In a stunning new collection of poems of transport and transcendence, African-American poet Nathaniel Mackey's "asthmatic song of aspiration" scuttles across cultures and histories--from America to Andalucía, from Ethiopia to Vienna--in a sexy, beautiful adaptive dance.

A new volume of the singular, ongoing, great American jazz novel Nathaniel Mackey’s Late Arcade opens in Los Angeles. A musician known only as N. writes the first of a series of letters to the enigmatic Angel of Dust. N.’s jazz sextet, Molimo m’Atet, has just rehearsed a new tune: the horn players read from The Egyptian Book of the Dead with lips clothespinned shut, while the rest of the band struts and saunters in a cosmic hymn to the sun god Ra. N. ends this breathless session by sending the Angel of Dust a cassette tape of their rehearsal. Over the next nine months, N.’s epistolary narration follows the musical goings-on of the ensemble. N. suffers from what he calls “cowrie shell at- tacks”—oil spills, N.’s memory of his mother’s melancholy musical Sundays— which all becomes the source of fresh artistic invention. Here is the newest installment of the National Book Award-winner Nathaniel Mackey’s From a Broken Bottle Traces of Perfume Still Emanate, the great American jazz novel of “exquisite rhythmic lyricism” (Bookforum).

A stellar new collection of poems by "the Balanchine of the architecture dance" (The New York Times), and winner of the National Book Award in poetry.

Mackey, winner of the 2006 National Book Award, presents his fourth volume in his ongoing great American jazz novel with no beginning or end.

Presents poetry by Nathaniel Mackey.

Dawn Lundy Martin's work is neither language poetry, which rejects the speaking subject, nor strictly lyric, which embraces the speaking "I." Martin's poems bend the form into something new, seeing a way to approach the horrific and its effect on the psyche more fully than might be possible in the worn groove of the traditional lyric. Her formal inventiveness is balanced by a firm grounding in bodily experience and in the amazing capacity of language to expand itself in Martin's hands. She explodes any pretense at a world where words mean exactly what we want them to mean and never more nor less -- Back cover.

Exquisite recipes that push the boundaries of vegan cuisine

How do poets engage issues of race? This timely collection of essays brings together the voices of living poets and scholars, including Garrett Hongo and Major Jackson, to discuss the constraints and possibilities of racial discourse in poetic language, offering new insights on this perennially vexed issue.

Poetry. Reprint of Nathanial Mackey's first book of poetry, selected by Michael Harper in 1985 as a winner of the National Poetry Series, and published by University of Illinois Press. With a new preface by Joseph Donahue.

Opera, poetics, and the fate of humanism : Ezra Pound and Charles Bernstein -- "Measure, then, is my testament" : Robert Creeley and the poet's music -- Orpheus in the garden : John Taggart -- Eurydice takes the mic : improvisation and ensemble in the work of Tracie Morris -- "Orphic bend" : music and meaning in the work of Nathaniel Mackey.