Two stories using Arizona and New Mexico as backgrounds, show free life versus civilization.

Lawrence's credo and philosophy of life expressed in religious terminology.

St Mawr and Other Stories is newly edited from Lawrence's original manuscripts and typescripts.

The Virgin and the Gypsy is a short story by English author D. H. Lawrence, about personal and sexual liberation. It was written in 1926 and published posthumously in 1930. The Virgin and the Gypsy has become a classic and is one of Lawrence’s most vibrant short novels.

For long stretches of Greek history in the classical period, Diodorus Siculus provides the only surviving continuous narrative of events. This study, the fullest ever undertaken of Diodorus, examines his aims, sources, and methods in detail. The findings of this investigation are then applied in commenting on Book 15, which deals with the crucial years between the King's Peace, concluded in 387/6 BC, and the aftermath of the battle of Mantinea fought in 362 BC.

These thirteen short stories were written between 1924 and 1928. Eleven were collected in The Woman Who Rode Away (1928), though 'The Man Who Loved Islands' appeared in the American edition only and the other two in The Lovely Lady (1933). An unpublished fragment 'A Pure Witch' is also included.

This book is first to historicise and theorise the significance of the early twentieth-century little art colony as a uniquely modern social formation within a global network of modernist activity and production.

Arrian’s Alexandrou Anabasis constitutes the most reliable account at our disposal about Alexander the Great's campaign in Asia. However, whereas the work has been thoroughly studied as a historical source, its literary qualities have been relatively neglected, with no autonomous monograph existing on this matter. Vasileios Liotsakis fills this gap in the studies of Alexander the Great’s literary tradition, by offering the first monograph on Arrian’s compositional strategies. Liotsakis focuses on the narrative techniques and verbal choices, through which Arrian allows praise and criticism to intermingle in his portrait of the Macedonian king. His main point of argument is that Arrian systematically exploits an abundance of narrative means (military descriptions, presentation of peoples, march-narratives, anachronies, and epic elements) in order to draw the reader’s attention not only to Alexander’s intellectual skills but also to the fact that the king was gradually corrupted by his success. This book puts Arrian’s literary contrivances under the microscope, sheds new light on unexplored aspects of the Anabasis’ narrative arrangement, and contributes to the studies of Alexander’s prosopography in Classical historiography.

Histories of ancient Rome have long emphasized the ways in which the empire assimilated the societies it conquered, bringing civilization to the supposed barbarians. Yet interpretations of this “Romanization” of Western Europe tend to erase local identities and traditions from the historical picture, leaving us with an incomplete understanding of the diverse cultures that flourished in the provinces far from Rome. The Sons of Remus recaptures the experiences, memories, and discourses of the societies that made up the variegated patchwork fabric of the western provinces of the Roman Empire. Focusing on Gaul and Spain, Andrew Johnston explores how the inhabitants of these provinces, though they willingly adopted certain Roman customs and recognized imperial authority, never became exclusively Roman. Their self-representations in literature, inscriptions, and visual art reflect identities rooted in a sense of belonging to indigenous communities. Provincials performed shifting roles for different audiences, rehearsing traditions at home while subverting Roman stereotypes of druids and rustics abroad. Deriving keen insights from ancient sources—travelers’ records, myths and hero cults, timekeeping systems, genealogies, monuments—Johnston shows how the communities of Gaul and Spain balanced their local identities with their status as Roman subjects, as they preserved a cultural memory of their pre-Roman past and wove their own narratives into Roman mythology. The Romans saw themselves as the heirs of Romulus, the legendary founder of the eternal city; from the other brother, the provincials of the west received a complicated inheritance, which shaped the history of the sons of Remus.