"Meissner has the storyteller's gift for creative living characters, living speech, living emotions, living drama. He knows his small town baseball, but beyond that, he knows the human spirit." --Tim O'Brien, author of The Things They Carried "In Spirits in the Grass, Meissner explores the hidden heart of America's Midwest--scratching hard at his character's dreams to release their nightmares, their truths. His words are supple as grass, his language a graceful dance that is a pure joy to read." --Susan Power, author of The Grass Dancer "This novel is a rare achievement, an extraordinary story of a man's desire to resurrect his past, to redeem and restore the world he knew as a boy, while he confronts the crimes around him. Juxtaposing baseball, Native American history and religion, and small town life, Meissner has created a genuine original." --Jonis Agee, University of Nebraska, author of South of Resurrection and The River Wife "Bill Meissner's Spirits in the Grass is nothing short of stunning, his mastery of the prose is evident in virtually every sentence as it intensifies and heightens the intrigue of the wonderful story being told. This is a vibrant and original novel, a triumph, and Meissner's linguistic veracity places him among the finest prose stylists writing today." --Jack Driscoll, author of How Like an Angel In Spirits in the Grass we meet Luke Tanner, a thirty-something baseball player helping to build a new baseball field in his beloved hometown of Clearwater, Wisconsin. Luke looks forward to trying out for the local amateur team as soon as possible. His chance discovery of a small bone fragment on the field sets in motion a series of events and discoveries that will involve his neighbors, local politicians, and the nearby Native American reservation. Luke's life, most of all, will be transformed. His growing obsession with the ball field and what's beneath it threatens his still fragile relationship with his partner, Louise, and challenges Luke's assumptions about everyone, especially himself.

What do such artists as Bob Marley, Fela Anikulapo Kuti, Nina Simone, and Sun Ra have in common? All created uniquely powerful musical art that had a profound effect on their audiences. Through their music and their lives they became forces for liberation, challenging the established order and inspiring people around the world to look at life in new ways. So great was their originality that to a large extent they created their own musical genres, and listeners claim the music leads them to a higher state of being. Great Spirits: Portraits of Life-Changing World Music Artists presents personal encounters with some of the most interesting and important musical artists of the past fifty years--Bob Marley, Fela Anikulapo Kuti, Nina Simone, Sun Ra, Augustus Pablo, the Neville Brothers, Yabby You, and Nadia Gamal. Based on the author's meetings and interviews with these giants, the pieces reveal the unique essence of each musician as a person, as an artist, and as a force for social change. Spanning the realms of jazz, blues, reggae, gospel, African, and Middle Eastern music, these artists epitomize musical creation at its highest level.

Possession, a seemingly irrational phenomenon, has posed challenges to generations of scholars rooted in Western notions of body-soul dualism, self and personhood, and a whole set of presuppositions inherited from Christian models of possession that was “good” or “bad.” The authors of the essays in this book present a new and more promising approach. They conceive spirit possession as a form of communication, of expressivity, of culturally defined behavior that should be understood in the context of local, vernacular theories and empiric reflections. With the aim of reformulating the comparative anthropology of spirit possession, the editors have opened corridors between previously separate areas of research. Together, anthropologists and historians working on several historical periods and in different European, African, South American, and Asian cultural areas attempt to redefine the very concept of possession, freeing it from the Western notion of the self and more clearly delineating it from related matters such as witchcraft, devotion, or mysticism. The book also provides an overview of new research directions, including novel methods of participant observation and approaches to spirit possession as indigenous historiography

Native American history is filled with stories about animals, creation of the Earth and man, life lessons and of course ghosts... Ghosts, spirits, and the “walking dead” were often known to pay visits to their family and those left behind. Many of these stories revolved around lost loves and attempts to reclaim the person taken from them. Other stories spun tales of revenge and payback for those who wronged them. In any case death was looked at as a doorway to the afterlife and not to be feared. In this book, you will be given many opportunities to relive the past cultures of many tribes and their beliefs in ghosts, spirits and the afterlife. You will be presented with stories of individuals who transcended the plane of death to interact with the living and other spirits who have remained earthbound and troubled who have to work through a life lesson to successfully move on. As is traditional, these stories are here for you to share and pass on to the next generation. Included in this collection are the stories: Ghost of the White Deer, The Story of a Poor Man, The Resuscitation of the only Daughter, The Spirit Bride, Heavy Collar and the Ghost Woman, Bluejay finds a Wife, Two Ghostly Lovers, Origin of the Medicine Man, The Medicine Grizzly Bear, A Little Brave and the Medicine Woman, The Man Who Was Afraid of Nothing, The Ghosts' Buffalo, The Land of the Dead, Blue Jay Visits Ghost Town, The Spirit Land, The Skin Shifting Old Woman, and many, more.

