SPQR: Senatus Populusque Romanus. A moreishly entertaining and richly informative miscellany of facts about Rome and the Roman world. Do you know to what use the Romans put the excrement of the kingfisher? Or why a dinner party invitation from the emperor Domitian was such a terrifying prospect? Or why Roman women smelt so odd? The answers to these questions can be found in SPQR, a compendium of extraordinary facts and anecdotes about ancient Rome and its Empire. Its 500-odd entries range across every area of Roman life and society, from the Empress Livia's cure for tonsillitis to the most reliable Roman methods of contraception.

Massacres, invasions, plots. An Emperor on the edge. An Empire in peril. Caracalla is on the warpath. Time, he has decided, to put his enemies in their place. To invade the Parthians at the edge of the Empire. To destroy everything in his way. For Imperial Assassin Silus, this is a time of crisis. Forced to guard the Emperor as part of his elite bodyguard, Silus knows that the situation is untenable. As everything threatens to crumble, Silus must make the ultimate choice... and face the ultimate sacrifice. The question is simple: will he turn traitor, for the sake of the Empire and the sake of his conscience? Or is loyalty, and the life of his charge Tituria, more important? As innocents die, as blood flows, as the Roman legions march on an epic scale, one thing is clear. It’s decision time. The thrilling climax to Alex Gough’s bestselling series, perfect for fans of Anthony Riches, Ben Kane and Bernard Cornwell.

How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.

A striking, nuanced biography of Nero—the controversial populist ruler and last of the Caesars—and a vivid portrait of ancient Rome “Exciting and provocative . . . Nero is a pleasure to read.”—Barry Strauss, author of The War That Made the Roman Empire: Antony, Cleopatra, and Octavian at Actium The Roman emperor Nero’s name has long been a byword for cruelty, decadence, and despotism. As the stories go, he set fire to Rome and thrummed his lyre as it burned. He then cleared the charred ruins and built a vast palace. He committed incest with his mother, who had schemed and killed to place him on the throne, and later murdered her. But these stories, left behind by contemporary historians who hated him, are hardly the full picture, and in this nuanced biography, celebrated historian Anthony Everitt and investigative journalist Roddy Ashworth reveal the contradictions inherent in Nero and offer a reappraisal of his life. Contrary to popular memory, the empire was well managed during his reign. He presided over diplomatic triumphs, and his legions overcame the fiery British queen Boudica who led one of the greatest revolts Rome had ever had to face. He loved art, culture, and music, and he won the loyalty of the lower classes with fantastic spectacles. He did not set fire to Rome. In Nero, ancient Rome comes to life: the fire-prone streets, the deadly political intrigues, and the ongoing architectural projects. In this teeming, politically unstable world, Nero was vulnerable to fierce reproach from the nobility and relatives who would gladly usurp him, and he was often too ready to murder rivals. He had a vision for Rome, but, racked by insecurity, he perhaps lacked the stomach to govern it. This is the bloodstained story of one of Rome’s most notorious emperors: but in Everitt and Ashworth’s hands, Nero’s life is also a complicated, cautionary tale about the mettle required to rule.

What can we learn from the stunning rise and mysterious death of the ancient world’s greatest conqueror? An acclaimed biographer reconstructs the life of Alexander the Great in this magisterial revisionist portrait. “[An] infectious sense of narrative momentum . . . Its energy is unflagging, including the verve with which it tackles that teased final mystery about the specific cause of Alexander’s death.”—The Christian Science Monitor More than two millennia have passed since Alexander the Great built an empire that stretched to every corner of the ancient world, from the backwater kingdom of Macedonia to the Hellenic world, Persia, and ultimately to India—all before his untimely death at age thirty-three. Alexander believed that his empire would stop only when he reached the Pacific Ocean. But stories of both real and legendary events from his life have kept him evergreen in our imaginations with a legacy that has meant something different to every era: in the Middle Ages he became an exemplar of knightly chivalry, he was a star of Renaissance paintings, and by the early twentieth century he’d even come to resemble an English gentleman. But who was he in his own time? In Alexander the Great, Anthony Everitt judges Alexander’s life against the criteria of his own age and considers all his contradictions. We meet the Macedonian prince who was naturally inquisitive and fascinated by science and exploration, as well as the man who enjoyed the arts and used Homer’s great epic the Iliad as a bible. As his empire grew, Alexander exhibited respect for the traditions of his new subjects and careful judgment in administering rule over his vast territory. But his career also had a dark side. An inveterate conqueror who in his short life built the largest empire up to that point in history, Alexander glorified war and was known to commit acts of remarkable cruelty. As debate continues about the meaning of his life, Alexander's death remains a mystery. Did he die of natural causes—felled by a fever—or did his marshals, angered by his tyrannical behavior, kill him? An explanation of his death can lie only in what we know of his life, and Everitt ventures to solve that puzzle, offering an ending to Alexander’s story that has eluded so many for so long.