An illustrated survey of British colonial architecture that once dominated the landscape of the Indian subcontinent, this book tells a rich and complicated history of imperialism. One of the most revealing legacies of Britain's long history in India is the colonial architecture from the two centuries preceding the struggle for independence. Built to house both occupiers and occupied alike, these imposing buildings, including palaces, mansions, clubhouses, and government offices, represented a hybrid of Western and Eastern sensibilities as their architects sought to plant the flag of British dominance in a foreign culture. Splendours of Imperial India focuses on India's towns and cities, particularly Calcutta, Bombay, and Madras, providing countless illustrations, sketches, and photographs of the many impressive buildings and ruins that dot India's coastlines, hillsides, and valleys. Andreas Volwahsen's informative commentaries highlight the considerable achievements of these magnificent structures while offering insight into the stories these buildings tell about their own and India's history.

This extraordinary book provides a detailed account of the relationship between classical antiquity and the British colonial presence in India. It examines some of the great figures of the colonial period such as Gandhi, Nehru, Macaulay, Jowett, and William Jones, and covers a range of different disciplines as it sweeps from the eighteenth century to the end of the British Raj in the twentieth. Using a variety of materials, including archival documents and familiar texts, Vasunia shows how classical culture pervaded the thoughts and minds of the British colonizers. His book highlights the many Indian receptions of Greco-Roman antiquity and analyses how Indians turned to ancient Greece and Rome during the colonial period for a variety of purposes, including anti-colonialism, nationalism, and collaboration. Offering a unique cross-cultural study, this volume will be of interest to literary scholars and historians of the classical world, the British Empire, and South Asia.

The eighteenth century was a time of profound upheaval when economic and political control of southern India passed from native kings to the East India Company. Hand-in-hand with the resultant conflicts and skirmishes, a process of cultural sharing was gaining ground which went on to manifest itself in the form of a flourishing imperial cultural in the nineteenth century.

Most monumental buildings of France’s global empire – such as the famous Saigon and Hanoi Opera Houses – were built in South and Southeast Asia. Much of this architecture, and the history of who built it and how, has been overlooked. The Architecture of Empire considers the large-scale public architecture associated with French imperialism in seventeenth- and eighteenth-century India, Siam, and Vietnam, and nineteenth- and twentieth-century Indochina, the largest colony France ever administered in Asia. Offering a sweeping panorama of the buildings of France’s colonial project, this is the first study to encompass the architecture of both the ancien régime and modern empires, from the founding of the French trading company in the seventeenth century to the independence and nationalist movements of the mid-twentieth century. Gauvin Bailey places particular emphasis on the human factor: the people who commissioned, built, and lived in these buildings. Almost all of these architects, both Europeans and non-Europeans, have remained unknown beyond – at best – their surnames. Through extensive archival research, this book reconstructs their lives, providing vital background for the buildings themselves. Much more than in the French empire of the Western Hemisphere, the buildings in this book adapt to indigenous styles, regardless of whether they were designed and built by European or non-European architects. The Architecture of Empire provides a unique, comprehensive study of structures that rank among the most fascinating examples of intercultural exchange in the history of global empires.

The story of the Vijayanagara Empire is one of triumph, cultural richness, and eventual decline. Its legacy continues to inspire and intrigue, offering valuable insights into a significant period of Indian history. Through Nayona’s camera lens of Hampi, we glimpse the architectural and cultural zenith of an empire that once dominated South India and traded precious gems with other major civilizations of the world. The journey of an Indian teenaged girl through the ruins of Hampi serve as a powerful reminder to the young and vibrant generation of Millennials and GenZ of the empire's achievements and its lasting impact on Indian heritage. Her interactions with the multitude of tourists, visitors, historians and archaeologists who thronged the place, only pointed to the fact that Hampi is not only of interest for its historical prestige and magnificent ruins, its remarkable landscapes, mythological and religious associations and ongoing archaeological investigations, but its contributions to World History, restoration work and the reclamation of a Lost Kingdom make it an outstanding destination of international significance.

This comprehensive guide to Southern India’s varied heritage covers all the major Buddhist, Hindu, Muslim and European historical monuments and sites in Maharashtra, Goa, Karnataka, Andhra Pradesh, Tamil Nadu and Kerala. The descriptions vary from forts and palaces, and temple architecture, sculpture and painting, to mosques and tombs, and churches and civic buildings. The guide is divided into travel-friendly itineraries, accompanied by useful location maps. Some of the special features of this travel guide are: (1) The most comprehensive coverage of the region's cities and monuments, museums, and archaeological sites. (2) Includes all the major sites – the great port cities of Mumbai, Chennai and Kochi; the citadels of Golconda, Vijaynagara and Gingee; the rock-cut sanctuaries at Ajanta and Ellora; the temples at Badami, Halebid and Thanjuvar; the mosques of Hyderabad and Bijapur; and the cathedrals at Goa – and hundreds of less well-known places. (3) Detailed up-to-date practical information, with maps and archival photographs.

