« Souvenirs militaires de la République et de l’Empire. Paris, Dumaine, 1855, 2 vol. in-8°. Portr. Bon récit de la seconde campagne d’Italie (pp. 85-108) et surtout des opérations en Prusse et de l’occupation du pays : recensement des ressources (donations, problème de la monnaie... (pp. 111-168). Nombreux détails, mais des inexactitudes, sur la campagne d’Autriche (pp. 169-270), l’expédition d’Anvers (pp. 273-283). La guerre en Russie occupe les dernières pages du tome I et le début du tome II. La campagne de 1813 est également racontée de façon détaillée. A peu près rien en revanche sur la campagne de France. Les souvenirs s’achèvent sur les opérations de 1815. C’est par cette partie que Berthezène avait commencé la rédaction de ses mémoires en 1816. Malgré quelques erreurs, il a l’avantage sur d’autres généraux, de s’attacher à décrire les pays occupés ou envahis. » p 16 - Professeur Jean Tulard, Bibliographie Critique Des Mémoires Sur Le Consulat Et L’Empire, Droz, Genève, 1971

The men who fought in Napoleon’s Grande Armée built a new empire that changed the world. Remarkably, the same men raised arms during the French Revolution for liberté, égalité, and fraternité. In just over a decade, these freedom fighters, who had once struggled to overthrow tyrants, rallied to the side of a man who wanted to dominate Europe. What was behind this drastic change of heart? In this ground-breaking study, Michael J. Hughes shows how Napoleonic military culture shaped the motivation of Napoleon’s soldiers. Relying on extensive archival research and blending cultural and military history, Hughes demonstrates that the Napoleonic regime incorporated elements from both the Old Regime and French Revolutionary military culture to craft a new military culture, characterized by loyalty to both Napoleon and the preservation of French hegemony in Europe. Underscoring this new, hybrid military culture were five sources of motivation: honor, patriotism, a martial and virile masculinity, devotion to Napoleon, and coercion. Forging Napoleon's Grande Armée vividly illustrates how this many-pronged culture gave Napoleon’s soldiers reasons to fight.

The first book-length study of the origin of queer soldiers in modern France

This history of the 1809 Franco-Austrian War presents an in-depth chronicle Napoleon’s last great victory. On April 10th, 1809, while Napoleon was occupied in Western Europe with the Peninsular War, the Austrian Empire launched a surprise attack that sparked the War of the Fifth Coalition. Though France would ultimately win the conflict, it would be Napoleon’s last victorious war. Even then, the margin of French superiority was decreasing. Archduke Charles, the best of the Habsburg commanders, led a reformed Austrian Army that was arguably the best ever fielded by the Danubian Monarchy. Though caught off guard, the French Emperor reversed a dire strategic situation with stunning blows that he called his 'most brilliant and most skillful maneuvers'. Following a breathless pursuit down the Danube valley, Napoleon occupied the palaces of the Habsburgs for the second time in four years. He would win many battles in his future campaigns, but never again would one of Europe's great powers lie broken at his feet. In Thunder on the Danube, historian John H. Gill tackles the political background of the war, including the motivations behind the Austrian offensive. Gill also demonstrates that 1809 was both a high point of the First Empire as well as a watershed, for Napoleon's armies were declining in quality and he was beginning to display the corrosive flaws that contributed to his downfall five years later. His opponents, on the other hand, were improving.

"This century has seen the Centenary of the release of Napoleon's British Prisoners of War." "...between 1803 and 1814...the British prisoners numbered fewer than 12,000, and of these, speaking generally, more than a third were merchantman officers and sailors captured at sea by French frigates and privateers." -- preface and introduction.

This book is a new look at the evolution of operational art and its complex roots in history.