Grapples with the problems of identifying homosexual content in a work of art, showing how artists often used sexual codes to communicate to their subculture. The major part of the book is a discussion of Demuth's and Hartley's lives and works.

"Vice Patrol: Cops, Courts, and the Struggle over Urban Gay Life chronicles how local police and criminal justice systems intruded on gay individuals, criminalizing, profiling, surveilling, and prosecuting them from the 1930's through the 1960's. Anna Lvovsky details the progression of enforcement strategies through the targeting of gay-friendly bars by liquor boards, enticement of sexual overtures by plainclothes police decoys, and surveilling of public bathrooms via peepholes and two-way mirrors to catch someone "in the act." Lvovsky shows how the use of tactics indistinguishable from entrapment to criminalize homosexual men in public and private spaces produced charges brought forward and disputed by attorneys and evidence that had to stand before judges, who at times intervened against punitive policies. In Vice Patrol the author demonstrates how developments in the psychological, medical, and sociological handling of homosexuality filtered into police stations, courthouses, and the wider culture"--

“I will lead with integrity and I will tell the truth.” Kamala Harris wants your voice to be heard. I’m Speaking is a collection of empowering words from a trailblazing leader who believes we can reach a better, stronger tomorrow together. She is no stranger to being the first to take action and break into new leadership roles, and her example, resolve, and strength of character affirm that she will not be the last. This book of quotations is not only a source of her wisdom, but a beacon of compassion, encouragement, and assurance that the future is for everyone. I’m Speaking is a hopeful reminder that unity is not found by following the loudest voice, but by inspiring us all to speak up and speak out until everyone’s voice is heard. - Pore over nearly 150 moving quotes on integrity, leadership, and empathy - Admire Kamala Harris’s power, poise, and limitless aspirations for a better world - Look to a brighter future and celebrate the first Black, Asian American, female Vice President

"The funniest book Pynchon has written." — Rolling Stone "Entertainment of a high order." - Time Part noir, part psychedelic romp, all Thomas Pynchon—private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era. In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the sixties, you weren't there. It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Undeniably one of the most influential writers at work today, Pynchon has penned another unforgettable book.

A NEW YORK TIMES BESTSELLER A must-read insider’s guide to creating unforgettable speeches and changing people's minds. Done right, a talk can electrify a room and transform an audience’s worldview; it can be more powerful than anything in written form. This “invaluable guide” (Publishers Weekly) explains how the miracle of powerful public speaking is achieved, and equips you to give it your best shot. There is no set formula, but there are tools that can empower any speaker. Since taking over TED in 2001, Chris Anderson has worked with all the TED speakers who have inspired us the most, and here he shares insights from such favorites as Sir Ken Robinson, Salman Khan, Monica Lewinsky, and more— everything from how to craft your talk’s content to how you can be most effective on stage.

ONE OF BILLBOARD'S "100 GREATEST MUSIC BOOKS OF ALL TIME": The provocative transgender advocate and lead singer of the punk rock band Against Me! provides a searing account of her search for identity and her true self. It began in a bedroom in Naples, Florida, when a misbehaving punk teenager named Tom Gabel, armed with nothing but an acoustic guitar and a headful of anarchist politics, landed on a riff. Gabel formed Against Me! and rocketed the band from its scrappy beginnings-banging on a drum kit made of pickle buckets-to a major-label powerhouse that critics have called this generation's The Clash. Since its inception in 1997, Against Me! has been one of punk's most influential modern bands, but also one of its most divisive. With every notch the four-piece climbed in their career, they gained new fans while infuriating their old ones. They suffered legal woes, a revolving door of drummers, and a horde of angry, militant punks who called them "sellouts" and tried to sabotage their shows at every turn. But underneath the public turmoil, something much greater occupied Gabel-a secret kept for 30 years, only acknowledged in the scrawled-out pages of personal journals and hidden in lyrics. Through a troubled childhood, delinquency, and struggles with drugs, Gabel was on a punishing search for identity. Not until May of 2012 did a Rolling Stone profile finally reveal it: Gabel is a transsexual, and would from then on be living as a woman under the name Laura Jane Grace. Tranny is the intimate story of Against Me!'s enigmatic founder, weaving the narrative of the band's history, as well as Grace's, with dozens of never-before-seen entries from the piles of journals Grace kept. More than a typical music memoir about sex, drugs, and rock 'n' roll-although it certainly has plenty of that-Tranny is an inside look at one of the most remarkable stories in the history of rock.

