Spirit Faces is a visionary book about the afterlife based on Mark Macy's fifteen years of research, with special emphasis on a growing collection of unique photographs in which he captures clear faces of nonphysical beings- spirits. These photographs and other results of his research provide some of the first solid evidence, and verifiable proof, that life continues after death of the physical body. Macy weaves his groundbreaking information into a clear picture of life on the other side. He explains in easily digestible terms how loved ones, ancestors, angels, and ghosts all play a part in the affairs of our world, and how we humans can attract the supportive and loving spiritual influences that we desire.

This impressive 12 x 12 book of 184 stunning color portraits and text by award-winning documentary photographer Alison Wright with a foreword by Pico Iyer, is a testament to the connectedness of the universal human spirit. Warmth, dignity and grace emanate from the eyes of monks and geishas, nomads and cowboys, tribal warriors and even inspirational icons like His Holiness the Dalai Lama and Burmese leader Aung San Suu Kyi. From Asia to Africa, to the Middle East and back, this book celebrates the tapestry of humanity in all its diversity and splendor.

From the collections of the British Library and other major archives in Britain and America, this includes work from leading spirit photographers from the 1870s to 1930s.

"The Case Against Spirit Photographs" by Vincent Patrick and Walter Whately Smith tapped into the fascination of spirits and ghosts that permeated society during the 20th century. Since this eagerness to believe in ghosts still exists over a century later, reading early texts debunking their existence is an insightful and entertaining experience that modern readers will love.

A child of a typical 1950s suburb unearths her mother's hidden heritage, launching a rich and magical exploration of her own identity and her family's powerful Native American past.

In Faces of Your Soul, Elise Dirlam Ching and Kaleo Ching combine art and archetypes, meditation and acupressure, guided imagery, journaling, and many different creative processes in a collage of healing knowledge and wisdom. The authors start by stressing the balance of complementary opposites—left brain/right brain, challenge/comfort, practicality/the sacred—as crucial to beginning the journey. Then through guided imagery, they lead readers through subconscious realms to connect with archetypal sources of inner wisdom. This process frees the creative and healing spirit, connecting explorers with the body's instinctive intelligence, which expresses itself through the creation of art. Central to this process is a detailed description of maskmaking—including how to work with a partner to mold each other's gauze mask—balanced with self-explorations of the inner experience of this event. Poetry, personal stories, photographs, and a gallery of Kaleo Ching's evocative totemic masks expand the reader's experience of this richly resonant journey to self.

"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa

In Before the Great Spirit Julian Rice explores the spiritual values that informed Sioux attitudes surrounding warriors, tricksters, spirits, games, and conflict. Countering the widespread myths that both denigrate and appropriate Indian spirituality, Rice examines accounts written in the 1830s by Congregationalist ministers Samuel and Gideon Pond and Stephen R. Riggs; Ella Deloria, a Yankton Nakota linguist; Wilson D. Wallis, a Canadian anthropologist; native Lakota George Bushotter; and physician James R. Walker in order to delineate clearly Sioux thought from the biases and perspectives of these observers.

Winner of the National Book Critics Circle Award for Nonfiction, this brilliantly reported and beautifully crafted book explores the clash between a medical center in California and a Laotian refugee family over their care of a child.

The publicity given to the recent attacks on Psychic Photography has been out of all proportion to their scientific value as evidence. When Sir Arthur Conan Doyle returned to Great Britain, after his successful tour in America, the controversy was in full swing. With characteristic promptitude he immediately decided to meet these negative attacks by a positive counter-attack, and this volume is the outcome of that decision. We have used the term Spirit Photography on the title-page as being the popular name by which these phenomena are known. This does not imply that either Sir Arthur or I imagine that everything supernormal must be of spirit origin. There is, undoubtedly, a broad borderland where these photographic effects may be produced from forces contained within ourselves. This merges into those higher phenomena of which many cases are here described. Those desiring fuller information on this subject are referred to Photo graphing the Invisible, by James Coates.