Of the three books collected here, the first is celebratory of Islam's eschatology (next-world doctrine), the second an homage to the Prophet Muhammad, peace and blessings of Allah be upon him, and the third written on an 'Umra in 1995/96 to Mecca and Medina... These are all poems of my root work, going down into the loam of study, practice and fidelity to the ideas and often the terminology of Islamic and Sufic thought, while my poetic development since these book incorporates more imaginally leaping imagery and unhesitantly associational language, to more openly circumscribe both the tone and experience of a modern American but cosmopolitan Muslim/Sufi in our very promising but rambunctiously tumultuous times.

Sufi poems from the love-ocean, washing at the shores of this world and the next, with God willing a depth charge or two to find new love grottos, new heights in underwater drownings, new depths in aerial flights. Contradictions? As Walt Whitman said, "Do I contradict myself? Yes, I contradict myself! I contain multitudes." And if we rub the self to its tissue-thin reality, God's Light shines more thoroughly through.

.".".The look of love death has on its face and in its fathomless eyes as behind the burning irises legions upon legions of angels file up and down a spiraling staircase carrying love-notes and bringing back blessings and reprieves..."" I'm really not sure why this particular collection of my poems is called Blood Songs, the title it has had since beginning the first poem of the book written in October of 2000, and though, as with other titles of mine, not necessarily threading a theme throughout, yet the title stands notwithstanding... and so it stands.

A grand outgoing, heading directly into the puzzlement, the puzzle, puzzling it all out... Poems of search and devotion to the One, through labyrinthine manifestations... self and its various sheddings.

There are among us luminous beings who maintain that what we might taste of the Garden of Paradise and what we might suffer of the Fire of Hell is right here in our present earthly and mortal existence as well. The imaginal truth of the Spiritual Path that points to the Next World after death is perhaps indisputable (however some might vigorously dispute it) but our lives, upon reflection, sometimes thrown overboard and barely making it to shore, sometimes buoyed up very high and slammed down very low and hard, are a living proof of the this-world tasting of the Next World experience...

As Muslims who pray the five obligatory prayers each day of our lives, when able we orient ourselves toward Mecca, located in what is now Saudi Arabia, from wherever we happen to find ourselves, farflung in some island fastness, or out in desert dunes, or in a New York hotel room. There are boat people who tie up and face Mecca right in their boats, saintly Moroccan merchants who fling their carpets down just behind the counter where they sell embroidery thread to very particular customers (I am a witness). We can't get too "far out" when we stop to face Mecca five times and more a day, or in the solitude of our nights, knowing the plumb line goes straight through to the next world, and its rising to the holy heights.

Try to describe light and it's hopeless/ Nothing can quite catch in words luminous nothingness/ Hold something up in light and it's revealed in it say a/ miniature Easter Island head now brought out in its/ full strangeness by the surrounding illumination/ But how can you hold up something like light in light and hope to achieve/ the thing the flash the flat surrounding splashy airiness of brightness/ in whose beneficence everything/ including us is revealed?...

This poem was suggested in a flash by a paragraph in Michael McClure's book, "Scratching the Beat Surface," in which he quotes Ernst Haekel in the words used here as an epigraph, "Ontogeny recapitulates phylogeny." He goes on to say, in explanation, "Haekel meant that the individual, in his growth from meeting of sperm and ovum at conception, lives out, in fetus, the growth and evolution of his tribe; that first he is an amoeba, then a colonial organism, then an invertebrate, then a lancet, then a fish, until at last he is a mammal and a human." Reading this brought together for me various strands of thought into one clear picture, in harmony with the cosmological picture of the Muslim saints: "Man is a little cosmos, the cosmos is a big man." And the view that Allah created the entire creation as a setting, as it were, into which He placed man, the jewel, the perfect diamond, as the seal and culmination of this creation. ________________________________________________

Poems of ecstatic movement, longing, glimpses and glimmers of the divine reality of our existence: Not a moment can be squandered / not a moment can be lost // Grab the rope and swing out / over the abyss // "What rope?" you say / when there are / ropes all around us // dangling at our elbows and lying in / coils at our feet // But invisible to our visible eyes // Our eyes must quit the visible / to see them

In all the poems of a poet's work there's the impulse to get to the bottom of things, to the original energy pulse, the first cause as it manifests in the present tense, the spark off the main strike. As always, the title came to me first, and the poems followed, some faithful some astray from the theme, but always rebounding back again to resonate with that original strike, in these scattered sparks.