First published in 1957, this is the complete, fascinated biography of "Doc" William Frank Carver, a legend of the American West. Even the expansive sub-title shows that there is no limit to the talents of Doc Carver—“Plainsman, Trapper, Buffalo Hunter, Medicine Chief Of The Santee Sioux, World's Champion Marksman, And Originator Of The American Wild West Show.” Doc’s life began in the era of American pioneering to the West. As a youth he lived with the Santee Sioux, from the plains of Illinois and the forests of Minnesota he graduated to the beautiful prairies of Nebraska where he became supreme as a horseback-riding buffalo hunter, and came to count among his close friends the mountain men and plainsmen of whom James B. Hickok, John Y. Nelson, Texas Jack, and the boastful “Buffalo Bill,” were but a few. To California, at thirty-five years of age, was Carver’s next move. Here he discovered in his reading of sporting magazines that men were making fortunes by shooting—men who were not good shots! His innate confidence assured him that he was the best shot in the world, and he began the work of proving to the world that he was not only the best marksman, but that he was to become one of the world’s outstanding showmen.

Western Frontiersmen Series, No. 7. Plainsman, Trapper, Buffalo Hunter, Medicine Chief Of The Santee Sioux, World's Champion Marksman, And Originator Of The American Wild West Show.

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THE NEW YORK TIMES BESTSELLING FOLLOW-UP TO AMERICAN SNIPER Join Chris Kyle on a journedy to discover “how 10 firearms changed United States history” (New York Times Book Review) Drawing on his legendary firearms knowledge and combat experience, U.S. Navy SEAL and #1 bestselling author of American Sniper Chris Kyle dramatically chronicles the story of America—from the Revolution to the present—through the lens of ten iconic guns and the remarkable heroes who used them to shape history: the American long rifle, Spencer repeater, Colt .45 revolver, Winchester 1873 rifle, Springfield M1903 rifle, M1911 pistol, Thompson submachine gun, M1 Garand, .38 Special police revolver, and the M16 rifle platform Kyle himself used. American Gun is a sweeping epic of bravery, adventure, invention, and sacrifice. Featuring a foreword and afterword by Taya Kyle and illustrated with more than 100 photographs, this new paperback edition features a bonus chapter, “The Eleventh Gun,” on shotguns, derringers, and the Browning M2 machine gun.

“James Butler Hickok, generally called ‘Wild Bill,’ epitomized the archetypal gunfighter, that half-man, half-myth that became the heir to the mystique of the duelist when that method of resolving differences waned. . . . Easy access to a gun and whiskey coupled with gambling was the cause of most gunfights--few of which bore any resemblance to the gentlemanly duel of earlier times. . . . Hickok’s gunfights were unusual in that most of them were ‘fair’ fights, not just killings resulting from rage, jealousy over a woman, or drunkenness. And, the majority of his encounters were in his role as lawman or as an individual upholding the law.”--from Wild Bill Hickok, Gunfighter Wild Bill Hickok (1837–1876) was a Civil War spy and scout, Indian fighter, gambler, and peace officer. He was also one of the greatest gunfighters in the West. His peers referred to his reflexes as “phenomenal” and to his skill with a pistol as “miraculous.” In Wild Bill Hickok, Gunfighter, Joseph G. Rosa, the world’s foremost authority on Hickok, provides an informative examination of Hickok’s many gunfights. Rosa describes the types of guns used by Hickok and illustrates his use of the plains’ style of “quick draw,” as well as examining other elements of the Hickok legend. He even reconsiders the infamous “dead man’s hand” allegedly held by Hickok when he was shot to death at age thirty-nine while playing poker. Numerous photographs and drawings accompany Rosa’s down-to-earth text.

From the most prolific author to write on all things Western, Larry McMurtry follows the rise of international celebrity "Buffalo" Bill Cody, tracker, part-time Indian scout and showman, and his most famous and celebrated star, Annie Oakley, the gifted woman sharpshooter, and how they became the first of America's great superstars. From the early 1800s to the end of his life in 1917, Buffalo Bill Cody was as famous as anyone could be. Annie Oakley was his most celebrated protégée, the 'slip of a girl' from Ohio who could (and did) outshoot anybody to become the most celebrated star of Buffalo Bill's Wild West Show. In this sweeping dual biography, Larry McMurtry explores the lives, the legends and above all the truth about two larger-than-life American figures. With his Wild West show, Buffalo Bill helped invent the image of the West that still exists today—cowboys and Indians, rodeo, rough rides, sheriffs and outlaws, trick shooting, Stetsons, and buckskin. The short, slight Annie Oakley—born Phoebe Ann Moses—spent sixteen years with Buffalo Bill's Wild West, where she entertained Queen Victoria, Emperor Franz Joseph of Austria, and Kaiser Wilhelm II, among others. Beloved by all who knew her, including Hunkpapa leader, Sitting Bull, Oakley became a legend in her own right and after her death, achieved a new lease of fame in Irving Berlin's musical Annie, Get Your Gun. To each other, they were always 'Missie' and 'Colonel'. To the rest of the world, they were cultural icons, setting the path for all that followed. Larry McMurtry—a writer who understands the West better than any other—recreates their astonishing careers and curious friendship in a fascinating history that reads like the very best of his fiction.

In 1888, Samuel F. Cody, a twenty-one-year-old horse wrangler, met Maud Lee, a sixteen-year-old aspiring circus performer, while touring with the Wild West show cast of Adam Forepaugh's Circus. A quick rapport developed between the girl from Norristown, Pennsylvania, and the cowboy who dazzled audiences with his good looks and fancy pistol shooting. A Pair of Shootists is the exuberant and sometimes heartbreaking story of the elusive S. F. Cody and his first wife, Maud Lee. Recounting their many dramatic exploits, this biography also overturns the frequently romanticized view of Wild West shows. Living the erratic lives of touring performers, S. F. Cody — who changed his name to capitalize on his resemblance to William F. "Buffalo Bill" Cody — and Maud Lee first appeared together in vaudeville halls and dime museums. Setbacks in the United States made Cody and Lee eager to try their luck abroad, so they traveled to Great Britain, where they played music halls and acted in burlesques on roller-skates and in extravagant arena exhibitions. When the two performers eventually parted ways, author Jerry Kuntz masterfully splits their stories into two. From there, he follows their individual ups and downs, including Cody's soaring career in pioneer aeronautics and Lee's decline into mental illness and addiction. In an ironic twist, Maud's professional life ended amidst a vast misunderstanding that brought her into conflict with the woman she had been emulating her entire career: Annie Oakley. While other biographies focus mainly on Cody's contribution to aviation, Kuntz uses sources previously unavailable to scholars to paint a more complete picture of Cody's early years and to recover the forgotten — and ultimately tragic — story of Maud Lee.

'A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017' is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions. The cultural history recounted in this book provides not only an insight into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production.