Freemasonry began with stonemasons in the Middle Ages experiencing the decline of cathedral building. Some guilds invited honorary memberships to boost their numbers. These usually highly educated new members practiced symbolic or "speculative Freemasonry." The new Masonic lodges and learned societies offered their growing numbers of Protestant, Catholic and Jewish members an understanding of deism, Newtonian science and representative government, and of literature and the fine arts. This work describes how Masons on both sides of the Atlantic were mostly either enlighteners, political reformers or moderate revolutionaries. They offered minimal support to radical revolutionary ideas and leaders.

This volume is the twelfth to date in a series of works in French or English presenting the epochs and movements of a Comparative History of Literatures in European Languages (Histoire Comparée des Littératures de Langues Européennes). The original intention of the editors was to publish a four-volume history of European literature from 1760-1820, and the first of these volumes, Des Lumières au Romantisme. Genres en Vers, appeared as long ago as 1982. The volumes Genres en Prose and Théâtre are still awaited. In their absence the present volume, Epoche im _berblick, attempts a more comprehensive and rigorous treatment of the period and its historiographical problems than was initially planned, providing the reader with an overview of sixty eventful years of European literary history — years in which German Classicism coincided with the birth, initially in Germany and England, of Romanticism. And at the centre of this turbulent period of European intellectual and literary history stands the French Revolution.

This “stupendous ethnography of female Freemasonry in Italy” reveals the fascinating paradox of elitism and exclusion experienced by “female brothers” (Michael Herzfeld, author of Evicted from Eternity). From its cryptic images on the dollar bill to Dan Brown’s The Lost Symbol, the Freemasons have long been one of the most romanticized secret societies in the world. But a simple fact escapes most depictions of this elite brotherhood: there are also female members. In this groundbreaking ethnography, Lilith Mahmud takes readers inside Masonic lodges of contemporary Italy, where she observes the ritualistic and fraternal bonds forged among Freemason women. Offering a tantalizing look behind lodge doors, The Brotherhood of Freemason Sisters unveils a complex culture of discretion in which Freemasons reveal some truths and hide others. Female initiates—one of Freemasonry’s best-kept secrets—are often upper class and highly educated, yet avowedly antifeminist. Their self-cultivation through the Masonic path is an effort to embrace the deeply gendered ideals of fraternity. In this lively investigation, Mahmud unravels the contradictions at the heart of Freemasonry: an organization responsible for many of the egalitarian concepts of the Enlightenment and yet one that has always been, and in Italy still remains, extremely exclusive. The result is not only a thrilling look at a surprisingly influential world, but a reevaluation of the modern values we now take for granted

Historians of the European Jewish experience have long marginalized the intellectual achievement of Jews in England, where it was assumed no seminal figures contributed to the development of modern Jewish thought. In this first comprehensive account of the emergence of Anglo-Jewish thought in the eighteenth and nineteenth centuries, David Ruderman impels a reconsideration of the formative beginnings of modern European Jewish culture. He uncovers a vibrant Jewish intellectual life in England during the Enlightenment era by examining a small but fascinating group of hitherto neglected Jewish thinkers in the process of transforming their traditional Hebraic culture into a modern English one. This lively portrait of English Jews reformulating their tradition in light of Enlightenment categories illuminates an overlooked corner in the history of Jewish culture in England and Jewish thought during the Enlightenment. Ruderman overturns the conventional view that the origins of modern Jewish consciousness are located exclusively within the German-Jewish experience, particularly Moses Mendelssohn's circle. Independent of the better-known German experience, the encounter between Jewish and English thought was incubated amid the unprecedented freedom enjoyed by Jews in England. This resulted in a less inhibited defense of Jews and Judaism. In addition to the original and prolific thinkers David Levi and Abraham Tang, Ruderman introduces Abraham and Joshua Van Oven, Mordechai Shnaber Levison, Samuel Falk, Isaac Delgado, Solomon Bennett, Hyman Hurwitz, Emanuel Mendes da Costa, Ralph Shomberg, and others. Of obvious appeal and import to students of Jewish and English history, this study depicts the challenge of defining a religious identity in the modern age.

This is the first investigation of the history of Russian Freemasonry, based on the premise that the facts of the Russian Enlightenment preclude application of the interpretative framework commonly used for the history of western thought. Coverage includes the development of early Russian masonry, the formation of the Novikov circle in Moscow, the ‘programme’ of Rosicrucianism and its Russian variant and, finally, the clash between the Rosicrucians and the State.

This Companion provides an accessible and up-to-date introduction to the musical work and cultural world of Joseph Haydn. Readers will gain an understanding of the changing social, cultural, and political spheres in which Haydn studied, worked, and nurtured his creative talent. Distinguished contributors provide chapters on Haydn and his contemporaries, his working environments in Eisenstadt and Eszterháza, and humor and exoticism in Haydn's oeuvre. Chapters on the reception of his music explore keyboard performance practices, Haydn's posthumous reputation, sound recordings and images of his symphonies. The book also surveys the major genres in which Haydn wrote, including symphonies, string quartets, keyboard sonatas and trios, sacred music, miscellaneous vocal genres, and operas composed for Eszterháza and London.

Freemasonry was a major cultural and social phenomenon and a key element of the Enlightenment. It was to have an international influence across the globe. This primary resource collection charts a key period in the development of organized Freemasonry culminating in the formation of a single United Grand Lodge of England. The secrecy that has surrounded Freemasonry has made it difficult to access information and documents about the organization and its adherents in the past. This collection is the result of extensive archival research and transcription and highlights the most significant themes associated with Freemasonry. The documents are drawn from masonic collections, private archives and libraries worldwide. The majority of these texts have never before been republished. Documents include rituals (some written in code), funeral services, sermons, songs, certificates, an engraved list of lodges, letters, pamphlets, theatrical prologues and epilogues, and articles from newspapers and periodicals. This collection will enable researchers to identify many key masons for the first time. It will be of interest to students of Freemasonry, the Enlightenment and researchers in eighteenth-century studies. Includes more than 550 texts - Many texts are published here by special arrangement with the Library and Museum of Freemasonry, London - Contains over 260 pages of newly transcribed manuscript material - Documents are organized thematically - Full editorial apparatus including general introduction, volume introductions, headnotes and explanatory endnotes - A consolidated index appears in the final volume