An unforgettable novel of an American suburb devastated by a fiendish madman—the most ambitious and important work yet by “the 21st century answer to William Burroughs” (Publishers Weekly). Blake Butler’s fiction has dazzled readers with its dystopian dreamscapes and swaggering command of language. Now, in his most topical and visceral novel yet, he ushers us into the consciousness of two men in the shadow of a bloodbath: Gretch Gravey, a cryptic psychopath with a small army of burnout followers, and E. N. Flood, the troubled police detective tasked with unpacking and understanding his mind. A mingled simulacrum of Charles Manson, David Koresh, and Thomas Harris’s Buffalo Bill, Gravey is a sinister yet alluring God figure who enlists young metal head followers to kidnap neighboring women and bring them to his house—where he murders them and buries their bodies in a basement crypt. Through parallel narratives, Three Hundred Million lures readers into the cloven mind of Gravey—and Darrel, his sinister alter ego—even as Flood’s secret journal chronicles his own descent into his own, eerily similar psychosis. A portrait of American violence that conjures the shadows of Ariel Castro, David Koresh, and Adam Lanza, Three Hundred Million is a brutal and mesmerizing masterwork, a portrait of contemporary America that is difficult to turn away from, or to forget.

Rapper and "Law & Order: Special Victims Unit" star Ice-T brings his unique knowledge of the streets to a gritty new crime thriller.

In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy. Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an “aesthetics of access” most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video’s visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of Superstar: The Karen Carpenter Story, a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog.

MURRAY D. LINCOLN is fond of saying that what every big organization needs is a “vice president in charge of revolution”— somebody on the staff who’d spend full time keeping everybody and everything stirred up; somebody who knew when to nag and when to inspire and who could do both equally well; a kind of professional needier who, by timely reminders of the organization’s fundamental objectives, would keep leadership on its toes and on the right track. In effect, Murray Lincoln himself has played this role, regardless of the organization he’s worked for or the spot he might have occupied on the organization chart. As New England’s first county agricultural agent back in 1914 he was no less a “vice president in charge of revolution” than he is today as president of some fifteen different business enterprises. Indeed, it’s been said of him that when he goes to Heaven he’ll take one look around, decide the place could stand some straightening up, and ask St. Peter for a broom. Mr. Lincoln’s thought and experience have led him to become one of the world’s foremost advocates of consumer cooperation as an economic way of life. In consumer cooperation he sees the national recognition as the executive secretary of the cooperatively centered Ohio Farm Bureau Federation. Today he is head of Nationwide Insurance, which has assets of more than three hundred and fifty million dollars, and a group of other companies whose activities span such diversified fields as broadcasting, manufacturing, credit, finance, and building. He was the first president of CARE, and, since 1941, has been president of the Cooperative League of the U.S.A. He was a lay representative of American agriculture on the five-member U.S. delegation to the United Nations Conference on Food and Agriculture at Hot Springs, Virginia, in 1943. An early consultant to the United Nations Economic and Social Council, he is now a member of the executive committee of the U.S. Committee for the United Nations. He has also served, or is serving, on such bodies as President Truman’s Commission on Higher Education, the National Commission for Adult Literacy, the National Child Labor Committee, and the National Planning Association. Whatever his job or title, his role has always been that of the creative and controversial leader—a man impatient with the status quo, eager to change things for the better, and convinced that things can be better if people will only work together to make them so. This book is the personal recollection of the life of Murray Danforth Lincoln, born in 1892. It represents a remarkable feat of recall by a man who has never kept a diary, who wrote few letters, and even fewer articles for publication. In so far as it has been possible or practical, names, dates, figures, facts have been checked and corrected. However, because this is a personal record of one man’s life and times, there are bound to be some errors and omissions. For what Murray Lincoln thought, felt, saw, and remembers, I offer no apology nor explanation. For what I have failed to elicit from him, I beg your indulgence. David Karp