This is a story of a great and noble man. A man of courage and determination who was willing to face arrest for leaving the government's reservation without its permission--all because of his love for his son and his people. Standing Bear was a man who fought for his freedom, not with armed resistance, but with bold action, strong testimony and heartfelt eloquence. He knew he and his people had been wronged. All he wanted was the right to live and die with his family on his own land - on the beloved land of his Ponca ancestors. This story is a civil rights victory for Native Americans, unprecedented in American history. For the first time, a federal court declared a Native American to be a "person" - a human being, having rights and privileges to file an action for a redress of grievances in a federal court, like every other person in America. Standing Bear won his fight for freedom. His victory began a movement of change, a slow change, but a change, nevertheless. The pervading sense of indifference toward Native Americans was broken. America would never be the same because of what Standing Bear did.

Become involved in Hunter's westward quest for freedom during the Civil War, when the forced "Long Walk" and tragic enslavement threatened the destruction of his proud people. This Navajo youth displays three loves of homeland, culture and tribe while struggling with daily survival issues, dangerous wildlife, and the greed of soldiers determined to eliminate this cherished freedom. Religious enlightenment develops for Hunter while "walking in beauty" with nature, and contending with convoluted cross roads of truth and irony. Freedom has never been free!

Edited by prominent musician and scholar Leonard Brown, John Coltrane and Black America's Quest for Freedom: Spirituality and the Music is a timely exploration of Coltrane's sound and its spiritual qualities that are rooted in Black American music-culture and aspirations for freedom. A wide-ranging collection of essays and interviews featuring many of the most eminent figures in Black American music and jazz studies and performance --Tommy Lee Lott, Anthony Brown, Herman Gray, Emmett G. Price III, Tammy Kernodle, Salim Washington, Eric Jackson, TJ Anderson ,Yusef Lateef, Billy Taylor, Olly Wilson, George Russell, and a never before published interview with Elvin Jones -- the book examines the full spectrum of Coltrane's legacy. Each work approaches this theme from a different angle, in both historical and contemporary contexts, focusing on how Coltrane became a quintessential example of the universal and enduring qualities of Black American culture.

Emphasizes the importance of the search for intellectual and physical freedom in Maugham's own life and as a basic motif in his writing.

Finalist for the 2004 C.B. Macpherson Prize presented by the Canadian Political Science Association Winner of the Best First Book Award presented by the Foundations of Political Theory section of the American Political Science Association Tocqueville's Democracy in America continues to be widely read, but for all this familiarity, the vivid imagery with which he conveys his ideas has been overlooked, left to act with unexamined force upon readers' imaginations. In this first sustained feminist reading of Democracy in America Laura Janara assesses the dramatic feminine, masculine, and infantile metaphorical figures that represent the historical political drama that is Tocqueville's primary topic. These tropes are analyzed as both historical artifacts and symbols for psychoanalytic interpretation, deepening and complicating the standing interpretations of Tocqueville's work. Democracy Growing Up comments critically upon the peculiar gendered and familial foundations of modern Western democracy and upon the notion of democratic maturity that Tocqueville offers us.

Traces and Memories deals with the foundation, mechanisms and scope of slavery-related memorial processes, interrogating how descendants of enslaved populations reconstruct the history of their ancestors when transatlantic slavery is one of the variables of the memorial process. While memory studies mark a shift from concern with historical knowledge of events to that of memory, the book seeks to bridge the memorial representations of historical events with the production and knowledge of those events. The book offers a methodological and epistemological reflection on the challenges that are raised by archival limitations in relation to slavery and how they can be overcome. It covers topics such as the historical and memorial legacy/ies of slavery, the memorialization of slavery, the canonization and patrimonialization of the memory of slavery, the places and conditions of the production of knowledge on slavery and its circulation, the heritage of slavery and the (re)construction of (collective) identity. By offering fresh perspectives on how slavery-related sites of memory have been retrospectively (re)framed or (re)shaped, the book probes the constraints which determine the inscription of this contentious memory in the public sphere. The volume will serve as a valuable resource in the area of slavery, memory, and Atlantic studies.

This anthology chronicles the Plains Indians' struggle to maintain their traditional way of life in the changing world of the nineteenth century. Its rich variety of 34 primary sources -- including narratives, myths, speeches, and transcribed oral histories -- gives students the rare opportunity to view the transformation of the West from Native American perspective. Calloway's introduction offers information on western expansion, territorial struggles among Indian tribes, the slaughter of the buffalo, and forced assimilation through the reservation system. More than 30 pieces of Plains Indian art are included, along with maps, headnotes, questions for consideration, a bibliography, a chronology, and an index.