“Like a cross between the TV show Leverage and Jim Butcher’s ‘Dresden Files’ books.”—Library Journal The author of Premonitions continues his Arcane Underworld saga... Anna Ruiz is on a mission: Help her friend and partner-in-crime Karyn Ames break free of the tangle of hallucinations and premonitions that have cut her off from reality. With the aid of her crew—ex-soldier Nail and sorcerer Genevieve—she’ll do whatever it takes to get Karyn help, even if it means tracking down every lowlife informant and back alley magic practitioner in the occult underworld of Los Angeles. But since a magical heist went to hell, the crew has been working for crimelord and doomed magus Enoch Sobell. Between fighting Sobell’s battles with some seriously scary demonic forces and tangling with a group of violent fanatics who want to manipulate Karyn’s abilities for their own gains, Anna, Nail, and Genevieve are beginning to realize they’re in way over their heads. And now that Karyn’s secret about seeing the future is out, even more unpleasant parties—human and otherwise—are about to come knocking… "Jamie Schultz breathes new life into the urban fantasy genre." (Fresh Fiction)

Two ancient vampires and a centuries-long war. Their final battlefield? The Faelan Werewolf reservation... With a wedding to plan and a future mother-in-law who hates her, the last thing Lizzie Grace needs is two psycho vampires rampaging through Castle Rock. But as their battle draws ever closer to her circle of friends, Lizzie finds herself unwillingly drawn deeper and deeper into their conflict. Then one vampire does the unthinkable, and Lizzie goes to war. Can she save everyone she loves and finally get her happy ending with Aiden? Or will darkness forever claim the reservation and consume them all?

You can’t run from the past forever… Lizzie Grace has finally returned to Canberra, the city where she grew up and a place that holds so many bad memories. Not only does she have to testify at her father’s trial, but also deal with her ex’s will and relatives unhappy that she’s inherited a good chunk of his assets. Yet Canberra holds more than just memories of an unwanted marriage. It’s where her sister was murdered, and the man responsible was never caught. Witches are once again being ritualistically sacrificed, and it holds terrible echoes of those past deaths. As the murders draw closer to home, Lizzie finds herself in a race to hunt down the wraith of a man after the ultimate revenge…the soul of the woman who once escaped him.

J. R. R. Tolkien is perhaps best known for The Hobbit and The Lord of the Rings, but it is in The Silmarillion that the true depth of Tolkien's Middle-earth can be understood. The Silmarillion was written before, during, and after Tolkien wrote The Hobbit and The Lord of the Rings. A collection of stories, it provides information alluded to in Tolkien's better known works and, in doing so, turns The Lord of the Rings into much more than a sequel to The Hobbit, making it instead a continuation of the mythology of Middle-earth. Verlyn Flieger's expanded and updated edition of Splintered Light, a classic study of Tolkien's fiction first published in 1983, examines The Silmarillion and The Lord of the Rings in light of Owen Barfield's linguistic theory of the fragmentation of meaning. Flieger demonstrates Tolkien's use of Barfield's concept throughout the fiction, showing how his central image of primary light splintered and refracted acts as a metaphor for the languages, peoples, and history of Middle-earth.

From the New York Times bestselling author of the Souls of Fire novels comes the second in the futuristic fantasy series that will make you want to keep the lights on... When the bombs that stopped the species war tore holes in the veil between worlds, they allowed entry to the Others. Now, a hundred years later, humans and shifters alike live in artificially lit cities designed to keep the darkness at bay.... The humanoid supersoldiers known as the déchet were almost eradicated by the war. Ever since, Tiger has tried to live her life in peace in hiding. But in the wake of her discovery that Central City’s children are being kidnapped and experimented on, Tiger’s conscience won’t let her look the other way. The key to saving them lies within the walls of a pharmaceutical company called Winter Halo. But as she learns more about the facility, Tiger’s mission is derailed by a complication: Winter Halo’s female security guards are being systematically attacked by an unknown force. Now Tiger must summon all her gifts to stop those responsible for both atrocities—no matter the cost to herself...

They say breaking up is hard to do. They’re wrong. Living with the consequences is so much harder, especially when sorrow is a powerful draw to evil … Lizzie Grace is trying to get on with her life now that she and Aiden have gone their separate ways, but it’s a difficult thing to do when just about everything reminds her of the damn man. The situation is made worse when a body is found, and her job as Deputy Reservation Witch means she has no choice but to interact with him. At first, the death seems to be nothing more than an accidental drowning in a remote location, but it’s soon evident a supernatural entity is involved. As they race to uncover what is going on, it becomes clear that this evil is not only targeting werewolves, but one particular pack—the O’Connor’s. And the reason might well be the song of sorrow. A song that Lizzie’s grief might have given birth to…

Elizabeth Bowen was a prolific writer; her publishing career spanned five decades and during this time she wrote ten novels, over one hundred short stories and countless reviews and journal articles. While earlier novels are now acknowledged as Modernist texts, her later novels can be read through the lens of postmodernism; they can be considered variously as romantic fiction, marriage novels, war time spy thrillers and psychological drama but, throughout her novels, she consistently questioned notions of identity, sexuality and the loss of innocence. A World of Lost Innocence: The Fiction of Elizabeth Bowen offers a reading of Elizabeth Bowen’s fiction which focuses specifically on this loss, foregrounding the psychological conflicts experienced by her protagonists. It examines the subject not only across the range of her fiction, but also in relation to her unfolding narrative structures through a chronologically based discussion of her novels and selected short stories, interwoven with biographical information and drawing on unpublished letters. This book investigates the dominant kinds of innocence that Bowen represents throughout her fiction: the innocence attributed to childhood, sexual innocence and sexual morality, and political innocence, and argues that the transition from innocence to experience plays an important role in the epistemological journey faced both by Bowen’s characters and her readers.

Austria, 1944. Jakob, a gypsy boy--half Roma, half Yenish--runs for his life as he has been told to do. With shoes made of sack cloth--stained with another person's blood--and a stone clutched in one hand, a small wooden box in the other, he runs blindly, full of fear and nearly drained of hope. He knows when to trust a stranger and when to be wary. He knows how to read the land and the sky--when to seek shelter, when not to. He has grown up following the wind and sticking to the shadows. They are familiar to him. It is the loneliness that is new. He has never, until now, been so alone. Weaving back and forth in time and place between WWII Austria, Switzerland, and 1920s England to tell the interlinked stories of Jakob, an 8-year-old gypsy boy, his father Yavy, and his English mother Lor, Jakob's Colors is about the painful legacies passed down from one generation to another, finding hope when there is no hope and color where there is no color.