Focusing on one of the largest megacities in the world—Delhi—this volume is a rare peek into the ineluctable process of hybridization between Indian and ‘other’ cultures within its local architecture and urban planning. The book explores a segment of the history of Delhi from 1912 through 1962, when the contemporary megacity was born, making a comparison between pre- and post-Independence, which is relatively neglected in academia. The author traces architectural and urban elements of the city of Delhi to understand how foreign developmental models were indigenized, the resistance encountered in the process, and finally their adaptation to local architectural contexts. Highlighting the complexities of ‘multiple Delhis’ with different or simultaneous cultural influences as well as with the various ways those influences have been interpreted or contextualized, the author offers a fresh insight into what is happening in Delhi’s globalized built environment nowadays. The book aims to unearth the social relations emerging from the constant flux in style of architecture and its related elements in an urbanized area.

Established in the 1840s by the peripatetic British, dak bungalows forever changed the way officers of the Empire and their families travelled across the subcontinent and got to know the real India. With most of the British Raj perpetually on the move, whether on tour or during the summer migration to the hills, dak bungalow travel inspired a brotherhood of sorts for generations of British and Indian officers, who could recount tales of horrid dak bungalow food, a crazed khansama, and the time their only companion at the bungalow was a tiger on the loose. Today, too, PWD-run circuit houses and dak bungalows continue to occupy an important place in the lives and imagination of India's civil servants. In The Raj on the Move: Story of the Dak Bungalow, Rajika Bhandari weaves together history, architecture, and travel to take us on a fascinating journey of India's British-era dak bungalows and circuit houses, following, quite literally, in the footsteps of travellers who stayed in these bungalows over the past two centuries. Her search takes her from the early-19th century memoirs and travelogues of British memsahibs, to travelling from the original colonial outpost of Madras in the south to the deep interiors of Madhya Pradesh, the heart of British India. Evoking the stories of Rudyard Kipling and Ruskin Bond, and filled with fascinating tidbits and amusing anecdotes, the book unearths local folklore about these remote and mysterious buildings, from the crotchety khansamas and their delectable chicken dishes to the resident ghosts that still walk the halls at night.

This is the first comprehensive study of the reception of classical architecture in different regions of the world. Exploring the impact of colonialism, trade, slavery, religious missions, political ideology and intellectual/artistic exchange, the authors demonstrate how classical principles and ideas were disseminated and received across the globe. By addressing a number of contentious or unresolved issues highlighted in some historical surveys of architecture, the chapters presented in this volume question long-held assumptions about the notion of a universally accepted ‘classical tradition’ and its broadly Euro-centric perspective. Featuring thirty-two chapters written by international scholars from China, Europe, Turkey, North America, Mexico, Australia and New Zealand, the book is divided into four sections: 1) Transmission and re-conceptualisation of classical architecture; 2) Classical influence through colonialism, political ideology and religious conversion; 3) Historiographical surveys of geographical regions; and 4) Visual and textual discourses. This fourfold arrangement of chapters provides a coherent structure to accommodate different perspectives of classical reception across the world, and their geographical, ethnographic, ideological, symbolic, social and cultural contexts. Essays cover a wide geography and include studies in Italy, France, England, Scotland, the Nordic countries, Greece, Austria, Portugal, Romania, Germany, Poland, India, Singapore, China, the USA, Mexico, Brazil, New Zealand and Australia. Other essays in the volume focus on thematic issues or topics pertaining to classical architecture, such as ornament, spolia, humanism, nature, moderation, decorum, heresy and taste. An essential reference guide, The Routledge Handbook on the Reception of Classical Architecture makes a major contribution to the study of architectural history in a new global context.

Between the mid-18th and mid-19th centuries, Britain evolved from a substantial international power yet relative artistic backwater into a global superpower and a leading cultural force in Europe. In this original and wide-ranging book, Hoock illuminates the manifold ways in which the culture of power and the power of culture were interwoven in this period of dramatic change. Britons invested artistic and imaginative effort to come to terms with the loss of the American colonies; to sustain the generation-long fight against Revolutionary and Napoleonic France; and to assert and legitimate their growing empire in India. Demonstrating how Britain fought international culture wars over prize antiquities from the Mediterranean and Near East, the book explores how Britons appropriated ancient cultures from the Mediterranean, the Near East, and India, and casts a fresh eye on iconic objects such as the Rosetta Stone and the Parthenon Marbles.