Patrice Williams was happy living in Georgia with her grandmother, who called her "cocoa grandbaby." Then her mother lured her to Chicago and ended up in jail. Now Patrice lives with her Auntie Mae, and her new nickname is "Puffy" – thanks to her giant poof of hair. But Patrice's hair isn't the only reason she sticks out: she cares about her grades and strives for the best. That's why Monty Freeman, another eighth grader who lives in the building, asks Patrice to tutor his little brother. Even though Monty's friends make Patrice uneasy, Monty himself is friendly, confident, and surprisingly smart. When he becomes her guardian angel, Patrice begins to think something stronger than friendship might be growing between them. Still, nothing will stop her from applying for a scholarship at prestigious Dogwood Academy – her ticket out of the project and a school populated by gangs and drug runners. In her debut novel, Traci L. Jones presents a girl with grit she never knew she had, and a boy so inspired by her that he begins to take pride in his own abilities. Standing Against the Wind is a 2007 Bank Street - Best Children's Book of the Year and the winner of the 2007 Coretta Scott King - John Steptoe New Talent Award.

The perfect murder is a work of art In one catastrophic instant, Haley Warren's estranged father was taken from her. She never got the chance to reconnect with him, so now she's doing it the only way she's got left: by proving the explosion that killed him was no accident. When Tyler Brodie, the provocative and handsome P.I. hired by Haley, discovers that her father was investigating a suspected art theft, he knows his death is no coincidence. After all, tens of millions of dollars worth of stolen art could motivate a thief to go to any lengths—including getting rid of anyone poking around where they don't belong. As Haley and Ty get closer to the truth, the truth gets ugly: Did Haley's dad know too much…or was he in on the take? And although Ty's a consummate professional, he's having trouble focusing on the facts of the case, and not the figure of his gorgeous client. The two are determined to get to the bottom of the case, even if it means they die trying.

Don’t miss this fan-favorite book from the Raines of Wind Canyon series by New York Times bestselling author Kat Martin! Maggie O’Connell, a well-known Houston photographer, is being followed. Desperate for help, she hires Trace Rawlins, a former army ranger turned private investigator. Trace soon senses that something’s wrong—and it becomes clear Maggie isn’t telling him everything. If the menacing calls and messages are real, why won’t the police help her? And if they aren’t real, what is she hiding? Trace must figure out if the danger comes from an unknown stalker…or from the woman he’s trying his hardest not to fall for. Originally published in 2011.

Sixteen-year-old Titus Bass fears one fate more than any other: never to experience the great wilderness or the wildness inside himself. So late one night he snatches a squirrel gun and a handful of biscuits, flees into the woods, and doesn’t look back. From Louisville past the Chickasaw bluffs and the Natchez Trace all the way to New Orleans, he plunges into the rough-and-tumble life along the banks of the Mississippi: a volatile, violent country of boatmen and river bandits, knife fights and Indian raids, strong liquor and stronger women. Yet beyond the great river stretches the vast, unexplored expanse of the Great Plains. And it is here that young Titus will seek his future, and risk everything to seize it.

This classic series has inspired nearly 2 million readers. Both loyal fans and new readers will want the latest edition of this beloved series. This edition includes a foreword from the publisher, a preface from Francine Rivers and discussion questions suitable for personal and group use. #1 A Voice in the Wind: This first book in the classic best-selling Mark of the Lion series brings readers back to the first century and introduces them to a character they will never forget-Hadassah. Torn by her love for a handsome aristocrat, a young slave girl clings to her faith in the living God for deliverance from the forces of decadent Rome.

In these pages you will come to know Kvothe the notorious magician, the accomplished thief, the masterful musician, the dragon-slayer, the legend-hunter, the lover, the thief and the infamous assassin.

In this “gripping story of resistance and the triumph of human will” (Senator Elizabeth Warren), activist and subject of the documentary Not Going Quietly Ady Barkan explores his life with ALS and how his diagnosis gave him a profound new understanding of his commitment to social justice for all. Ady Barkan loved taking afternoon runs on the California coast and holding his newborn son, Carl. But one day, he noticed a troubling weakness in his hand. At first, he brushed it off as carpal tunnel syndrome, but after a week of neurological exams and two MRIs, he learned the cause of the problem: amyotrophic lateral sclerosis, better known as ALS or Lou Gehrig’s disease. At age thirty-two, Ady was given just three to four years to live. Yet despite the devastating diagnosis, he refused to let his remaining days go to waste. Eyes to the Wind is a rousing memoir featuring intertwining storylines about determination, perseverance, and how to live a life filled with purpose and intention. The first traces Ady’s battle with ALS: how he turned the initial shock and panic from his diagnosis into a renewed commitment to social justice—not despite his disability but because of it. The second, told in flashbacks, illustrates Ady’s journey from a goofy political nerd to a prominent figure in the enduring fight for equity and justice whose “selfless activism fighting to make health care a right should be an inspiration to us all” (Senator Bernie Sanders). From one of the most vocal advocates for social justice, Eyes to the Wind’s “primary question is existential: how to live when you are dying? Barkan’s answer is to share, open up, act, and capital-R Resist, and his memoir, clearly and candidly written, establishes a legacy” (Booklist).

After moving to an affluent suburb of Denver in 1975, ninth-grader Tiphanie, the only Black girl in her new high school, feels out of place until she befriends another outsider--Jackie Sue, whose "trailer trash" home life makes Tiphanie's problems seem like a walk in the park. In October 1975, while most teens are worried about their Happy Days Halloween costumes, Tiphanie Jayne Baker has bigger problems. Her parents have just decided to uproot the family to the ritzy suburb of Brent Hills, Colorado, and now she's the only Black girl at a high school full of Barbies. But the longer Tiphanie stays in her new neighborhood, the more her ties to her old community start to fray. Now that nowhere feels like home, exactly where does she belong?

A young man on the run from his past happens upon an old mountain man, and together they survive the Blackfeet and the Crow, bible-spouting pioneers, and sensuous women.

'A compelling personal account of the dramas of a singular British band' Neil Tennant The trajectory of Suede - hailed in infancy as both 'The Best New Band in Britain' and 'effete southern wankers' - is recalled with moving candour by its frontman Brett Anderson, whose vivid memoir swings seamlessly between the tender, witty, turbulent, euphoric and bittersweet. Suede began by treading the familiar jobbing route of London's emerging new 1990s indie bands - gigs at ULU, the Camden Powerhaus and the Old Trout in Windsor - and the dispiriting experience of playing a set to an audience of one. But in these halcyon days, their potential was undeniable. Anderson's creative partnership with guitarist Bernard Butler exposed a unique and brilliant hybrid of lyric and sound; together they were a luminescent team - burning brightly and creating some of the era's most revered songs and albums. In Afternoons with the Blinds drawn, Anderson unflinchingly explores his relationship with addiction, heartfelt in the regret that early musical bonds were severed, and clear-eyed on his youthful persona. 'As a young man . . . I oscillated between morbid self-reflection and vainglorious narcissism' he writes. His honesty, sharply self-aware and articulate, makes this a compelling autobiography, and a brilliant insight into one of the most significant bands of the last quarter century.