She was far more than just a pretty face. . . . Although Nefertiti is the dutiful daughter of a commoner, her inquisitive mind often gets her into situations that are far from ordinary, like receiving secret lessons from a scribe. And her striking beauty garners attention that she'd just as soon avoid, especially when it's her aunt, the manipulative Queen Tiye, who has set her sights on Nefertiti. The queen wants to use her niece as a pawn in her quest for power, so Nefertiti must leave her beloved family and enter a life filled with courtly intrigue and danger. But her spirit and mind will not rest as she continues to challenge herself and the boundaries of ancient Egyptian society. With control of a kingdom at stake and threats at every turn, Nefertiti is forced to make choices and stand up for her beliefs in ways she never imagined. As she did in Nobody's Princess and Nobody's Prize, author Esther Friesner offers readers a fresh look at an iconic figure, blending historical fiction and mythology in a heady concoction.

In Iron Age Ireland, Maeve, the fierce, willful youngest daughter of King Eochu of Connacht, is caught in a web of lies after rebelling to avoid fosterage with another highborn family and an arranged marriage.

Helen of Sparta wants to be more than a princess and a pretty face—she wants to be a hero. The traditions of ancient Sparta would have Helen know her place: a beautiful princess, a loyal daughter, a perfect bride. But Helen wants adventure, and she's not looking back. Not one to count on the gods to take care of her, she sets out to see the world and seek her own fate with steely determination. Her rebellious will makes Helen dangerous enemies—such as the self-proclaimed "son of Zeus" Theseus—but it also gains her true friends, from the famed huntress Atalanta to the young priestess who is the Oracle of Delphi. If she is strong enough, if she is cunning enough, if she is brave enough, Helen will find her destiny . . . but what does destiny have in store for her? In Nobody's Princess, author Esther Friesner deftly weaves together history and myth as she takes a new look at the girl who will become Helen of Troy. The back of the book includes further facts about Helen of Troy and Ancient Greece. Hand to readers who love Tamora Pierce and Leigh Bardugo, particularly if they just finished Wonder Woman: Warbringer and want to know more about Helen of Troy. "A must-read for fans of fantasy and mythology."—VOYA "Along the way, Friesner skillfully exposes larger issues of women's rights, human bondage, and individual destiny. It's a rollicking good story."—Booklist

In this rousing sequel to Nobody’s Princess, young Helen of Sparta is not about to be left behind when her older brothers head off to join the quest for the Golden Fleece. Accompanied by her friend Milo, and disguised as a boy herself, Helen sets out to join the crew of heroes aboard the massive ship known as The Argo. Helen quickly faces all sorts of danger. There are battles to be fought, as well as an encounter with a terrifying murderous princess. With her beauty blossoming, Helen’s journey takes her beyond the mythology of the Golden Fleece to Athens, where her very future as Queen of Sparta is threatened.

Esther Friesner's fanbase is growing. Readers who love girl-centric teen fantasy/adventure are happily following her from ancient Greece to ancient Egypt and beyond. Overnight, every aspect of Nefertiti's life has changed. She is no longer living at the royal palace as the intended bride of the crown prince. Instead, she is being chased by the prince's soldiers for a crime she did not commit. Traveling with two of her dearest friends, including the crown prince's brother, Nefertiti takes shelter in the wild hills along the Nile's west bank. But she is determined to plead her case and set things right. As she begins to question long-held sacred beliefs—a questioning that could alter the fabric of Egyptian society—her extraordinary journey from commoner to royalty brings adventure, intrigue, and romance.

In ancient Japan, Himiko the privileged daughter of her clan's leader, fights the constraints and expectations imposed on young women, and instead finds her own path which includes secret shaman lessons.

Although she is a dutiful daughter, Nefertiti's dancing abilities, remarkable beauty, and intelligence garner attention near and far, so much so that her family is summoned to the Egyptian royal court, where Nefertiti becomes a pawn in the power play of her scheming aunt, Queen Tiye.

Two unusual black cheetahs share a mental link, one cat coming from the past to reveal scenes from his life with the young pharaoh Tutankhamen, and one struggling to survive in a future world ravaged by ecological disaster.

Small Saul is a different kind of pirate. Will Small Saul be able to prove his worth as a pirate or will he be thrown overboard?

For the first time in English in over a century, a new translation of the forgotten sequel to Dumas’s The Three Musketeers, continuing the dramatic tale of Cardinal Richelieu and his implacable enemies. In 1844, Alexandre Dumas published The Three Musketeers, a novel so famous and still so popular today that it scarcely needs introduction. Shortly thereafter he wrote a sequel, Twenty Years After, that resumed the adventures of his swashbuckling heroes. Later, toward the end of his career, Dumas wrote The Red Sphinx, another direct sequel to The Three Musketeers that begins, not twenty years later, but a mere twenty days afterward. The Red Sphinx picks up right where the The Three Musketeers left off, continuing the stories of Cardinal Richelieu, Queen Anne, and King Louis XIII—and introducing a charming new hero, the Comte de Moret, a real historical figure from the period. A young cavalier newly arrived in Paris, Moret is an illegitimate son of the former king, and thus half-brother to King Louis. The French Court seethes with intrigue as king, queen, and cardinal all vie for power, and young Moret soon finds himself up to his handsome neck in conspiracy, danger—and passionate romance! Dumas wrote seventy-five chapters of The Red Sphinx, all for serial publication, but he never quite finished it, and so the novel languished for almost a century before its first book publication in France in 1946. While Dumas never completed the book, he had earlier written a separate novella, The Dove, that recounted the final adventures of Moret and Cardinal Richelieu. Now for the first time, in one cohesive narrative, The Red Sphinx and The Dove make a complete and satisfying storyline—a rip-roaring novel of historical adventure, heretofore unknown to English-language readers, by the great Alexandre Dumas, king of the swashbucklers.