Spanish poet, playwright, and novelist Félix Lope de Vega (1562–1635) was a key figure of Golden Age Spanish literature, second only in stature to Cervantes, and is considered the founder of Spain’s classical theater. In this rich and informative study, Javier Lorenzo investigates the symbolic use of space in Lope’s drama and its function as an ideological tool to promote an imagined Spanish national past. In specific plays, this book argues, historical landscapes and settings were used to foretell and legitimize the imperial present in Hapsburg Spain, allowing audiences to visualize and plot, as on a map, the country’s expansionist trajectory throughout the centuries. By focusing on connections among space, drama, and empire, this book makes an important contribution to the study of literature and imperialism in early modern Spain and equally to our understanding of the role and political significance of spatiality in Siglo de Oro comedia.

The Alliance has toppled the tyrannical empire. It should be a time for celebration, but not for fighter pilot Captain Alisa Marchenko. After barely surviving a crash in the final battle for freedom, she's stranded on a dustball of a planet, billions of miles from her young daughter. She has no money or resources, and there are no transports heading to Perun, her former home and the last imperial stronghold. But she has a plan. Steal a dilapidated and malfunctioning freighter from a junkyard full of lawless savages. Slightly suicidal, but she believes she can do it. Her plan, however, does not account for the elite cyborg soldier squatting in the freighter, intending to use it for his own purposes. As an imperial soldier, he has no love for Alliance pilots. In fact, he's quite fond of killing them. Alisa has more problems than she can count, but she can't let cyborgs, savages, or ancient malfunctioning ships stand in her way. If she does, she’ll never see her daughter again. Fans of Firefly and Star Wars should enjoy this fun, fast-paced space opera series from USA Today best-selling author, Lindsay Buroker. If you like to wait and binge-read, the series is now complete at eight novels.

Tamara Samair, a decorated Republic Naval officer, narrowly avoids a wrongful conviction at the hands of a jealous subordinate. Dropped in the void and left for dead, lost in survival sleep for centuries, she awakes to find her world has changed and hitches a ride on a decrepit freighter. Tamara and the crew work together to fix the dying ship, try to fight off pirates with a Republic Naval warship captain ruthlessly pursuing them, all while trying to turn a profit. The Argos Cluster is a dangerous place, but some of the worst threats are those left behind.

An ancient alien menace threatens in this hardcover volume which collects for the first time Weber's epic space adventure trilogy--"Mutineer's Moon, The Armageddon Inheritance" and "Heirs of Empire."

“Westerfeld’s blend of traditional space opera and cutting-edge speculation makes this a truly twenty-first-century SF novel.” —Karl Schroeder, author of Pirate Sun The undead Emperor has ruled his mighty interstellar empire of eighty human worlds for sixteen hundred years. Because he can grant a form of eternal life, creating an elite known as the Risen, his power has been absolute. He and his sister, the Child Empress, who is eternally a little girl, are worshiped as living gods. No one can touch them. Not until the Rix, machine-augmented humans who worship very different gods: AI compound minds of planetary extent. The Rix are cool, relentless fanatics, and their only goal is to propagate such AIs throughout the galaxy. They seek to end, by any means necessary, the Emperor’s prolonged tyranny of one and supplant it with an eternal cybernetic dynasty of their own. They begin by taking the Child Empress hostage. Captain Laurent Zai of the Imperial Frigate Lynx is tasked with her rescue. Separated by light-years, bound by an unlikely love, Zai and pacifist senator Nara Oxham must each in their own way, face the challenge of the Rix, and they each will hold the fate of the empire in their hands. The Risen Empire is the first great space opera of the twenty-first century. “In the tradition of Isaac Asimov’s Foundation series and Frank Herbert’s Dune books.” —The New York Times “Confirms the buzz that space opera is one of the most exciting branches of current SF.” —Publishers Weekly (starred review)

From its beginnings, science fiction has experimented with imperialistic scenarios of alien invasion, extraterrestrial exploitation, xenophobia, and colonial conquest. In Science Fiction and Empire, Patricia Kerslake brings contemporary thinking about postcolonialism and imperialism to bear on a variety of classic sci-fi novels and films, including The War of the Worlds, Stanislaw Lem’s Solaris, and Star Wars. The first book to identify the consequences of empire in science fiction, Kerslake’s study is a compelling investigation of the political ramifications of how we imagine our future. “Science Fiction and Empire is thought-provoking and insightful, . . . the kind of large-scale postcolonial work that science fiction has needed for quite some time.”—Science Fiction Studies

