The only high-quality yet affordable edition available of the classic alchemical manuscript Splendor Solis, described as "the most magnificent treatise on alchemy ever made". Includes up-to-date commentary from experts in the field and a modern translation of the 16th-century text. A magnificent edition of the Splendor Solis for all those interested in alchemy, magic and mysterious manuscripts. Popularly attributed to the legendary figure Salomon Trismosin, the Splendor Solis ('Splendour of the Sun') is the most beautiful alchemical manuscript ever made, with 22 fabulous illustrations rich in allegorical and mystical symbolism. The paintings are given a fitting showcase in this new Watkins edition, which accompanies them with Joscelyn Godwin's excellent contemporary translation of the original 16th-century German text, as well as interpretation from alchemical experts Stephen Skinner and Georgiana Hedesan, and from Rafal T. Prinke, an authority in central and Eastern European esoteric manuscripts. Stephen Skinner explains the symbolism of both the text and the illustrations, suggesting that together they describe the physical process of the alchemical transmutation of base metal into gold. Rafal T. Prinke explains the theories about the authorship of both text and illustrations, discussing Splendor Solis as the turning point in alchemical iconography passing from the medieval tradition to that of the Baroque and the reasons for the misattribution of Splendor Solis to Poysel and Trismosin. Georgiana Hedesan looks at the legendary figure of Salomon Trismosin and his creation by followers of Theophrastus Paracelsus as part of an attempt to integrate their master in a lineage of ancient alchemical philosophers. The images are taken from the British Library manuscript Harley 3469, the finest example of the Splendor Solis to survive.

Splendor solis Alchemical treatises of Solomon Trismosin adept and teacher of paracelsus. including 22 allegorical pictures reproduced from the original paintings in the unique manuscript on vellum, dated 1582, in the British museum.

Written by Joseph L. Henderson, one of the first generation of Jungian analysts, and Dyane N. Sherwood, a practising analyst, this book is a striking and unique contribution to the resurgence of interest in alchemy for its way of representing the phenomenology of creative experience. Transformation of the Psyche is organized around 22 illuminated paintings from the early Renaissance alchemical manuscript the Splendor Solis, and is further illustrated by over 50 colour figures. The images of the Splendor Solis are possibly the most beautiful and evocative alchemical paintings to be found anywhere, and they are widely known to students of alchemy. Jung reproduced several Splendor Solis images in his works, yet prior to this book no one has explored the symbolism of the paintings as a series in relation to the process of depth psychological transformation. This book is the first scholarly study of the paintings in their entirety, and of the mythological and historical allusions contained within the images. Transformation of the Psyche does not simply explain or analyze the pictures, but invites the reader to participate in the creative and transforming process evoked by these images. Transformation of the Psyche is a truly unique book that will be of immense value and interest to analysts and psychotherapists, as well as scholars of mediaeval and renaissance intellectual history and students of spiritual disciplines.

Acclaimed by Einstein himself, this is among the clearest, most readable expositions of relativity theory. It explains the problems Einstein faced, the experiments that led to his theories, and what his findings reveal about the forces that govern the universe. 1957 edition.

Alchemy is thought to have originated over 2000 years ago in Hellenic Egypt, the result of three converging streams: Greek philosophy, Egyptian technology and the mysticism of Middle Eastern religions. Its heyday was from about 800 A.D. to the middle of the seventeenth century, and its practitioners ranged from kings, popes, and emperors to minor clergy, parish clerks, smiths, dyers, and tinkers. Even such accomplished men as Roger Bacon, Thomas Aquinas, Sir Thomas Browne and Isaac Newton took an interest in alchemical matters. In its search for the "Philosopher's Stone" that would transmute base metals into silver and gold, alchemy took on many philosophical, religious and mystical overtones. These and many other facets of alchemy are explored with enormous insight and erudition in this classic work. E. J. Holmyard, a noted scholar in the field, begins with the alchemists of ancient Greece and China and goes on to discuss alchemical apparatus, Islamic and early Western alchemy; signs, symbols, and secret terms; Paracelsus; English, Scottish and French alchemists; Helvetius, Price, and Semler, and much more. Ranging over two millennia of alchemical history, Mr. Holmyard shows how, like astrology and witchcraft, alchemy was an integral part of the pre-scientific moral order, arousing the cupidity of princes, the blind fear of mobs and the intellectual curiosity of learned men. Eventually, however, with the advent and ascension of the scientific method, the hopes and ideas of the alchemists faded to the status of "pseudo-science." That transformation, as well as alchemy's undeniable role as a precursor of modern chemistry, are brilliantly illuminated in this book. Students of alchemy, chemistry, the history of science, and the occult, plus anyone interested in the origin and evolution of one of mankind's most enduring and influential myths, will want to have a copy of this masterly study.

From Arabic al-kimia (of Egypt) and old Egyptian keme (black, fertile soil), alchemy is the ancient science of elements and interactions in both the natural and the spiritual realms. Spanning 2,500 years and informed by Hermetic and Neoplatonist influences, it has been practiced in the classical Greco-Roman world, medieval Europe and the medieval Middle East and Orient, and up to the present in esoteric circles. Alchemists have three main pursuits: the transmutation of base metals into gold by means of the Lapis Philosophorum, the Philosopher's Stone; the concoction of the Elixir of Life, a universal medicine; the reconciliation between spirit and matter and direct knowledge of the Divine This concise dictionary of alchemy provides clear access to one of the major roots of Western esoteric thought. Subjects include alchemical processes and procedures, the natural elements and apparatus used, major practitioners and philosophers, and concepts and beliefs. Distinguishing this guide from similar ones is the addition of etymology, connecting the language of alchemy to its Latin, Greek, and Arabic sources. Symbolic pictographs accompany half of the over four hundred entries, and a fascinating illustration from the long tradition of alchemical art introduces each letter of the alphabet. Most important is the author Jordan Stratford’s unique perspective as both a modern Gnostic priest and a Freemason. He also brings to bear extensive knowledge of the depth psychology of C. G. Jung, who based his key concept of individuation on the premise that what the ancient alchemists truly sought was inner transformation.

Marcianus Graecus Z. 454 [= 822], known to Homeric scholars as the Venetus A, is the oldest complete text of the Iliad in existence, meticulously crafted during the tenth century ce. An impressive thousand years old and then some, its historical reach is far greater. The Venetus A preserves in its entirety a text that was composed within an oral tradition that can be shown to go back as far as the second millennium bce, and the writings in its margins preserve the scholarship of Ptolemaic scholars working in the second century bce and in the centuries following. Two thousand years later, technology offers a new opportunity to rediscover this scholarship and better understand the epic that is the foundation of Western literature. The high-resolution images of the manuscript that accompany these essays were acquired by a multinational team of scholars and conservators in May 2007.

Dazzling, highly stylised, excessively violent and brimming with sex, blaxploitation films enjoyed a brief but memorable moment in motion picture history. Never before, and never since, have so many African-American performers been featured in films, not in bit parts, but in name-above-the title starring roles. Here's a new and appreciative look back at a distinctly American motion picture phenomenon, the first truly comprehensive examination of the genre, its films, its trends and its far-reaching impact, covering more than 240 Blaxploitation films in detail. This is the primary reference book on the genre, covering not just the films' heyday (1971-1976) but the entire decade (1970-1980). Includes: film posters and ads