The Robinson family become lost in space after an explosion hits their space station.

Between the fourteen-legged metal eaters, a prison break of shape-shifting Dreephars, and flying manta ray like creatures, life is never dull for America''s first outer-space family! But while the lost Robinsons continue their interstellar journey to return home, swords and sorcery meet science fiction as the familial explorers team up with medieval knights and return to Earth - in the twelth century!

Earth's prehistoric past flourishes in a lost valley where two young Native Americans, Turok and Andar, have become trapped. While they struggle to survive among the honkers (dinosaurs) and prehistoric human residents, they hold on to the hope that one day they will discover a way out of the valley and be reunited with their tribe. * In early 2008, a seventy-minute animated DVD titled "Turok, Son of Stone" was released by Classic Media. * This volume collects "Turok: Son of Stone" #7-#12.

Writing has long been linked to power. For early modern people on both sides of the Atlantic, writing was also the province of notaries, men trained to cast other people’s words in official forms and make them legally true. Thus the first thing Columbus did on American shores in October 1492 was have a notary record his claim of territorial possession. It was the written, notarial word—backed by all the power of Castilian enforcement—that first constituted Spanish American empire. Even so, the Spaniards who invaded America in 1492 were not fond of their notaries, who had a dismal reputation for falsehood and greed. Yet Spaniards could not do without these men. Contemporary scholars also rely on the vast paper trail left by notaries to make sense of the Latin American past. How then to approach the question of notarial truth? Kathryn Burns argues that the archive itself must be historicized. Using the case of colonial Cuzco, she examines the practices that shaped document-making. Notaries were businessmen, selling clients a product that conformed to local “custom” as well as Spanish templates. Clients, for their part, were knowledgeable consumers, with strategies of their own for getting what they wanted. In this inside story of the early modern archive, Burns offers a wealth of possibilities for seeing sources in fresh perspective.

Lost in Space: Countdown to Danger Vol. 1 is an official graphic novel expansion of the hit Netflix series featuring all-new, original adventures not seen on television. -Hardcover, 4 volume series LOST IN SPACE: COUNTDOWN TO DANGER THE OFFICIAL COMIC BOOK EXPANSION OF THE HIT NETFLIX SERIES The smash-hit rebirth of the beloved sci-fi classic Lost In Space continues in this thrilling graphic novel expansion to the series which will take the Jupiter 2 where it has never been before. 30 years in the future, en route to a distant colony, the Robinson family finds itself thrown off-course when their ship crash-lands on a mysterious and dangerous planet. On this strange new world, they encounter a hostile environment and an enigmatic alien robot. In order to survive, the Robinson family must rely on their training, and they'll discover that no matter how lost they are, their family is their home. These all-new, untold adventures features the full crew of the hit Netflix show: the Robinsons, the Robot, Doctor Smith and Don West. These are the missions you didn’t see on TV, as our heroes struggle to survive in an unknown world full of new creatures, unexpected visitors, and new danger. Legendary Comics brings sci-fi fans an unmissable four-part graphic novel series written by Richard Dinnick (Doctor Who; Thunderbirds) and Brian Buccellato (Detective Comics; The Flash) with stunning artwork by Zid (Skull Island: Birth of Kong; Trick 'r Treat: Days of the Dead).

The smash-hit rebirth of the beloved sci-fi classic continues in this thrilling graphic novel expansion to the series, which takes the Jupiter 2™ where it has never been before. 30 years in the future, en route to a distant colony, the Robinson family finds itself thrown off course when their ship crash-lands on a mysterious and dangerous planet. In this stunning new omnibus collection, these all-new, untold adventures feature the full crew of the hit Netflix show: the Robinsons, the Robot, Doctor Smith and Don West. These are the missions you didn’t see on TV—as our heroes struggle to survive in an unknown world, they face new creatures, unexpected visitors, and new danger. Plus! Never before published: Worlds collide as the classic crew of the 1960s Jupiter meet their modern counterparts in a story that celebrates all eras of Lost in Space! Written by Richard Dinnick (Doctor Who), Brian Buccellato (Batman: Detective Comics, The Flash) with stunning art by Zid (GVK: KINGDOM KONG), Steve Stanley (Lost in Space: the Lost Adventures), and El Garing (Dracula).

Selected letters to presidents with contextual commentary.

21 days without power. 2 brothers on a desperate trek. 72 hours before time runs out... The Lockwood brothers are supposed to be able to survive anything. Their dad, a hardcore believer in self-reliance, has stockpiled enough food and water at their isolated Nevada home to last for months. But when they are robbed of all their supplies during a massive blackout while their dad is out of town, John and Stew must walk 96 miles in the stark desert sun to get help. Along the way, they’re forced to question their dad’s insistence on self-reliance and ask just what it is that we owe to our neighbors, to our kin, and to ourselves. From talented newcomer J. L. Esplin comes this story of survival and determination as two young brothers confront the unpredictability of human nature in the face of desperate circumstances. “A suspense thriller, survival story, and a story of the love between brothers. You'll turn the pages and be surprised again and again.”—Gary D. Schmidt, Newbery Honor Award-winning author of The Wednesday Wars “Fast-paced, believable, funny, and poignant. 96 Miles is a great read from the first sentence to the surprising and satisfying ending. I give Esplin’s debut novel 100%. Don't miss it!”—Roland Smith, New York Times bestselling author of Peak “Readers who enjoy realistic survival stories will not be able to put down Esplin’s debut.... Filled with survival techniques, danger, and overcoming realistic obstacles, this story will have readers turning pages. A great choice for lovers of Gary Paulsen’s Hatchet or Roland Smith’s Peak.”—School Library Journal At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This set coves the entire comic book run of the Doctor Spektor series from the 70s.

In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for the instantaneous cataloging and preservation of data, from music, photographs, and videos to personal information gathered by social media sites. In this digital landscape, the archival-oriented media theories of Wolfgang Ernst are particularly relevant. Digital Memory and the Archive, the first English-language collection of the German media theorist’s work, brings together essays that present Ernst’s controversial materialist approach to media theory and history. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society. Ernst’s interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems—from library catalogs to sound recordings—have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history.