The latest (and possibly last) issue of the greatest magazine devoted to EC comics ever published.

Five years in the making and meticulously edited by John Benson, Squa Tront returns with a profusion of rare and interesting features from the EC era: the story behind Basil Wolverton's first EC art; Howard Nostrand's last interview; art from the unpublished third issue of Flip; Jack Davis's WWII cartoons; plus EC era art by Wallace Wood, John and Marie Severin, Harvey Kurtzman, and Roy Krenkel. The longest running EC historical magazine and a perfect companion to Fantagraphics' series of EC reprints.

Donovan Wylie has banded with heroes from all the ages of the Earth to stop the alien race that has come to reclaim the X-O armor. Together they are all thats stands against the tyrannical force of Unity!

This biography reveals the true story of Mad creator Harvey Kurtzman―the man who revolutionized humor in America; it features new interviews with his colleagues Hugh Hefner, Robert Crumb, and others. Harvey Kurtzman created Mad, and Mad revolutionized humor in America. Kurtzman was the original editor, artist, and sole writer of Mad, one of the greatest publishing successes of the 20th century. But how did Kurtzman invent Mad, and why did he leave it shortly after it burst, nova-like, onto the American scene? For this heavily researched biography, Bill Schelly conducted new interviews with Kurtzman’s colleagues, friends and family, including Hugh Hefner, R. Crumb, Jack Davis, and many others, and examined Kurtzman’s personal archives. The result is the true story of one the 20th century’s greatest humorists: Kurtzman's family life, the details of the FBI's investigation during the McCarthy Era, his legal battles with William M. Gaines (publisher of Mad), are all revealed for the first time. Rich with anecdotes, this book traces Kurtzman’s life from his Brooklyn beginnings to his post-Mad years, when his ceaseless creativity produced more innovations: new magazines, a graphic novel, and Little Annie Fanny inPlayboy.

Between 1941 and 1945, Hitler was pummeled on comic book covers by everyone from Captain America to Wonder Woman. Take That, Adolf! is an oversized compilation of more than 500 stunningly restored comics covers published during World War II, featuring America’s greatest super-villain. From Superman and Daredevil to propaganda and racism, Take That, Adolf! is a fascinating look at how legendary creators such as Joe Simon, Jack Kirby, Alex Schomburg, Will Eisner, and Lou Fine entertained millions of kids on the home front and buoyed the spirits of GIs fighting overseas by using Adolf Hitler as a punching bag.

A long-awaited, much-deserved tribute to the only celebrity to rise from the grave and become an American icon. This complete history includes color reproductions of all original "Tales'" covers, four stories from the comic and a never-before-published horror story by one of the "Tales'" trademark artists. Over 1,000 illus. 300 in color.

From their inception in 1935, comic books -starring Superman, Batman,Captain Marvel- had been primarily written for and aimed at adolescents. Therewere always the occasional outlier artists who pushed back against thecommercial constraints of comic books and envisioned the next evolutionaryartistic leap in the artform, and Charles Biro was one of those artists. In1949, the ambitious Biro -who had previously co-created the realistically brutalcomic Crime Does Not pay- editedand wrote an over-sized comic aimed at adultscalled Tops. Like several other radical adult comics projects that would follow,it proved to be a commercial failure, and lasted only two Life magazine-sizedissues. The original comics have since become a legendary holy grail amongcomics fans and historians, fetching as much as $6,000 on the collector'smarket, written about, but rarely seen and never reprinted. Until now. Fantagraphics' TOPS collects both issues of this over-sized experimental comicin their entirety. These pulpy, sexy, and melodramatic stories wer drawn by someof the best craftsmen working in comics at that time: Dan Barry, George Tuska,Bob Fujitani, Fred Kida, Bob Lubbers, Fred Guardineer and others. It includestwo stunning pre-EC crime tales illustrated by Reed Crandall, reminiscent of hisCrime SuspenStories work. Over-the-top story titles include "I'll Buy ThatGirl," "Marriage Swap Shop," "The Prize WasDeath." The actor Melvyn Douglas (believe it or not) takes the reader on autopian tour entitled "How Would You Live Under A World Government?"- a positive spin on global Socialism! Editor/historian/cartoonist MichaelT. Gilbert has meticulously restored the original 1949 pages and addedcontextual material by historians Ken Quattro, Roger Hill, and others.Tops is alandmark work of historical importance and a mind-boggling reading experiencefrom a bygone era.

The definitive anthology of the pioneering cartoonist and creator of Mad magazine, featuring 100s of classic and never-before-seeen illustrations. It’s difficult to overstate Harvey Kurtzman’s influence on pop culture. He discovered Robert Crumb and gave Gloria Steinem her first job in publishing. Terry Gilliam also started at his side, where he met John Cleese, and the genesis of Monty Python was formed. And Art Spiegelman has stated on record that he owes his career to him. Harvey Kurtzman was an astonishingly talented and influential artist, writer, editor, and satirist. The creator of MAD and Playboy’s “Little Annie Fanny” was called, “One of the most important figures in postwar America” by the New York Times. Kurtzman’s groundbreaking “realistic” war comics of the early ’50s and various satirical publications (MAD, Trump, Humbug, and Help!) had an immense impact on popular culture, inspiring a generation of underground cartoonists and comedians. The Art of Harvey Kurtzman includes hundreds of never-before-seen illustrations, paintings, pencil sketches, newly discovered lost E.C. Comics layouts, color compositions, illustrated correspondence, and vintage photos from the rich Kurtzman archives.