Haunted by history. Bound by mystery. Lori Chase doesn't know what to think about ghosts. She may have seen a few in the past, but those were just childish imaginings . . . right? Only now that she is living in Gettysburg, Pennsylvania, spirits seem to be on everyone's mind. The town is obsessed with its bloody Civil War history, and the old inn that Lori's parent run is supposedly haunted by the souls of dead soldiers. Then Lori meets one such soldier -- the devastatingly handsome Nathaniel Pierce. Nathaniel's soul cannot rest, and he desperately needs Lori's help. Because Nathaniel was not killed in the famous battle. He was murdered. Lori begins to investigate the age-old mystery, stumbling upon shocking clues and secrets. At the same time, she can't help falling for Nathaniel, just as he is falling for her . . . .

Teaching Spirits offers a thematic approach to Native American religious traditions. Through years of living with and learning about Native traditions across the continent, Joseph Epes Brown learned firsthand of the great diversity of the North American Indian cultures. Yet within this great multiplicity, he also noticed certain common themes that resonate within many Native traditions. These themes include a shared sense of time as cyclical rather than linear, a belief that landscapes are inhabited by spirits, a rich oral tradition, visual arts that emphasize the process of creation, a reciprocal relationship with the natural world, and the rituals that tie these themes together. Brown illustrates each of these themes with in-depth explorations of specific native cultures including Lakota, Navajo, Apache, Koyukon, and Ojibwe. Brown was one of the first scholars to recognize that Native religions-rather than being relics of the past-are vital traditions that tribal members shape and adapt to meet both timeless and contemporary needs. Teaching Spirits reflects this view, using examples from the present as well as the past. For instance, when writing about Plains rituals, he describes not only building an impromptu sweat lodge in a Denver hotel room with Black Elk in the 1940s, but also the struggles of present-day Crow tribal members to balance Sun Dances and vision quests with nine-to-five jobs. In this groundbreaking work, Brown suggests that Native American traditions demonstrate how all components of a culture can be interconnected-how the presence of the sacred can permeate all lifeways to such a degree that what we call religion is integrated into all of life's activities. Throughout the book, Brown draws on his extensive personal experience with Black Elk, who came to symbolize for many the richness of the imperiled native cultures. This volume brings to life the themes that resonate at the heart of Native American religious traditions.

Alur Society became a classic for a number of reasons. Being much more than a descriptive account of an African society, it was the first intensive ethnography to adopt the ideas of Max Weber. It pioneered the idea that religion and ritual could be the basis of political action. It also showed how state systems could evolve not just on the basis of conquest but as a result of societies without kings inviting those with kings to govern them. Author Aidan Southall's theory of the segmentary state was adopted by political anthropologists throughout the subject and also by political scientists, being applied not just to Africa but also to India and other parts of the world. The book was able to arrive at such long-lasting and imaginative conclusions through the use of ethnographic material of a quality rarely surpassed. It is moreover arguably the best book in social anthropology of a Nilotic-speaking people. Southall's own command of their language and his overall scholarly knowledge of Nilotes is also unsurpassed.

Can't we all just get along? It sounds good, but we must not hold hands with evil. Social and religious diversity, writ large, has been the undoing of the United States. Second Chronicles 7:14 says: "[If] My people who are called by My name humble themselves and pray and seek My face and turn from their wicked ways, then I will hear from heaven, will forgive their sin and will heal their land" (NASB). America needs a Christian revival, a Protestant Reformation, a return to our Judeo-Christian roots right now; otherwise, this beautiful land will be given over to its evil devices (Romans 1), and will go the way of King Solomon's kingdom after his foray into social and religious diversity. When foreign wives bring false gods, bad things happen (see 2 Chronicles 7:19-22). "Testing the Spirits: Exposing Dark Sayings and Embracing the Light of Jesus "is a clarion call to repentance and for a return to our Judeo-Christian roots. We've been following the dangerous diversity of King Solomon, when we should do as King Hezekiah did and clear the pagan idols from our land. In this way, we can draw closer to the King of kings and Lord of lords, the mighty Yeshua.

Set in a Sioux Indian reservation, The Grass Dancer weaves back and forth through time from the 1860's to the 1980's, with the unrequited love of Ghost Horse and the beautiful warrior woman Red Dress shaping the fates of their descendants.