This book describes the fortunes and activities of one of the few specialist publishing houses still in the hands of the same family that established it over years ago, and with it gives a p- trayal of those members who directed it. In doing so it covers a period of momentous historical events that directly and in- rectly shaped the firm's actions and achievements. But this volume tells not only, in word and picture, the story of Springer- Verlag but also, interwoven with it, the story of scientific p- lishing in Germany over the span of a hundred years. The text, densely packed with carefully researched facts and figures, is illuminated and supplemented by many illustrations whose captions, together with the author's notes, contain a wealth of important and interesting information. The reader is urged to read these captions as well as the notes so as to - preciate in full the events and people described. I have added a few footnotes to clarify or expand on some matters that may be unfamiliar to non-German readers. Because of the long period of time covered in these pages many of the documents and letters shown and commented upon are different in diction and style from those of today. An - tempt was made in the translation to keep the flavour of the original language and not contemporise it.

A chronicle written only by someone for whom the present important. Goethe, Maximen und Reflexionen The second volume of our company's history differs from the first in several ways. With a great appreciation of history, Heinz Sarkowski has impressively reconstructed the company cor- spondence, which is fortunately almost completely preserved, and made it speak. * There is an inexhaustible amount of c- respondence pertaining to the period I have taken it upon myself to cover, and working through it properly not only would have required many years, but also would have detracted from the immediacy of the account. Thus, I decided to proceed from personal experience, to describe what has happened and to provide details gleaned from the correspondence. I have - counted here by no means only my own, but rather the personal experiences of the many company members and employees who are mentioned below. With the founding of the New York firm, developments branch out, becoming parallel but separate, and the change from one scene to another repeatedly interrupts the continuing course of events and the chronological flow of the report. In this connection, the occasional repetition of certain facts was - avoidable. In some places, however, it seemed more appropriate not to interrupt particular lines of development, but to describe them in continuity without regard to specific periods of time.

A chronicle written only by someone for whom the present important. Goethe, Maximen und Reflexionen The second volume of our company's history differs from the first in several ways. With a great appreciation of history, Heinz Sarkowski has impressively reconstructed the company cor- spondence, which is fortunately almost completely preserved, and made it speak. * There is an inexhaustible amount of c- respondence pertaining to the period I have taken it upon myself to cover, and working through it properly not only would have required many years, but also would have detracted from the immediacy of the account. Thus, I decided to proceed from personal experience, to describe what has happened and to provide details gleaned from the correspondence. I have - counted here by no means only my own, but rather the personal experiences of the many company members and employees who are mentioned below. With the founding of the New York firm, developments branch out, becoming parallel but separate, and the change from one scene to another repeatedly interrupts the continuing course of events and the chronological flow of the report. In this connection, the occasional repetition of certain facts was - avoidable. In some places, however, it seemed more appropriate not to interrupt particular lines of development, but to describe them in continuity without regard to specific periods of time.

The Annual Bibliography of the History of the Printed Book and Libraries records articles of scholarly value that relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic, social and cultural environment involved in their production, distribution, conservation and description.

The second issue of the yearbook History of Intellectual Culture (HIC) dedicates a thematic section to modes of publication. This volume addresses recent advances in publication studies and stresses the cultural formation of knowledge. By exploring and analyzing layers of presenting, sharing, and circulating knowledge, we invite readers to critically engage with questions of media uses and publishing practices and structures, both historically and in our contemporary digital age. The articles in this volume attest to the great variety of publication modes and perspectives, from the potential and limits of digitizing newspapers such as the New York Times to questions of positionality in building and using Wikipedia, from translation policies and female participation to the genre of university histories.

Classical Methods of Statistics is a guidebook combining theory and practical methods. It is especially conceived for graduate students and scientists who are interested in the applications of statistical methods to plasma physics. Thus it provides also concise information on experimental aspects of fusion-oriented plasma physics. In view of the first three basic chapters it can be fruitfully used by students majoring in probability theory and statistics. The first part deals with the mathematical foundation and framework of the subject. Some attention is given to the historical background. Exercises are added to help readers understand the underlying concepts. In the second part, two major case studies are presented which exemplify the areas of discriminant analysis and multivariate profile analysis, respectively. To introduce these case studies, an outline is provided of the context of magnetic plasma fusion research. In the third part an overview is given of statistical software; separate attention is devoted to SAS and S-PLUS. The final chapter presents several datasets and gives a description of their physical setting. Most of these datasets were assembled at the ASDEX Upgrade Tokamak. All of them are accompanied by exercises in form of guided (minor) case studies. The book concludes with translations of key concepts into several languages.

