Niko may live on boring old Earth with his family, but he's always finding a new adventure. Using the spaceship that he built from a box in his backyard and a little imagination, he flies off into space with his robot, Radar, and his dog, Tag. The only one NOT invited is his sister Posh who keeps trying to insert herself into Niko's story. In this first mission, Niko and crew (and maybe also pesky Posh) fly to the moon in search of a lost cat. Illustrated in comic–book style and featuring easy–to–read text packed with humor, Space Boy and His Dog is Niko's first adventure, with two more books planned in the series.

A "suspenseful, atmospheric tale. . .punctured by a gut-punch twist" (Entertainment Weekly), A Boy and His Dog at the End of the World is a story of survival, courage and hope amid the ruins of our world. My name's Griz. I've never been to school, I've never had friends, and in my whole life I've not met enough people to play a game of football. My parents told me how crowded the world used to be, before all the people went away. But we were never lonely on our remote island. We had each other, and our dogs. Then the thief came. "This unputdownable story has everything -- a well-imagined post-apocalyptic world, great characters, incredible suspense, and, of course, the fierce love of some very good dogs." -- Kirkus (starred review)

This endearing friendship story about a boy and his dog from a Pulitzer Prize–winning writer gently explores a timeless question: who’s really in charge? Meet Sid. He’s an ordinary kid. He’s far from perfect. But to Murphy, Sid’s faithful dog, Sid is the whole world. Murphy thinks Sid is the absolute best—and that he’s in charge of everything. Sid loves Murphy right back, but he can’t help but wonder what Murphy would think if he realized the truth: Sid’s just a kid, and Murphy’s just a dog, and neither one can control the world. This deceptively simply picture book is the perfect start to a discussion about a subject seldom seen in children’s books—the nonthreatening feel of a world based on fact and reason, and not faith.

Niko and his crew embark on an intergalactic adventure to the Planet Zorg, where Niko's cousin Sasha is being held captive by a space pirate (who is actually Niko's sister, Posh!). But when Niko and his crew charge in to the rescue, the girls do the unthinkable by capturing his ship and leaving him stranded far from Planet Home. Using his characteristic ingenuity and wit, Niko manages to take back control of his spaceship and his story. With a picture book format, comic book–style artwork, and humorous, simple text, Space Boy and the Space Pirate is both a thrilling adventure and a celebration of the power of pretend play.

An incredible journey of life lessons, grief and unexpected friendship changes the life of a young Midwestern boy who accidentally kills his beloved dog during a backyard baseball game in the summer of 1963. In his grief, he reaches out to the most powerful family in the world, President and Mrs. John F. Kennedy who give Mark a gift that changes his life. This true story not only gave this boy a dog to fill the void of his loss, but an unexpected friendship with the most iconic woman of the 20th century: Jacqueline Kennedy Onassis. In a series of unlikely divine interventions, Mark shares the journey and fulfillment of his love for dogs, brought back to life by a remarkable little dog, Streaker. Just as amazing is the long-term friendship Mark develops with Jacqueline, and how God used that friendship to mentor him. That sense of divine calling led Mark to opportunities of great service for the Kingdom of God, while at times dangerous, incredibly rewarding and important. Streaker may have been a mutt, but his simple bloodline showed Mark that anyone puts their giftedness in God's hands, and allows God to use them, amazing things happen.

Roy, who has always wanted a dog, thinks he's found the perfect pet when an explorer from the planet Queekrg, whose inhabitants are all dogs, crash lands in the backyard.

Niko and his crew embark on an intergalactic adventure to the Planet Zorg, where Niko's cousin Sasha is being held captive by a space pirate (who is actually Niko's sister, Posh!). But when Niko and his crew charge in to the rescue, the girls do the unthinkable by capturing his ship and leaving him stranded far from Planet Home. Using his characteristic ingenuity and wit, Niko manages to take back control of his spaceship and his story. With a picture book format, comic book–style artwork, and humorous, simple text, Space Boy and the Space Pirate is both a thrilling adventure and a celebration of the power of pretend play.

One day, Yezh, a farmer who lived in poverty in a rural location called Leninsk, invented a ship that would fly in space. Strange misfortune hit him to impede his dream of walking on the moon someday. Fearful of dangers, he sent his dog into space as a test subject. The dogs return taught him the way to the stars. Yezh decided to take a flight of his own into the wonders of the sky. Though, his neighbor, who bore jealousy towards him, attempted to steal his glory in a space race. The showdown has yet to happen that would prove the entire village which farmer truly is the best. Would Yezh prevail over his rival neighbor and earn his title of first farmer in space that would make him a legend?

Over the course of 80 years television has produced countless programs, many of which fit a particular profile. Did you know, for example, some programs are devoted to ghosts, genies, angels and even mermaids? Color broadcasting was first tested in 1941? Live models were used to advertise lingerie as early as 1950? Or that nudity (although accidental) occurred on TV long before cable was even thought possible? These are just a few of the many facts and firsts that can be found within the 145 entries included. Appropriate for fans and scholars, and bursting with obscure facts, this work traces the evolution of specific topics from 1925 through the 2005-2006 season. Entries include such diverse themes as adolescence, adult film actresses on TV, bars, espionage, gays, immigrants, lawyers, transsexuals and truckers, as well as locations like Canada, Hawaii, New York and Los Angeles. Each entry is arranged as a timeline, clearly displaying how television's treatment of the subject has changed through the years. Each entry is as complete as possible and contains series, pilot, special and experimental program information. Whether just a fan of television and eager to know more about the medium or a scholar seeking hard-to-find facts and information, this book traces the history of specific topics from television's infancy to its changes in the early twenty-first century.

This volume represents the culmination of an extensive research project that studied the development of linguistic form/function relations in narrative discourse. It is unique in the extent of data which it analyzes--more than 250 texts from children and adults speaking five different languages--and in its crosslinguistic, typological focus. It is the first book to address the issue of how the structural properties and rhetorical preferences of different native languages--English, German, Spanish, Hebrew, and Turkish--impinge on narrative abilities across different phases of development. The work of Berman and Slobin and their colleagues provides insight into the interplay between shared, possibly universal, patterns in the developing ability to create well-constructed, globally organized narratives among preschoolers from three years of age compared with school children and adults, contrasted against the impact of typological and rhetorical features of particular native languages on how speakers express these abilities in the process of "relating events in narrative." This volume also makes a special contribution to the field of language acquisition and development by providing detailed analyses of how linguistic forms come to be used in the service of narrative functions, such as the expression of temporal relations of simultaneity and retrospection, perspective-taking on events, and textual connectivity. To present this information, the authors prepared in-depth analyses of a wide range of linguistic systems, including tense-aspect marking, passive and middle voice, locative and directional predications, connectivity markers, null subjects, and relative clause constructions. In contrast to most work in the field of language acquisition, this book focuses on developments in the use of these early forms in extended discourse--beyond the initial phase of early language development. The book offers a pioneering approach to the interactions between form and function in the development and use of language, from a typological linguistic perspective. The study is based on a large crosslinguistic corpus of narratives, elicited from preschool, school-age, and adult subjects. All of the narratives were elicited by the same picture storybook,Frog, Where Are You?, by Mercer Mayer. (An appendix lists related studies using the same storybook in 50 languages.) The findings illuminate both universal and language-specific patterns of development, providing new insights into questions of language and thought.