden; the Washington Arch; the Judson Memorial Church; what is now Bronx Community College, and the accompanying Hall of Fame of Great Americans; the Tiffany Building, and the Gorham Building. His life and career ended abruptly at the age of fifty-three, when he was murdered on the roof of Madison Square Garden in a well-publicized shooting incident in 1906.

When Stanford White was murdered by Harry K. Thaw in 1906, his death become known as “The Crime of the Century.” Thaw was the debauched and deranged heir to a Pittsburgh fortune with a sadistic streak. White was an artistic genius and one of the world’s premier architects, who became obsessed with a teenaged chorus girl, Evelyn Nesbit. Nesbit and Thaw would eventually marry, but Thaw’s lingering jealousy and anger culminated in White’s murder—and shocking trial about a murder committed in front of dozens of eyewitnesses.Promising young D.A. William Travers Jerome would find his faith in himself and the law severely tested as he battled colorful crooks, licentious grandees, and corrupt politicians. Cummings brilliant reveals the social issues simmering below the surface of New York that Jerome had to face. Filled with mesmerizing drama, rich period details, and fascinating characters, Saving Sin City sheds fresh light on crimes whose impact still echoes throughout the twenty-first century.

Based on the archives of the Avery Architectural Library of Columbia University and the New York Historical Society, this refreshing portrait of one of America's most prominent architects is at the same time a document of the sweeping social and cultural changes taking place in the country at the turn of the twentieth century. A biography of Stanford White and more, the book recovers a neglected yet significant part of White's career--a career that not only set the bar for twentieth-century architecture but also defined the newly emerging profession of interior design.