The word “possession” is anything but transparent, especially as it developed in the context of the African Americas. There it referred variously to spirits, material goods, and people. It served as a watershed term marking both transactions in which people were made into things—via slavery—and ritual events by which the thingification of people was revised. In Spirited Things, Paul Christopher Johnson gathers together essays by leading anthropologists in the Americas that reopen the concept of possession on these two fronts in order to examine the relationship between African religions in the Atlantic and the economies that have historically shaped—and continue to shape—the cultures that practice them. Exploring the way spirit possessions were framed both by material things—including plantations, the Catholic church, the sea, and the phonograph—as well as by the legacy of slavery, they offer a powerful new way of understanding the Atlantic world.

Spirited Prospect: A Portable History of Western Art from the Paleolithic to the Modern Era is a lively, scholarly survey of the great artists, works, and movements that make up the history of Western art. Within the text, important questions are addressed: What is art, and who is an artist? What is the West, and what is the Canon? Is the Western Canon closed or exclusionary? Why is it more important than ever for individuals to engage and understand it? Readers are escorted on a concise, chronological tour of Western visual culture, beginning with the first art produced before written history. They learn about the great ancient cultures of Egypt, Mesopotamia, Greece, and Italy; the advent of Christianity and its manifestations in Byzantine, Medieval, Renaissance, and Baroque art; and the fragmentation of old traditions and the proliferation of new artistic choices that characterize the Enlightenment and the Modern Era. The revised second edition features improved formatting, juxtaposition, sizing, and spacing of images throughout. Spirited Prospect is an ideal textbook for introductory courses in the history of art, as well as courses in studio art and Western civilization at all levels. David D. Nolta holds a Ph.D. in the history of art from Yale University. Dr. Nolta is a professor and the chair of the History of Art Department at MassArt. He has won many awards, including Fulbright and Kress fellowships and residencies at The Huntington Library and Harvard University. Charles A. Stigliano holds an M.F.A. in sculpture from The University of North Carolina. He is a professor in the Fine Arts 3D Department at MassArt. Professor Stigliano has exhibited a range of works, from marionettes to monumental figure sculptures, at venues across the U.S., and his work can be found in numerous public and private collections.

The Interpreting Spirit is both a consideration of the Spirit's role in the interpretation of Scripture and a celebration of renewal scholarship. It examines those who have focused on the Spirit's role in their hermeneutical considerations, recognizing common, uniting themes amidst the diversity of scholarly approach and opinion. Working on the principle that the Spirit communicates in ways that seek to unify and celebrate the other, Mather works diachronically from 1970, identifying and drawing together these common, uniting hallmarks into a collective understanding. Pivotal to Mather's argument is her emphasis that we do not just interpret Scripture, but that the Spirit through Scripture, and working in our lives in ways that lead us towards Scripture, interprets us. The Interpreting Spirit is the first comprehensive analysis of the conversation surrounding pneumatic interpretation that has been taking place, particularly among renewal scholars, since 1970. It seeks to answer the notoriously difficult question, ""What does the Spirit do in the process of biblical interpretation?""

Includes the proceedings of the annual meeting of the Society.

Have you ever asked yourself what changed when you were "born again?" You look in the mirror and see the same reflection - your body hasn't changed. You find yourself acting the same and yielding to those same old temptations - that didn't seem to change either. So you wonder, Has anything really changed? The correct...

Unlike traditional Japanese literature, with its rich tradition of comedy, modern Japanese literature is commonly associated with high seriousness. Cohn analyzes works by three writers--Ibuse Masuji (1898-1993), Dazai Osamu (1909-1948), and Inoue Hisashi (1934- )--that assault the notion that comedy cannot be part of serious literature.