Winner of the inaugural Letras Latinas/Red Hen Poetry Prize, Dan Vera's Speaking Wiri Wiri is a wry and insightful meditation on the lost history of Latinos in the United States, a lyric guidebook for navigating the complex realities of the contemporary Latino experience.

This is the first anthology of Aboriginal myth, collected by anthropologists Ronald and Catherine Berndt during fifty years of work among the Aboriginal peoples.

What do you do when you meet a tohunga makutu? You run. When reality dissolves and myths and legends come alive?You run faster. And when the dead come to life and blood debts have to be paid, will you have the courage to do what must be done? Matiu Douglas has a bone tiki he stole from a tangi. His father s important new client wants it. Badly. ...

A collection of poems by Valerie Martínez inspired by the murders of over 450 girls and women in the cities of Juárez and Chihuahua, Mexico, since 1993.

The poetry of Dan Vera is clear, strong, honest and funny. He's the sharp-eyed observer in the corner who doesn't say much, but makes every word count. He handles the political and the personal with equal grace, even as the lines blur. Dan Vera is damn good company. You'll see. Martín Espada This is what we first understood poetry to be, miraculous and humble. In the deepest part of the heart where we truly reside, there is always a wish that poetry will rinse off artifice. This is it. This is the most satisfying book of poems we can read if we want to witness language with a real poet as its servant. Grace Cavalieri Ranging through landscape and history, family legacy and gay life, Dan Vera's poems are melodic, lucid, and concise examinations of "the limits of earthly loving." They remind us of what blessings the world possesses and what flesh-hating forces endanger those delights. Jeff Mann

Annie Morrison, creator of the Morrison Bone Prop, abandons the notion that language and thought are mainly processed in the left cerebral hemisphere, and coaches the actor to speak from the heart. Through this method, words acquire physical properties, such as weight, texture, colour and kinetic force. Think about Martin Luther King, Mao Zedong or Malala Yousafzai; potent speech impacts external events. And internally, it forms and shapes the world of the speaker. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level. This workbook is invaluable for actors, both professional and in training, and also for voice and speech teachers.

This rich ethnography in a rural village in North Bali illuminates the construction of desire by exploring cultural practices regarding courtship and marriage, motherhood, and connubial fidelity. The way these cornerstones of daily life are played out in the alternative arenas of tourism and illness highlight pervasive gender disparities in the expression of sexuality. By allowing key informants to tell their stories in their own voices and by skillfully interweaving fictionalized interludes, the author gives us not only a rigorously researched ethnography but an intimate and fully realized portrait of Balinese women's innermost desires.

In The Kiss of Walt Whitman Still on My Lips, Raymond Luczak recounts his unrequited love for a gardener while examining how Walt Whitman (1819-1892) lived as a gay man 150 years before. Inspired by the earthy passions abundant in Whitman's work and the vast social changes between his era and ours, the story becomes an urgent love letter in more ways than one. "The Kiss of Walt Whitman Still on My Lips is an unabashed celebration of one man's relationship to Walt Whitman: poet, publisher, lover, impromptu nurse, artistic creation, organism, man in full. Like Whitman himself, Raymond Luczak arrives at an unified vision of love in all of its poetic manifestations: sensual, sexual, and textual, a source of electric vistas and voluptuous possibilities of spiritual renewal. He provides precisely the kind of tender reassurance we cannot find words for some nights, but which we so desperately need." -Eric Thomas Norris, co-author of Nocturnal Omissions "In The Kiss of Walt Whitman Still on My Lips, Raymond Luczak has awoken entwined in the arms of the American bard. And here is the bed chat and letters from one poet to another, a communion of fleshly living. Luczak has created a work in the tradition of Ginsberg's Odyssean dreaming of the lost America of love-a vibrant examination of what Whitman called a 'richest fluency' of historical gaiety and modern loving, and a clear transmission of honest affection across the ages." -Dan Vera, author of Speaking Wiri Wiri