The empire of the Shaa had lasted 10 millennia. 10,000 years of terror, infinite violence and oppressive, brutal order, legitimised by The Praxis, the harsh code of ethics that they imposed on the races they conquered. But the Shaa began to commit ritual suicide when it became clear that their near immortality came at a price. For each Shaa there would come a time when their vast minds were no longer capable of absorbing new information: their memories were full. Now the Shaa are no more, but the terror and violence are only beginning. The death of the last of the Shaa leaves the galaxy-wide empire leaderless, and into this power vacuum flow the pretenders to the throne: the Naxids, oldest client race of the Shaa, who believe themselves inheritors of the empire; and a frail alliance of the remaining races, including humanity. And so, the story of a dread empire's fall begins...

"Full of invention and ingenuity . . . Great fun." - SFX on Sixteen Ways to Defend a Walled City This is the history of how the City was saved, by Notker the professional liar, written down because eventually the truth always seeps through. The City may be under siege, but everyone still has to make a living. Take Notker, the acclaimed playwright, actor, and impresario. Nobody works harder, even when he's not working. Thankfully, it turns out that people enjoy the theater just as much when there are big rocks falling out of the sky. But Notker is a man of many talents, and all the world is, apparently, a stage. It seems that the empire needs him -- or someone who looks a lot like him -- for a role that will call for the performance of a lifetime. At least it will guarantee fame, fortune, and immortality. If it doesn't kill him first. In the follow up to the acclaimed Sixteen Ways to Defend a Walled City, K. J. Parker has created one of fantasy's greatest heroes, and he might even get away with it. For more from K. J. Parker, check out:Sixteen Ways to Defend a Walled City The Two of SwordsThe Two of Swords: Volume OneThe Two of Swords Volume TwoThe Two of Swords: Volume Three The Fencer TrilogyColours in the SteelThe Belly of the BowThe Proof House The Scavenger TrilogyShadowPatternMemory Engineer TrilogyDevices and DesiresEvil for EvilThe EscapementThe CompanyThe Folding KnifeThe HammerSharps

*2018 LOCUS AWARD WINNER OF BEST SCIENCE FICTION NOVEL* *2018 HUGO AWARD FINALIST FOR BEST NOVEL* “John Scalzi is the most entertaining, accessible writer working in SF today.” —Joe Hill, author of The Fireman The first novel of a new space-opera sequence set in an all-new universe by the Hugo Award-winning, New York Times-bestselling author of Redshirts and Old Man's War Our universe is ruled by physics. Faster than light travel is impossible—until the discovery of The Flow, an extradimensional field available at certain points in space-time, which can take us to other planets around other stars. Riding The Flow, humanity spreads to innumerable other worlds. Earth is forgotten. A new empire arises, the Interdependency, based on the doctrine that no one human outpost can survive without the others. It’s a hedge against interstellar war—and, for the empire’s rulers, a system of control. The Flow is eternal—but it’s not static. Just as a river changes course, The Flow changes as well. In rare cases, entire worlds have been cut off from the rest of humanity. When it’s discovered that the entire Flow is moving, possibly separating all human worlds from one another forever, three individuals—a scientist, a starship captain, and the emperox of the Interdependency—must race against time to discover what, if anything, can be salvaged from an interstellar empire on the brink of collapse. "Fans of Game of Thrones and Dune will enjoy this bawdy, brutal, and brilliant political adventure" —Booklist on The Collapsing Empire "Political plotting, plenty of snark, puzzle-solving, and a healthy dose of action...Scalzi continues to be almost insufferably good at his brand of fun but think-y sci-fi adventure." —Kirkus Reviews on The Collapsing Empire “Scalzi is one of the slickest writers that SF has ever produced.” —The Wall Street Journal on The Human Division The Interdependency Series 1. The Collapsing Empire 2. The Consuming Fire At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The historical age of empires may be over, but empire, as an idea, continues to exercise a hold over our imaginations. This compelling examination of the relationship between theatre and empire begins with potential definitions and theories of empire, suggesting how we might think of these two notions together and how we might see empire itself as theatre. A variety of case studies are then used to explore theatre in light of both cultural and economic imperialism.