In 1905, a young Jewish immigrant from Luxembourg founded an electrical supply shop in New York. This inventor, writer, and publisher Hugo Gernsback would later become famous for launching the first science fiction magazine, Amazing Stories, in 1926. But while science fiction’s annual Hugo Awards were named in his honor, there has been surprisingly little understanding of how the genre began among a community of tinkerers all drawn to Gernsback’s vision of comprehending the future of media through making. In The Perversity of Things, Grant Wythoff makes available texts by Hugo Gernsback that were foundational both for science fiction and the emergence of media studies. Wythoff argues that Gernsback developed a means of describing and assessing the cultural impact of emerging media long before media studies became an academic discipline. From editorials and blueprints to media histories, critical essays, and short fiction, Wythoff has collected a wide range of Gernsback’s writings that have been out of print since their magazine debut in the early 1900s. These articles cover such topics as television; the regulation of wireless/radio; war and technology; speculative futures; media-archaeological curiosities like the dynamophone and hypnobioscope; and more. All together, this collection shows how Gernsback’s publications evolved from an electrical parts catalog to a full-fledged literary genre. The Perversity of Things aims to reverse the widespread misunderstanding of Gernsback within the history of science fiction criticism. Through painstaking research and extensive annotations and commentary, Wythoff reintroduces us to Gernsback and the origins of science fiction.

A New Yorker staff writer investigates his grandfather, a Nazi Party Chief, in “a finely etched memoir with the powerful sweep of history” (David Grann, #1 bestselling author of Killers of the Flower Moon) “Fatherland maintains the momentum of the best mysteries and a commendable balance.”—The New York Times “Unflinching and illuminating . . . Bilger’s haunting memoir reminds us, the past is prologue to who we are, as well as who we choose to be.”—The Wall Street Journal A BEST BOOK OF THE YEAR: The New Yorker, The Washington Post, Kirkus Reviews One spring day in northeastern France, Burkhard Bilger’s mother went to the town of Bartenheim, where her father was posted during the Second World War. As a historian, she had spent years studying the German occupation of France, yet she had never dared to investigate her own family’s role in it. She knew only that her father was a schoolteacher who was sent to Bartenheim in 1940 and ordered to reeducate its children—to turn them into proper Germans, as Hitler demanded. Two years later, he became the town’s Nazi Party chief. There was little left from her father’s era by the time she visited. But on her way back to her car, she noticed an old man walking nearby. He looked about the same age her father would have been if he was still alive. She hurried over to introduce herself and told him her father’s name, Karl Gönner. “Do you happen to remember him?” she said. The man stared at her, dumbstruck. “Well, of course!” he said. “I saved his life, didn’t I?” Fatherland is the story behind that story—the riveting account of Bilger’s nearly ten-year quest to uncover the truth about his grandfather. Was he guilty or innocent, a war criminal or a man who risked his life to shield the villagers? Long admired for his profiles in The New Yorker, Bilger brings the same open-hearted curiosity to his family history and the questions it raises: What do we owe the past? How can we make peace with it without perpetuating its wrongs?

This book documents the fascinating history of radiological techniques that use contrast agents. The text includes many of the fundamental documentary sources that bring to life the social and scientific background of the discoveries, the personalities of the discoverers, and implementation of new technologies. Such agents when used with X-rays allow clinicians to distinguish anatomical structures with nearly identical densities. Focus is on urological and angiographic uses of contrast agents. Key selling features: Documents and thoroughly references the history of contrast agent development Reviews the priority and importance of patents Discusses the role that important individual scientists and leading research institutions have played in technology development and implementation

This is the most comprehensive account to date of literary politics in Nazi Germany and of the institutions, organizations and people who controlled German literature during the Third Reich. Barbian details a media dictatorship-involving the persecution and control of writers, publishers and libraries, but also voluntary assimilation and pre-emptive self-censorship-that began almost immediately under the National Socialists, leading to authors' forced declarations of loyalty, literary propaganda, censorship, and book burnings. Special attention is given to Nazi regulation of the publishing industry and command over all forms of publication and dissemination, from the most presitigious publishing houses to the smallest municipal and school libraries. Barbian also shows that, although the Nazis censored books not in line with Party aims, many publishers and writers took advantage of loopholes in their system of control. Supporting his work with exhaustive research of original sources, Barbian describes a society in which everybody who was not openly opposed to it, participated in the system, whether as a writer, an editor, or even as an ordinary visitor to a library.