Sheet solo version of the famous "Spinning Song," in F major. Students will learn a lot about phrasing and different touches, as well as observance of rests, accents and other dynamic markings, while playing one of the most enjoyable intermediate level romantic era compositions there is.

One of the most loved of all early-intermediate teaching pieces ever written, the ascending scale patterns and upbeat syncopations lend unforgettable strength and character to this effective piano solo. "Spinning Song" will forever be a piece that EVERY PIANO STUDENT will want to play.

With more than 60 essential solo piano masterworks in their original form, this book guarantees a lifetime of exploration and challenge at the keys. Titles: *The Avalance, Op. 45, No. 2 (Heller) *Bagatelle, Op. 5, No. 10 (Tcherepnin) *Ballade, Op. 100, No. 15 (Burgmí_ller) *Bear Dance (Bartí_k) *Clair de lune, from Suite bergamasque (Debussy) *Consolation, Op. 30, No. 3, from Song without Words (Mendelssohn) *The Easy Winners (Joplin) *Elfin Dance, Op. 12, No. 4 (Grieg) *The Entertainer (Joplin) *Fantasy in D Minor, K. 397 (Mozart) *First Arabesque (Debussy) *First Gymnopí©die (Satie) *Fughetta (Zipoli) *Fí_r Elise, WoO 59 (Beethoven) *A Giddy Girl, from Histoires (Ibert) *Golliwog's Cakewalk, from Children's Corner (Debussy) *Grillen, Op. 12, No. 4, from Fantasiestí_cke (Schumann) *Impromptu in A-flat Major, Op. 142, No. 2 (Schubert) *Invention No. 8 in F Major, BWV 779 (Bach) *Invention No. 13 in A Minor, BWV 714 (Bach) *Invention No. 14 in B-Flat Major, BWV 785 (Bach) *Knecht Ruprecht, Op. 68, No. 12, from Album for the Young (Schumann) *Le Coucou (The Cuckoo) (Dacquin) *Le fille aux cheveux de lin, from Preludes, Book 1 (Debussy) *Le petit níÂgre (Debussy) *The Little White Donkey, from Histoires (Ibert) *Maple Leaf Rag (Joplin) *Menuet in G Major, WoO 10, No. 2 (Beethoven) *Minuet in G Major, Op. 14, No. 1 (Paderewski) *Moments musicaux, Op. 94, No. 3 (Schubert) *Nocturne in B-flat Major (Field) *Nocturne in E-flat Major, Op. 9, No. 2 (Chopin) *Nocturne in E Minor, Op. 72, No. 1 (Chopin) *Notturno, Op. 52, No. 4 (Grieg) *O Polichinelo, from The Babyäó»s Family, Book 1 (Villa-Lobos) *Prelude in A Major, Op. 28, No. 7 (Chopin) *Prelude in C Major, BWV 846, from The Well-Tempered Clavier, Book 1 (Bach) *Prelude in C Minor, Op. 28, No. 20 (Chopin) *Prelude in C-sharp Minor, Op. 3, No. 2 (Rachmaninoff) *Prelude in E Minor, Op. 28, No. 4 (Chopin) *Puck, Op. 71, No. 3 (Grieg) *Remando (Nazareth) *Romance, Op. 24, No. 9 (Sibelius) *Rustles of Spring, Op. 32, No. 3 (Sinding) *Sarabande, from Suite No. 4 in D Minor (Handel) *Solfeggio in C Minor (C.P.E. Bach) *Sonata in A Major, K. 331, from Rondo Alla Turca (Movement 3) (Mozart) *Sonata in A Major, Op. 120 (Movement 1) (Schubert) *Sonata in C Major, Hob. XVI/35 (Movement 1) (Haydn) *Sonata in C Major, K. 545 (Movement 1) (Mozart) *Sonata in D Major, Hob. XVI/37 (Movement 1) (Haydn) *Sonata No. 8 in C Minor, Op. 13, from Pathí©tique (Movement 2) (Beethoven) *Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 (Moonlight) (Beethoven) *Sonatina in C Major, Op. 36, No. 1 (Clementi) *Sonatina in C Major, Op. 55, No. 3 (Kuhlau) *Spanish Dance, Op. 12, No. 1 (Moszkowski) *Spanish Dance, Op. 5, No. 5 (Granados) *Spinning Song, Op. 14, No. 4 (Ellmenreich) *Tango in D Major, Op. 165, No. 2, from Suite Espaí±a (Albí©niz) *To a Wild Rose, Op. 51, No. 1, from Woodland Sketches (MacDowell) *Toccata in A Major (Paradisi) *Trí_umerei, Op. 15, No. 7, from Scenes from Childhood (Schumann) *Twelfth Street Rag (Bowman) *Venetian Boat Song, Op. 19, No. 6 (Mendelssohn) *Venetian Boat Song, Op. 30, No. 6 (Mendelssohn) *Waltz in A-flat Major, Op. 39, No. 15 (Brahms) *Waltz in D-flat Major, Op. 64, No. 1 (Chopin) *Waltz in E Major, Op. 39, No. 2 (Brahms)

