Two dogs, Spike and Cubby, get caught in a storm while trying to sail to their dream destination--the grand opening of Ice Cream Island.

An Angle of Vision is a compelling anthology that collects personal essays and memoir by a diverse group of gifted authors united by their poor or working-class roots in America. The contributors include Dorothy Alison, Joy Castro, Lisa D. Chavez, Mary Childers, Sandra Cisneros, Judith Ortiz Cofer, Teresa Dovalpage, Maureen Gibbon, Dwonna Goldstone, Joy Harjo, Lorraine M. Lpez, Karen Salyer McElmurray, Amelia Maria de la Luz Montes, Bich Minh Nguyen, Judy Owens, Lynn Pruett, Heather Sellers, and Angela Threatt.

Love & Profanity features more than forty brief, brilliant, and unforgettable true stories from writers both renowned and on the rise. The special edition e-book also includes the winner and five finalists from the "Tell Your True Story" contest, sponsored by Switch Press and Wattpad, the world's largest community of readers and writers. In these stories you will discover strange and surprising scenes of people coming of age amidst the everyday intensity of teenage life. You will witness transformative moments arising from the mundane. And you will encounter the young adult in full splendor, humor, and horror.

When it comes to writing, The Practice of Creative Writing has a simple message: you can do this, and it’s worthwhile to try. Designed for students in the introductory course, The Practice of Creative Writing teaches writers how to trust their own voice, experiment with form, and develop a writing process that allows them to spend more productive time at the desk. Rather than locking into one genre early, writers are encouraged to work among and in between genres and to focus on creating a writing practice that privileges close observation, patience, and techniques of pattern, energy, and shape. Heather Sellers, who writes in multiple genres herself, has developed a lively, welcoming, student-centered approach that teaches creative concentration, close reading, and generating pages. She provides opportunities to be playful and to experiment at the same time that she teaches students the importance of discipline, form, and craft. Heather Sellers is a certified online instructor, and The Practice of Creative Writing is designed to be used in traditional face-to-face classrooms or in online education. Each chapter begins with objectives for that module. Prompts and writing practices are carefully sequenced. Every chapter ends with both genre-specific writing projects alongside hybrid and experimental prompts. The readings included in this new edition invite students to experience an even wider range of innovative and new literatures. A new chapter on creative ways to approach revision as a shaping practice engaged throughout the writing process helps students work harder on their writing.

Meet Georgia. She lives in Florida and she's never far from the ocean or a pool. She's a nail-chewer, a scab-picker, a daydreamer, and everything that a little girl struggling under the awkward pain of growing up should be. She's the child-hero of the nine linked stories in Heather Sellers' Georgia Under Water, and her family, no matter how hard she tries, is going in all directions 'like a man-o-war after you poured sugar on it. 'In her remarkable debut collection, Sellers offers an honest, bittersweet, and often funny picture of adolescence. Georgia is the daughter of an alcoholic father and a despairing mother, and she's torn between pleasing her parents and saving herself. She knows what it's like to straddle a fence with barking dogs on both sides. 'I knew this: we love our parents because we have been inside of them. They haven't been in us. It's hard for them to be kind. It's easier when you've come from within. 'Heather Sellers' unpretentious, vernacular prose allows Georgia a persuasive mix of innocence and experience. She gives her young heroine a voice perfectly balanced, deftly avoiding both nostalgia and bitter condemnation. These are miraculous stories of survival, perhaps even forgiveness. To some of us Georgia's life would be unthinkable. Sellers makes us believe it is well worth living.

Where and how to sell your children's stories and illustrations.

Thankless, mundane, and “never done,” housework continues to be seen as women's work, and contemporary women poets are still writing the domestic experience sometimes resenting its futility and lack of social rewards, sometimes celebrating its sensory delights and immediate gratification, sometimes cherishing the undeniable link it provides to their mothers and grandmothers. In Sweeping Beauty, a number of these poets illustrate how housekeeping's repetitive motions can free the imagination and release the housekeeper's muse. For many, housekeeping provides the key to a state of mind approaching meditation, a state of mind also conducive to making poems. The more than eighty contributors to Sweeping Beauty embrace this state and confirm that women are pioneers and inventors as well as life-givers and nurturers. “My fingers are forks, my tongue is a rose . . . / I turn silver spoons into rabbit stew / make quinces my thorny upholstery . . . / how else could the side of beef walk / with the sea urchin roe?” sings the cook in Natasha Sajé's ode to kitchen alchemy. “I love the notion that we can take our most poisonous angers, our most despairing or humiliated or stalemated moments, and make something good of them--something tensile and enduring,” says Leslie Ullman. Whether we are fully present in our tasks or “gone in the motion” of performing them, whether our stovetops are home to “stewpots of discontent” or grandmother's favorite jam, something is always cooking.

Poetry. "Many of these sensitive, clever poems are about navigating the new waters of a non traditional family. The result is a cohesive, engaging collection in which a real heroine persona explores the often challenging terrain of the omicile"--Billy Collins. "When you open THE BOYS I BORROW, you won't find poems about angels or mythological heroines--what you'll find is life the way we live it, but more clearly seen and deeply understood than the average human can easily bear. The dramas in this book are the dramas of the life lived in the 21st century--we have trips to the fertility doctor, motorcycle rides to the Shangri-la Motel beneath a 'well hung, low slung' moon, stepsons whose 'tongues are simple antennae' and who play Nintendo, need help with their homework--in short, all of our wonderfully banal and beautiful world rendered in painterly precision and tender humor. This is a book that sustains"--Beth Ann Fennelly.