The ebb and flow of debate about Stalin's Russia is brilliantly captured in this book. Chris Ward conceptualizes the field in a clear and helpful way, offers a synthesis of the vast secondary literature in the area, and provides evaluation of the key issues at stake. This second edition includes the necessary updating, the provision of more maps, and a new chapter on foreign policy.

Drawing on a huge range of sources - letters, memoirs, conversations - Orlando Figes tells the story of how Russians tried to endure life under Stalin. Those who shaped the political system became, very frequently, its victims. Those who were its victims were frequently quite blameless. The Whisperers recreates the sort of maze in which Russians found themselves, where an unwitting wrong turn could either destroy a family or, perversely, later save it: a society in which everyone spoke in whispers - whether to protect themselves, their families, neighbours or friends - or to inform on them.

In an effort to crush the syndicate movement and establish tight political control over the economy, Stalinist leaders intervened with a program of radical reforms. Shearer demonstrates that many professional engineers, planners, and industrial administrators actively supported the creation of a powerful industrial state unhampered by domestic social and economic constraints.

Examining Stalin's reign of terror, this text argues that the Soviet people were not simply victims but also actors in the violence, criticisms and local decisions of the 1930s. It suggests that more believed in Stalin's quest to eliminate internal enemies than were frightened by it.

Focusing on life and work after the author's release in 1935 from a Soviet labor camp, his story is told chronologically, and begins with his difficulties finding a job in the Russian provinces. This memoir may be most valuable for what it reveals about Russian society and economy and the indomitable creativity with which ordinary people sustained both their lives.

This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin’s Russia. The book is based on long-term empirical research in Russian archives and includes 57 photographs that are exceptional in terms of historical interest: all these images bear traces of editing in the form of various marks, such as blacking-out, excisions or scratches. The illustrative materials also include a group of photographs with inscriptions left by officers of Stalin’s secret police, the NKVD. To approach this extensive visual material, Denis Skopin draws on a wealth of Stalin-era written sources: memoirs, diaries and official documents. He argues that this kind of political iconoclasm cannot be confused with censorship nor vandalism. The practice in question is more harrowing and morally twisted, for in most cases the photos were defaced by those who were part of victim’s intimate circle: his/her colleagues, friends or even close family members. The book will be of interest to scholars working in history of photography, art history, visual culture, Russian studies and Russian history and politics.

A “fascinating” account of how Gorky, Pasternak, and other great writers were coerced to create propaganda for Stalin (Cleveland Plain Dealer). Sunday Times Best Travel Book of the Year In the Soviet Union, writers of renown, described by Stalin as “engineers of the soul,” were encouraged to sing the praises of canal and dam construction under titles such as Energy: The Hydraulic Power Station and Onward, Time! But their enthusiasm—spontaneous and idealistic at first—soon became obligatory, and as these colossal waterworks led to slavery and destruction, Soviet writers such as Maxim Gorky, Isaak Babel, Konstantin Paustovsky, and Boris Pasternak were forced to labor on in the service of a deluded totalitarian society. Combining investigative journalism with literary history, Engineers of the Soul is a journey through contemporary Russia and Soviet-era literature. Frank Westerman, a correspondent living in post-Communist Moscow, examines both the culture landscape under Stalin’s rule and the books—and lives—of writers caught in the wheels of the Soviet system as art and reality were bent to radically new purposes. “Engagingly written and extensively researched, the book covers compelling historical and literary ground.” —Financial Times “A detailed and enthralling account of his journey through Soviet literature including discovering the revolution’s best kept secrets while trying to appreciate the talented writers who created a web of deceit in the name of success.” —Publishers Weekly “A literary travelogue revealing a remarkable geography and a strange, fraught alliance when the pen was not as mighty as the hammer and sickle of the Soviet Union . . . insightful.” —Kirkus Reviews

Of all the great movements of population to and from the United States, the least heralded is the migration, in the depths of the Depression of the nineteen-thirties, of thousands of men, women and children to Stalin's Russia. Where capitalism had failed them, Communism promised dignity for the working man, racial equality, and honest labour. What in fact awaited them, however, was the most monstrous betrayal. In a remarkable piece of historical investigation that spans seven decades of political change, Tim Tzouliadis follows these thousands from Pittsburgh and Detroit and Los Angeles, as their numbers dwindle on their epic and terrible journey. Through official records, memoirs, newspaper reports and interviews he searches the most closely guarded archive in modern history to reconstruct their story - one of honesty, vitality and idealism brought up against the brutal machinery of repression. His account exposes the self-serving American diplomats who refused their countrymen sanctuary, it analyses international relations and economic causes but also finds space to retrieve individual acts of kindness and self-sacrifice.

Between 1934 and 1941 Stalin unleashed what came to be known as the 'Great Terror' against millions of Soviet citizens. The same period also saw the 'Great Retreat', the repudiation of many of the aspirations of the Russian Revolution. The response of ordinary Russians to the extraordinary events of this time has been obscure. Sarah Davies's study uses NKVD and party reports, letters and other evidence to show that, despite propaganda and repression, dissonant public opinion was not extinguished. The people continued to criticise Stalin and the Soviet regime, and complain about particular policies. The book examines many themes, including attitudes towards social and economic policy, the terror, and the leader cult, shedding light on a hugely important part of Russia's social, political, and cultural history.

To most Westerners, Russia remains as enigmatic today as it was during the Iron Curtain era. With the collapse of the Soviet Union, the country had an opportunity to confront its tortured past. In INSIDE THE STALIN ARCHIVES, Jonathan Brent asks why this didn't happen. Why are the anti-Semitic Protocols of the Elders of Zion sold openly in the lobby of the State Duma? Why are archivists under surveillance and phones still tapped? Why does Stalin, a man responsible for the deaths of millions of his own people, remain popular enough to appear on boxes of chocolate sold in the Moscow airport? Brent draws on fifteen years of access to high-level Soviet archives to answer these questions. He shows us a Russia where, in 1992, used toothbrushes were sold on the sidewalks, while now shops are filled with luxury goods and the streets are jammed with BMWs. Stalin's spectre hovers throughout, and in the book's crescendo Brent takes us deep into the dictator's personal papers, an unnerving prophecy of the world to come. Both cultural history and personal memoir, INSIDE THE STALIN ARCHIVES is a deeply felt and vivid portrait of Russia in the twenty-first century.