1er. Concurso Internacional de Poesía "Yo soy mujer" 2010, auspiciado por el Movimiento Mujeres Poetas Internacional (MPI). Culminó con la selección de 10 poetas ganadoras, 7 menciones de honor y con ellas, un grupo selecto de poetas pre-seleccionadas para un total de 130 mujeres poetas que forman de esta compilación con sus versos en homenaje a la mujer. El jurado que apoyó esta selección estuvo constituido por tres caballeros jueces escritores Dominicanos destacados: Ramón Saba, Federico Jóvine Bermúdez, Isael Pérez y del MPI: Jael Uribe. El objetivo fue destacar 10 cualidades positivas de la mujer, estas cualidades fueron: Fuerte, Valiente, Soñadora, Perseverante, Romántica, Polifacética, Emprendedora, Apasionada, Sensible y Única. Para más detalles del concurso y sus ganadoras, además de la lista de poetas participantes, visite su blog: http: //antologiayosoymujer.blogspot.com Los invitamos a disfrutar de esta excelente compilación.

Combines the chants of María Sabina, a noted Mazatec tradional healer, watercolors by María Tzu, a weaver and folk artist, and information about them and their world.

Chicana Feminist Thought brings together the voices of Chicana poets, writers, and activists who reflect upon the Chicana Feminist Movement that began in the late 1960s. With energy and passion, this anthology of writings documents the personal and collective political struggles of Chicana feminists.

An evocative and unforgettable memoir from award-winning journalist Carlos Frías about his journey to Cuba where he retraces his family's history and encounters the realities of Cuba under Fidel Castro's rule. Carlos Frías, an award-winning journalist and the American-born son of Cuban exiles, grew up hearing about his parents' homeland only in parables. Their Cuba, the one they left behind four decades ago, was ethereal. It existed, for him, only in their anecdotes, and in the family that remained in Cuba—merely ghosts on the other end of a telephone. Until Fidel Castro fell ill. Sent to Cuba by his newspaper as the country began closing to foreign journalists in August 2006, Frías begins the secret journey of a lifetime—twelve days in the land of his parents. That experience led to this evocative, spectacular, and unforgettable memoir. Take Me With You is written through the unique eyes of a first-generation Cuban-American seeing the forbidden country of his ancestry for the first time. Frías provides a fresh view of Cuba, devoid of overt political commentary, focusing instead on the gritty, tangible lives of the people living in Castro's Cuba. Frías takes in the island nation of today and attempts to reconstruct what the past was like for his parents, retracing their footsteps, searching for his roots, and discovering his history. The story creates lasting and unexpected ripples within his family on both sides of the Florida Straits—and on the author himself.

La Conquista de México, contada con todo detalle, sirve de decorado y soporte a una historia de amor y de guerra. Tras la batalla de Centla, la primera librada en el continente americano, los vencidos regalaron a los españoles un puñado de doncellas, entre las que se encontraba la que sería intérprete y amante de Hernán Cortés, doña Marina o La Malinche, como se conoce a la mujer atrevida e inteligente que desempeñó un papel decisivo en el éxito de la conquista del imperio azteca. Un "regalo" que Cortés valoró y conservó durante toda su vida. En esta novela, documentada con meticuloso rigor histórico, el autor imagina los sentimientos vacilantes de una joven india deslumbrada por la personalidad de un hombre audaz, calculador y sensible. Un amor que se sobrepone a la crudeza de las batallas, a las intrigas y traiciones, a las flaquezas y grandeza de los protagonistas y que es el hilo conductor de una narración repleta de emoción y ternura.

Beseeched by his dying mother to locate his father, Pedro Paramo, whom they fled from years ago, Juan Preciado sets out for Comala. Comala is a town alive with whispers and shadows--a place seemingly populated only by memory and hallucinations. 49 photos.

Films like Zama and The Headless Woman have made Lucrecia Martel a fixture on festival marquees and critic's best lists. Though often allied with mainstream figures and genre frameworks, Martel works within art cinema, and since her 2001 debut The Swamp she has become one of international film's most acclaimed auteurs.Gerd Gemünden offers a career-spanning analysis of a filmmaker dedicated to revealing the ephemeral, fortuitous, and endless variety of human experience. Martel's focus on sound, touch, taste, and smell challenge film's usual emphasis on what a viewer sees. By merging of these and other experimental techniques with heightened realism, she invites audiences into film narratives at once unresolved, truncated, and elliptical. Gemünden aligns Martel's filmmaking methods with the work of other international directors who criticize—and pointedly circumvent—the high-velocity speeds of today's cinematic storytelling. He also explores how Martel's radical political critique forces viewers to rethink entitlement, race, class, and exploitation of indigenous peoples within Argentinian society and beyond.