“Sri Jagannath Puri” by author HG Sarvasakshi Das is a captivating exploration of the spiritual and cultural significance of the sacred city of Puri, India, home to the revered Jagannath Temple. This insightful book delves into the temple’s rich history, rituals, and traditions, offering readers a comprehensive understanding of its profound importance in Hinduism. It serves as a spiritual guide for those seeking to connect with the divine in this sacred pilgrimage destination.

Lord Jagannath, Balabhadra and devi Subhadra are the incarnations of Krishana, Balaram and their sister Devi Subhadra. They are the main deities at Jagannath Puri. In the parampara (tradition) of Jagannath Puri, also known as Shrikhetra, on different occasions the deities have beautiful Shrinagar (Besa). This book elaborates many different Shringars they have round the year. These are: KaliyaDalanaBesh, Pralambasura Damana Besha, Banabhoji Besha, SriKiisnaBalaramaBesha, Bali Bamana Besha, RadhaDamodaraBesha, Laxmi Narayana Besha, Banka Chuda Besha, GajaUdharanaBesha, Padma Besha, Rajadhi Raja Besha/SunaBesha, BadaSingharaBesba, Raghunatha Besha

Documents samples of anasara pati-paintings, i e annually produced pictures on cloth which serve as temporary replacements for the then absent wooden icons in temples of Lord Jagannatha in Puri and South Orissa. In this book, the author reconstructs the history of anasara-pictures. This book in its first part documents samples of anasara pati-paintings , i.e. annually produced pictures on cloth which serve as temporary replacements for the then absent wooden icons in temples of Lord Jagannatha in Puri and South Orissa. In the second part of the book the authors

In the Rig-Veda, 10.155.3, there is mention of a Daru (log of wood) floating in the ocean. Vedic prayers have indicated for taking shelter in the Daru. In spite of the fact that Acharya Sayana, the noted commentator on the Vedas, has categorically interpreted the hymn with Jagannath as the Daru floating at the sea shores, some scholars have refuted this interpretation under the argument that the hymn deals with âAlaxmi Stavaâ of Arayi.

The book is about lord Jagannatha - the established god of Hindus and His temple at Puri known as Badadeula. The book is for general reading for those interested to know about lord Jagannatha and His temple at Puri and not a historical treatise. Many of the descriptions and anecdotes in it are from the epics, legends and folktales that may or may not have historical relevance. But at the same time, they are interesting facts about lord Jagannatha since ages. The book with the captioned name is divided into four chapters (1) Lord Jagannatha, (2) The Temple - Badadeula, (3) The Festivals of Jagannatha and (4) Mahaprasada. (the food offerings to Jagannatha). The eight annexes deal with (i) Important temples in Puri, (ii) Important mathas (monasteries) in Puri, (iii) Different beshas (costumes/dresses) of Jagannatha, (iv) Important festivals in Badadeula, (v) Fables and facts about Jagannatha,(vi) Invasion on Puri and Badadeula by Afghans and Moguls (vii) Salient facts and figures about Badadeula and Puri and (viii) Places of interest in and around Puri.

For all those who matter. It is made clear that the dull headed author has no contribution of his own but accidentally on going through the Bhagabat Gita, as if Sri Jagannath induced the author to say something, he has opened his mind as above. The author is fully alive of the unfettered liberty Mr.B enjoyed, like other book writers, to express his own ideas and principles in his book. But the scanning of his Gita became imperative because Mr.B condemned all other Gita interpreters, showing his book as the best, defying the Ethics involved in book writing.