You haven't known the full excitement of the Old West until you read the adventures of the unique women who left cities behind to plunge into the harsh unknown. For danger and adventure, read these 15 gritty accounts by Tucson author Leo W. Banks.

If all the world's a stage, playwrights can theoretically be seen as in control of the world they create; this book asks to what extent women dramatists manage to use the space of the drama to reflect the world that they experience."--BOOK JACKET.

From 1865, Susan B. Anthony and Elizabeth Cady Stanton led campaigns for equal rights for all but were ultimately defeated by a Congress and reformers intent on applying suffrage established with constitutional amendments and legislation to men only. Ignoring all women, black and white, advocates argued that enfranchising black men would solve race problems, masking the effect on women. This book weaves Anthony's and Stanton's campaigns together with national and congressional events, in the process uncovering relationships among these events and revealing the devastating impact on the women and their campaign for civil rights for all citizens.

The History of the National Association of Colored Womens Clubs, Inc., Edited by LaVonne Jackson Leslie With a new introduction by the editor In highlighting the history of the oldest black womens organization in the United States, The History of the National Association of Colored Womens Clubs, Inc., written by scholar Dr. Charles Wesley, provides a comprehensive insight into the historical achievements and activities of the organization from its creation to 1984. The book offers an interesting history of how the organization evolved and functioned nationwide into one of the most respectable black organization. It is highly recommended for readers interested in understanding the role of black women in uplifting the black community through community service involvement with programs focusing on childcare, education, and social services. The clubwomen established local, state, and regional chapters nationwide. The History of the National Association of Colored Womens Clubs, Inc., utilizes the organizations conference reports, minutes, and National Notespublication, as primary sources to depict how the clubs carried out their goals and operated in society to make a difference. The voices of the pioneer women in the National Association of Colored Womens Clubs, Inc., can be envisioned by reading this pivotal work. Their achievements are noteworthy in our history. They have inspired women in the organization to continue to be involved in carrying out its mission by upholding its motto, lifting as we climb. This book prepares the foundation for the next edition focusing on the history of the organization to the present.

Based on personal interviews, Prayer Shawl Ministries and Women’s Theological Imagination uncovers the theological creativity of Christian lay women quietly stitching their own sacred fabric. From the origins of prayer shawl ministry in feminist and ecumenical thought, the movement has grown to hundreds of groups, composed mostly of women over 60, in denominations across the political and doctrinal spectrum. Through participation in handcrafting ministries, participants reflect on themes that sometimes complement and sometimes challenge the public stances of their communities. Women in prayer shawl ministries develop commitments to broad inclusion, reject the intrusion of market forces, and realize their productive power. Out of their traditional roles as caretakers, they craft compassion into a conscious, theologically-rich practice. Out of their historical subordination, they cultivate trust in divine providence and hope for the preservation of their legacy. Listening to their ideas, convictions, and concerns, and connecting them to findings from multiple scholarly fields, this book seeks to disclose the convergences and complexity of ordinary women’s theological thinking and behavior.

Life is not easy in the Soviet Union at mid-20 th century, especially for a factory worker who becomes an unwed mother. But Antonina is lucky to get a room in a communal apartment that she and her little girl share with three elderly women. Glikeria is a daughter of former serfs. Ariadna comes from a wealthy family and speaks French. Yevdokia is illiterate and bitter. All have lost their families, all are deeply traditional, and all become “grannies” to little Suzanna. Only they secretly name her Sofia. And just as secretly they impart to her the history of her country as they experienced it: the Revolution, the early days of the Soviet Union, the blockade and starvation of World War II. The little girl responds by drawing beautiful pictures, but she is mute. If the authorities find out she will be taken from her home and sent to an institution. When Antonina falls desperately ill, the grannies are faced with the reality of losing the little girl they love – a stepfather can be found before it is too late. And for that, they need a miracle.

"A brilliant, original, and powerful book. . . . This is the most skillful integration of feminism and Marxist literary criticism that I know of." So writes critic Stephen Greenblatt about The Proper Lady and the Woman Writer, Mary Poovey's study of the struggle of three prominent writers to accommodate the artist's genius to the late eighteenth- and early nineteenth-century ideal of the modest, self-effacing "proper lady." Interpreting novels, letters, journals, and political tracts in the context of cultural strictures, Poovey makes an important contribution to English social and literary history and to feminist theory. "The proper lady was a handy concept for a developing bourgeois patriarchy, since it deprived women of worldly power, relegating them to a sanctified domestic sphere that, in complex ways, nourished and sustained the harsh 'real' world of men. With care and subtle intelligence, Poovey examines this 'guardian and nemesis of the female self' through the ways it is implicated in the style and strategies of three very different writers."—Rachel M. Brownstein, The Nation "The Proper Lady and the Woman Writer is a model of . . . creative discovery, providing a well-researched, illuminating history of women writers at the turn of the nineteenth century. [Poovey] creates sociologically and psychologically persuasive accounts of the writers: Wollstonecraft, who could never fully transcend the ideology of propriety she attacked; Shelley, who gradually assumed a mask of feminine propriety in her social and literary styles; and Austen, who was neither as critical of propriety as Wollstonecraft nor as accepting as Shelley ultimately became."—Deborah Kaplan, Novel

Shows the tenacious spirit and hard work of women administrators in their struggles to enhance opportunities for women on college campuses.

Women play many roles during wartime. This compelling study brings together the work of foremost scholars on women and war to address questions of ethnicity, women and the war complex, peacemaking, motherhood, and more. It leaves behind outdated arguments about militarist men and pacifist women, while still recognizing differences in men's and women's relationships to war. .

Women's Wisconsin: From Native Matriarchies to the New Millennium, a women's history anthology published on Women's Equality Day 2005, made history as the first single-source history of Wisconsin women. This unique tome features dozens of excerpts of articles as well as primary sources, such as women's letters, reminiscences, and oral histories, previously published over many decades in the Wisconsin Magazine of History and other Wisconsin Historical Society Press publications. Editor and historian Genevieve G. McBride provides the contextual commentary and overarching analysis to make the history of Wisconsin women accessible to students, scholars, and lifelong learners.