This book is a study of contemporary spirituality as it is practiced in the world today, characterized by its secular and inclusive nature, and applied to art and art education. It identifies the issues facing a formal introduction of contemporary spiritual concepts into a secular and multicultural arts educational environment. Lander begins by separating the notion of "the spiritual" from the study of organized religions. She uses examples of art from different cultures in contemporary spiritual systems, making the study a reference book for contemporary spirituality and spirituality in art education, with usable definitions and practical examples suitable for scholars in art and visual studies, art education, and contemporary spirituality.

Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.

In this book, therapists are urged to take into account the existence of spiritual aspects of personality, both in terms of making proper assessments and more focused treatment plans for people under their care. Although addressing itself chiefly to art therapists, the thrust of the text is an attempt to sensitize all clinical practitioners to the spiritual dimensions of therapy. By drawing on sources in the literature of religion, psychodynamics, systems theory, sociology, art, and ethics, the author lays a foundation for discovering and measuring clients’ spiritual sensibilities and search for personal meaning of their relationship to God. Chapter 1 discusses the evolution of the book and how the author embarked upon the inclusion of the spiritual dimension in assessment and treatment. Chapter 2 reviews the literature that encircles art therapy, mental health, and spirituality and explores its impact. Chapter 3 examines the Belief Art Therapy Assessment (BATA). Chapter 4 highlights the interviews and use of the BATA with clergy, while Chapter 5 explores its use with a “normal” adult artist population. Chapter 6 looks at spiritual art therapy with emotionally disturbed children and youth in residential treatment. Chapter 7 offers a case vignette of spiritual art therapy with a suicidal anorectic bulimic. Chapter 8 summarizes the author’s position and theosophy, while Chapter 9 examines the use of phototherapy as a means to investigate mourning and loss issues. The final chapter explores humankind’s search for inner and outer meaning after the tragedy of September 11. In addition to art therapists, this unique book will be useful to mental health workers, social workers, educational therapists, pastoral counselors, psychologists, psychiatrists, and other creative arts therapists.

Many people try to describe their experience when "in the zone" or "in the flow" during the creative process. Some claim that a Greater Power or Divine Guidance assisted them. But, what is this state of consciousness, and how do we replicate it? In search of answers, writer and painter Christopher J. Miller took the suggestion of one of his art mentors to watch and chronicle his creative process. Join him on his journey home as he outlines his approach and rediscovers God's presence while creating his art. Miller confirms that our first task as humans is to create, whether painting, raising children, starting a new business, making dinner, or writing a novel. This book is for everyone, for we are all creators.

This volume is a collective work bringing together Ukrainian researchers in the field of arts education. Professional artistic education in Ukraine is currently one of the most important directions of a person’s spiritual and ideological development. It suggests that the spiritual development of an individual can be fulfilled through musical art. To this end, this book presents a set of methodological approaches and principles of post-nonclassical didactics allowing the formation of a new model of post-nonclassical knowledge in the system of professional artistic education. The results provided here will be of great practical importance, and can be used for drawing up special courses, methodological recommendations, and training guides on artistic disciplines. The volume, which has a role to play in the scientific reflection of new trends, will be useful to researchers, educationalists, students, and all those interested in the modern processes involved in the development of artistic education, and who are looking for new pathways for the cultural development of Ukraine, in the context of identifying the value of post-nonclassical culture.

14 lectures, Stuttgart, August 21-September 5, 1919 (CW 294) How do Waldorf teachers put their educational ideals into practice in the classroom? How does a teacher connect geography and art and language in a way that enlivens the souls of children? What does a child's respect for the teacher mean for later life? These are only a few practical aspects of this initial course for Waldorf teachers. During an intensive two weeks, Rudolf Steiner gave three simultaneous educational courses to those who would be the first teachers of the original Waldorf school. One course provided the foundational ideas behind Waldorf education (The Foundations of Human Experience); another provided a forum for questions and lively discussions on specific issues in the classroom (Discussions with Teachers). In this course, Steiner takes the middle-path by integrating theory and practice. Here, Steiner spoke of new ways to teach reading, writing, geography, geometry, language, and much more. His approach is tailored to the spiritual and physical needs of the children themselves, not to an arbitrary curriculum based solely on external results. At a time when public education is in a state of crisis, this book describes how children around the world are being guided into adulthood with a fuller sense of themselves and with a creative approach to life and the world around them. German source: Erziehungskunst. Methodisch-Didaktisches (GA 294).

Zen Camera is an unprecedented photography practice that guides you to the creativity at your fingertips, calling for nothing more than your vision and any camera, even the one embedded in your phone. David Ulrich draws on the principles of Zen practice as well as forty years of teaching photography to offer six profound lessons for developing your self-expression. Doing for photography what The Artist’s Way and Drawing on the Right Side of the Brain did for their respective crafts, Zen Camera encourages you to build a visual journaling practice called your Daily Record in which photography can become a path of self-discovery. Beautifully illustrated with 83 photographs, its insights into the nature of seeing, art, and personal growth allow you to create photographs that are beautiful, meaningful, and uniquely your own. You’ll ultimately learn to change the way you interact with technology—transforming it into a way to uncover your innate power of attention and mindfulness, to see creatively, and to live authentically.

Compelling, well-illustrated study focuses on the works of Kandinsky, Mondrian, Klee, Picasso, Duchamp, Matisse, and others. Citations from letters, diaries, and interviews provide insights into the artists' views. 121 black-and-white illustrations.

This book demonstrates that numerous prominent artists in every period of the modern era were expressing spiritual interests when they created celebrated works of art. This magisterial overview insightfully reveals the centrality of an often denied and misunderstood element in the cultural history of modern art.