This is an English translation of a critical portrait of the Ottoman capital of Istanbul during the days of the Sultan Abd al-Hamid.

The Ottoman Canon and the Construction of Arabic and Turkish Literatures fleshes out the Ottoman canon's multilingual character to call for a literary history that can reassess and even move beyond categories that many critics take for granted, such as 'classical Arabic literature' and 'Ottoman literature'. It gives a historically contextualised close reading of works from authors who have been studied as pionneers of Arabic and Turkish literatures, such as Ziya Pasha, Jurji Zaydan, Ma?ruf al-Rusafi and Ahmet Hamdi Tanpinar. The Ottoman Canon analyses how these authors prepared the arguments and concepts that shape how we study Arabic and Turkish literatures today as they reassessed the relationship among the Ottoman canon's linguistic traditions. Furthermore, The Ottoman Canon examines the Ottoman reception of pre-Ottoman poets, such as Kab ibn Zuhayr, hence opening up new research avenues for Arabic literature, Ottoman studies and comparative literature.

The Chief Black Eunuch, appointed personally by the Sultan, had both the ear of the leader of a vast Islamic Empire and held power over a network of spies and informers, including eunuchs and slaves throughout Constantinople and beyond. The story of these remarkable individuals, who rose from difficult beginnings to become amongst the most powerful people in the Ottoman Empire, is rarely told. George Junne places their stories in the context of the wider history of African slavery, and places them at the centre of Ottoman history. The Black Eunuchs of the Ottoman Empire marks a new direction in the study of courtly politics and power in Constantinople.

This book traces the history of conflict and contact between Muslims, Christians, and Jews in the Ottoman Middle East prior to 1914.

This book discusses the role of Arabs in the Ottoman Empire for the four centuries that they were its subjects. The conventional wisdom was that the Arabs were a subject people who resented or, at best, were indifferent to their Ottoman overlords. This book argues that two social classes - Sunni religious scholars and urban notables - were willing collaborators in the imperial enterprise, and without whose support the Ottoman Empire would not have ruled the Arab lands for as long as they did.

Three of the formative revolutions that shook the early twentieth-century world occurred almost simultaneously in regions bordering each other. Though the Russian, Iranian, and Young Turk Revolutions all exploded between 1904 and 1911, they have never been studied through their linkages until now. Roving Revolutionaries probes the interconnected aspects of these three revolutions through the involvement of the Armenian revolutionaries—minorities in all of these empires—whose movements and participation within and across frontiers tell us a great deal about the global transformations that were taking shape. Exploring the geographical and ideological boundary crossings that occurred, Houri Berberian’s archivally grounded analysis of the circulation of revolutionaries, ideas, and print tells the story of peoples and ideologies in upheaval and collaborating with each other, and in so doing it illuminates our understanding of revolutions and movements.

Christian-Muslim Relations, a Bibliographical History 18 (CMR 18) is about relations between Muslims and Christians in the Ottoman Empire from 1800 to 1914. It gives descriptions, assessments and bibliographical details of all known works between the faiths from this period.

The period between the 1880s and the 1920s was a time of momentous changes in the Ottoman Empire. It was also an age of literary experiments, of which autobiography forms a part. This book analyses Turkish autobiographical narratives describing the part of their authors’ lives that was spent while the Ottoman Empire still existed. The texts studied in this book were written in the cultural context of the Turkish Republic, which went to great lengths to disassociate itself from the empire and its legacy. This process has only been criticised and partially reversed in very recent times, the resurging interest in autobiographical texts dealing with the "old days" by the Turkish reading public being part of a wider, renewed regard for Ottoman legacies. Among the analysed texts are autobiographies by writers, journalists, soldiers and politicians, including classics like Halide Edip Adıvar and Şevket Süreyya Aydemir, but also texts by authors virtually unknown to Western readers, such as Ahmed Emin Yalman. While the official Turkish republican discourse went towards a dismissal of the imperial past, autobiographical narratives offer a more balanced picture. From the earliest memories and personal origins of the authors, to the conflict and violence that overshadowed private lives in the last years of the Ottoman Empire, this book aims at showing examples of how the authors painted what one of them called "images of a past world."

This book examines the diverse uses of conspiracy theory in Egyptian fiction since the early twentieth century. Read against the historical and intertextual backgrounds of individual authors and their works, conspiracy theory emerges not as a single, rigid ideology, but as a style of writing that is equal parts literary and political.

A Westerner writing about Istanbul “comes up against the Orient as a European or American first, as an individual second,” writes Edward Said. The American writers gathered in this collection are approached from the willed double perspective advocated by Said: as historically and culturally positioned observers and as individuals. Looking at texts by writers who do not necessarily define themselves as Orientalists, Kim Fortuny broadens the possible ways of thinking about this complex, idiosyncratic city of the world. In addition, the author’s close critical readings of the works of eight American writers who came to Istanbul and wrote about it offer a transnational approach to American writing that urges a loosening of a collective, national grip on literature as a product of place. This volume will be an invaluable addition to the history of literature.