A wonderful, whimsical journey through the pioneering space-race graphics of the former Soviet Union This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Created against a backdrop of geopolitical uncertainty, the extraordinary images featured, taken from the period's hugely successful popular-science magazines, were a vital tool for the promotion of state ideology. Presenting more than 250 illustrations - depicting daring discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - Soviet Space Graphics unlocks the door to the creative inner workings of the USSR.

Tells the true stories of Laika, Belka, Strelka, and the other space dogs who were sent on experimental space flight explorations by the Soviet Union between 1951 and 1956.

Laika was the abandoned puppy destined to become Earth's first space traveler. This is her journey. Nick Abadzis masterfully blends fiction and fact in the intertwined stories of three compelling lives. Along with Laika, there is Korolev, once a political prisoner, now a driven engineer at the top of the Soviet space program, and Yelena, the lab technician responsible for Laika's health and life. This intense triangle is rendered with the pitch-perfect emotionality of classics like Because of Winn Dixie, Shiloh, and Old Yeller. Abadzis gives life to a pivotal moment in modern history, casting light on the hidden moments of deep humanity behind history. Laika's story will speak straight to your heart. Laika is the winner of the 2008 Eisner Award for Best Publication for Teens and an Eisner Award nominee for Best Reality-Based Work.

From the start, the Soviet human space program had an identity crisis. Were cosmonauts heroic pilots steering their craft through the dangers of space, or were they mere passengers riding safely aboard fully automated machines? Tensions between Soviet cosmonauts and space engineers were reflected not only in the internal development of the space program but also in Soviet propaganda that wavered between praising daring heroes and flawless technologies. Soviet Space Mythologies explores the history of the Soviet human space program within a political and cultural context, giving particular attention to the two professional groups—space engineers and cosmonauts—who secretly built and publicly represented the program. Drawing on recent scholarship on memory and identity formation, this book shows how both the myths of Soviet official history and privately circulating counter-myths have served as instruments of collective memory and professional identity. These practices shaped the evolving cultural image of the space age in popular Soviet imagination. Soviet Space Mythologies provides a valuable resource for scholars and students of space history, history of technology, and Soviet (and post-Soviet) history.

Starting with the first man-made satellite 'Sputnik' in 1957 and culminating four years later with the first human in space, Yuri Gagarin, space became a new utopian horizon. This book explores the profound repercussions of the Soviet space exploration program on culture and everyday life in Eastern Europe, especially in the Soviet Union itself.

A fascinating glimpse into design behind the Iron Curtain, revealed through the products and graphics of everyday Soviet life This captivating survey of Soviet design from 1950 to 1989 features more than 350 items from the Moscow Design Museum's unique collection. From children's toys, homewares, and fashion to posters, electronics, and space-race ephemera, each object reveals something of life in a planned economy during a fascinating time in Russia's history. Organized into three chapters - Citizen, State, and World - the book is a micro-to-macro tour of the functional, kitsch, politicized, and often avant-garde designs from this largely undocumented period.

"Opening the High Frontier" is about how to make spaceflight affordable to everyone.

Formed in Soviet Russia in 1962, by the design visionary Yuri Soloviev, this vast network contained Moscow?s most progressive designers. The ?Vniitians?, as they were called, designed for the future and developed new theories and approaches to design in the USSR.0But more than ?fty years later, the organisation is all but forgotten. It?s hard to fathom how such an institution, dedicated to the promotion of utopian design, in theory and in practice, and the improvement of design standards within the Soviet Union, could have faded so far from view. After the disintegration of the USSR, the VNIITE and its library of images and prototypes were presumed lost. 0Until now, that is. Thanks to the efforts of the Moscow Design Museum ? and the discovery of the personal archives of some of the VNIITE designers ? the story of this remarkable organisation is being pieced back together.0Alongside images of sketches, models and prototypes, the book also includes a selection of covers of one of the USSR?s hidden gems of graphic design ? the VNIITE?s monthly journal, 'Technical Aesthetics'. Showcased together for the first time, these covers chart Soviet graphic trends from the 1960s to the early 1990s.

This is a unique attempt to visualise space exploration¹s future through the eyes of Russian space engineers and to describe that nation¹s plans in space. Based on actual documents, rather than on guesswork, it is the first comprehensive illustrated book dedicated to the Russian vision for the future of manned spaceflight from the dawn of manned spaceflight until today. Lavishly illustrated with images of unparalleled artistic quality and technical accuracy, the book: puts the development of the Russian manned spacecraft into political and historical context; uniquely describes the future of space exploration through the eyes of Russian space engineers and planners; introduces hitherto unrevealed systems developed for the Russian space program; describes past events and future plans in the historical context of the fall and rise of the Russian space program.

This publication on the work of the Russian architect Galina Balashova presents a unique collection of designs for Soviet cosmonautics. These include plans and design drawings for both Soyuz capsules and space stations such as Salyut and Mir. Balashova acted as a consultant to the Buran programme, the Soviet equivalent of the US American Space Shuttle. Faced with the duty of demonstrating architectural creativity in manned space capsules, Balashova's remarkable accomplishments when entrusted with this unprecedented task make an impressive read. Striving for harmony and beauty, the architect strikes an emotional chord in the high-tech world of propulsion rockets, laboratories and survival equipment. Therefore, it is due to Balashova's talent that a unique chapter has been added to Soviet architectural history. Her exceptional achievements, including designs for medals and emblems, are still scarcely known today - even in Russia. Galina Balashova currently lives in Korolyov, near Moscow.