A Perfect 10, Book 4, is a collection of solos designed to promote musical excellence for the intermediate-level pianist. Melody has chosen a favorite teaching piece from the four stylistic periods---Baroque, Classical, Romantic, and Contemporary---and written six original pieces in jazz, blues, ragtime, Latin, ballad, and showstopper styles. These 10 solos provide students with technical challenges as well as expressive opportunities for musical growth in mood, rhythm, melody, harmony, form, articulation, and dynamics. Students do not have to be an Olympic hopeful to achieve a perfect "10," but they might feel like one as they practice and perform these selections! Titles: *Energetic Etude *Jammin' on Bass *Latin Holiday *Minuet in G Major (J. S. Bach) *Shades of Blue *Sonatina in A Minor (Benda) *Spinning Song (Ellmenreich) *Stadium Rag *Stargazer *Teasing Song (Bartók)

Twenty-five traditional folk songs, plus 19 songs written in the folk style by 20th-century composers such as Shostakovich, Knipper, and Zakharov. Each of the songs appears with a vocal line, full piano accompaniment, and guitar chords. The lyrics are shown in the original Cyrillic, in transliteration, and in an English translation.

Almost from the beginning of their existence, family units would gather by the warmth of the hearth and enjoy some form of music. Throughout human history, music in many forms played a significant role in social development. In this study, author Foster White presents his assessment of this important aspect of music history through the lens of his own familys story of musical development and ingenuity. Exploring music as it related to family life and home entertainment in the time prior to radio, television, and the Internet, White shares a saga beginning in Caernarfon Wales in the mid-1500s and ending rather tragically by the Atlantic Ocean on the Massachusetts coast in September 1938. Along the way, he recounts the intriguing history of the development of the player piano and the Artrio Angelus Reproducing Piano. The story of the Strong/White family and the Wilcox and White Organ Company is one of creativity, dedication, musical skills and the ability to adapt to change and survive the difficult situations presented in life. Full of intriguing historical detail, Music by the Hearth offers a consideration of one familys contribution to music over the course of more than three centuries.

These duet arrangements offer intermediate to late intermediate pianists the opportunity to play the classics at a much earlier level than if they were to wait to play the original version. By dividing the pieces between two performers, the individual parts are simpler, but the fullness and integrity of the originals remain. Highlights from Book 2 are Beethoven's Für Elise, Satie's 1st Gymnopedie and Sousa's Stars and Stripes Forever.

The 100 pieces (including individual sonatina movements) in this anthology provide a valuable resource for pianists and piano teachers as well as piano pedagogy faculty and students. The literature ranges from late elementary to intermediate levels of difficulty. Repertoire was chosen from all style periods and each piece includes suggestions for fingering and pedaling. All selections are in their original form (no arrangements, simplifications, or other adaptations).