This is the first ever comprehensive account of the archaeology and history of the cathedral and its churchyard from Roman times up to the construction of the Wren building. The cathedrals which preceded that of Wren come to the surface again, and we can appreciate the cultural and religiousimportance of St Paul's over more than 1000 years.

The present St Paul's Cathedral, Christopher Wren's masterpiece, is the fourth religious building to occupy the site. Its location in the heart of the capital reflects its importance in the English church while the photographs of it burning during the Blitz forms one of the most powerful and familiar images of London during recent times. This substantial and richly illustrated study, published to mark the 1,400th anniversary of St Paul's, presents 42 scholarly contributions which approach the cathedral from a range of perspectives. All are supported by photographs, illustrations and plans of the exterior and interior of St Paul's, both past and present. Eight essays discuss the history of St Paul's, demonstrating the role of the cathedral in the formation of England's church and state from the 7th century onwards; nine essays examine the organisation and function of the cathedral during the Middle Ages, looking at, for example, the arrangement of the precinct, the tombs, the Dean's household during the 15th century, the liturgy and the archaeology. The remaining papers examine many aspects of Wren's cathedral, including its construction, fittings and embellishments, its estates and income, music and rituals, its place in London, its library, its role in the book trade and its reputation.

Building St Paul's tells the story of the cathedral that has dominated London's skyline for 300 years and of those responsible for its construction from the time of the disastrous Great Fire to final completion in 1708. The figure of Sir Christopher Wren is well known, but this book also considers those ordinary craftsmen, the contractors and overseers, the quarrymen on the Isle of Portland, the humble stonemasons and carpenters who shaped the materials. James Campbell is the first historian to plough through the documents in search of these people: he describes life on a seventeenth-century building site, the workers' day-to-day responsibilities, how some were poorly paid while others became millionaires. He also unravels the struggles for money that at one time threatened to undermine the whole enterprise. Campbell's account reaffirms St Paul's not only as one man's masterwork, but as an incredible collaborative achievement.

This is the first volume concerned solely with the archaeology of a major late 17th century building in London, and the major changes it has undergone. St Paul’s Cathedral in the City of London was built in 1675–1711 to the designs of Sir Christopher Wren and has been described as an iconic building many times. In this major new account, John Schofield examines the cathedral from an archaeological perspective, reviewing its history from the early 18th to the early 21st century, as illustrated by recent archaeological recording, documentary research and engineering assessment. A detailed account of the construction of the cathedral is provided based on a comparison of the fabric with voluminous building accounts which have survived and evidence from recent archaeological investigation. The construction of the Wren building and its embellishments are followed by the main works of later surveyors such as Robert Mylne and Francis Penrose. The 20th century brought further changes and conservation projects, including restoration after the building was hit by two bombs in World War II, and all its windows blown out. The 1990s and first years of the present century have witnessed considerable refurbishment and cleaning involving archaeological and engineering works. Archaeological specialist reports and an engineering review of the stability and character of the building are provided.

The extraordinary story of St. Paul's Churchyard--the area of London that was a center of social and intellectual life for more than a millennium St. Paul's Cathedral stands at the heart of London, an enduring symbol of the city. Less well known is the neighborhood at its base that hummed with life for over a thousand years, becoming a theater for debate and protest, knowledge and gossip. For the first time Margaret Willes tells the full story of the area. She explores the dramatic religious debates at Paul's Cross, the bookshops where Shakespeare came in search of inspiration, and the theater where boy actors performed plays by leading dramatists. After the Great Fire of 1666, the Churchyard became the center of the English literary world, its bookshops nestling among establishments offering luxury goods. This remarkable community came to an abrupt end with the Blitz. First the soaring spire of Old St. Paul's and then Wren's splendid Baroque dome had dominated the area, but now the vibrant secular society that had lived in their shadow was no more.

A biography of Sir Christopher Wren from one of Britain's best writers and historians

A funny picture book about Paddington, the beloved, classic bear from darkest Peru – now a major movie star!

Seminar paper from the year 2004 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,7, University of Paderborn (Institut für Anglistik), course: London the urban experience, language: English, abstract: When most people think of St. Paul's Cathedral in London the image of Christopher Wren's magnificent classical church rises in their minds, but there was a cathedral dedicated to St. Paul long before the construction of Wren’s cathedral. This paper is going to show how St. Paul’s Cathedral became what it is today and what a church can be apart from a place for sermons. Cathedrals have always played more than one role in the communities they serve. Their central purpose is to bring people closer to God, but over the centuries they have served as a focal point for trade, as fortresses and sanctuaries in times of war, and as vast status symbols - reflections of wealth and power of the region in which they stand. These functions take on an additional significance for St Paul’s, the cathedral of the capital city and also of the nation. Today’s Church belongs to the people of the nation. For example, every citizen can be married or have a funeral service in his or her parish church; priests can marry couples without the presence of a civil official; and the General Synod, the Church of England’s governing body, is the only organisation outside Parliament that has the power to legislate. Cathedrals are perhaps the ultimate reflection of this inclusiveness. Unlike parish churches, which exist to minister to the people of the local area in which they stand, they are a route to God for the larger community - a place of celebration and mourning where feelings can be shared and the sheer scale and beauty of the architecture, services and music allows visitors to experience the serenity and spirituality that are an essential counterpoint to the bustle of everyday life.