This friendly book is filled with clawhammer banjo instruction, tablature, lyrics, tune histories, chords, playing tips, vintage photos, and more. Includes such classid oldtime tunes as, Soldier's Joy; Cluck Old Hen; Arkansas Traveler; Leather Britches; Mississippi Sawyer; Chicken Reel; Shady Grove; Red Rocking Chair; John Henry; Uncle Joe; Little Rosewood Casket; the State of Arkansas; Hogeye; the Old Spinning Wheel; and When You and I Were Young Maggie. A companion recording, Southern Mountain Classics, is available on CD.

Southern Mountain Guitar is just one in an exciting series of 5 books. Included in this series are Southern Mountain Banjo, Southern Mountain Dulcimer, Southern Mountain Fiddle and Southern Mountain Mandolin (see Related Titles). Each book features vintage photos, history, instruction and music designed to accompany each instrument. A great way to learn and play Southern Mountain music! In notation and tablature.

This friendly book is filled with clawhammer banjo instruction, tablature, lyrics, tune histories, chords, playing tips, vintage photos, and more. Includes such classid oldtime tunes as, Soldier's Joy; Cluck Old Hen; Arkansas Traveler; Leather Britches; Mississippi Sawyer; Chicken Reel; Shady Grove; Red Rocking Chair; John Henry; Uncle Joe; Little Rosewood Casket; The State of Arkansas; Hogeye; The Old Spinning Wheel; and When You and I Were Young Maggie.

The arrangements in this book are based on the sixteen tunes found on the recording Southern Mountain Classics and are designed to be used with the recording. Although these arrangements are not exact transcriptions from the CD, all of the tunes on the recording are included in the book. for each tune there is a song history and a page with the chord structure to help you follow the chords. Each piece is written out in notation and tablature in three versions - beginner, intermediate, and advanced.

Southern Mountain Mandolin is just one in an exciting series of 5 books exploring the music of the southern Appalachian region. Included in this series are Southern Mountain Banjo, Southern Mountain Dulcimer, Southern Mountain Fiddle, and Southern Mountain Guitar. Each book features vintage photos, history, instruction and music designed to accompany each instrument. the Mandolin edition offers a great selection of tunes in notation and tab, and is a great way to learn and play Southern Mountain music. A companion CD entitled Southern Mountain Classics is available, featuring the entire instrumental ensemble.

Southern Mountain Dulcimer is just one in an exciting series of 5 books exploring the music of the southern Appalachian region. Included in this series are Southern Mountain Banjo, Southern Mountain Mandolin, Southern Mountain Fiddle, and Southern Mountain Guitar. Each book features vintage photos, history, instruction and music designed to accompany each instrument. The Dulcimer edition offers a great selection of tunes in notation and tab, and is a great way to learn and play Southern Mountain music.

Southern Mountain Fiddle is just one in an exciting series of 5 books. Included in this series are Southern Mountain Banjo, Southern Mountain Dulcimer, Southern Mountain Guitar, and Southern Mountain Mandolin. Each book features vintage photos, history, instruction and music designed to accompany each instru- ment. A great way to learn and play Southern Mountain music The CD recording included with this book is entitled Southern Mountain Classics, It includes the true classics of old-time mountain music played on clawhammer banjo, fiddle, mandolin, dulcimer, guiar, bass and buckdancing. Note: Not every tune on the CD features fiddle. However, the book teaches the fiddle parts even on those tunes where no fiddle is playing.

The banjo has been emblematic of the Southern Appalachian Mountains since the late twentieth century. Making Music: The Banjo in a Southern Appalachian County takes a close look at the instrument and banjo players in Haywood County, North Carolina. Author William C. Allsbrook Jr., MD, presents the oral histories of thirty-two banjo players, all but two of whom were born in Haywood County. These talented musicians recount, in their own words, their earliest memories of music, and of the banjo, as well as the appeal of the banjo. They also discuss learning to play the instrument, including what it “feels like” playing the banjo, many describing occasional “flow states.” In the book, Allsbrook explores an in-home musical folkway that developed along the colonial frontier. By the mid-1800s, frontier expansion had ceased in Haywood County due to geographic barriers, but the in-home musical tradition, including the banjo, survived in largely isolated areas. Vestiges of that tradition remain to this day, although the region has undergone significant changes over the lifetimes of the musicians interviewed. As a result, the survival of the in-home tradition is not guaranteed. Readers are invited into the private lives of the banjo players and asked to consider the future of the banjo in the face of contemporary trends. The future will be shaped by how this remarkable mountain culture continues to adapt to these challenges. Still, this thriving community of banjo players represents the vibrant legacy of the banjo in Haywood County and the persistence of tradition in the twenty-first century.

Ola Belle Reed (1916-2002) was one of the all-time greatest performers of Appalachian music. Ola Belle Reed and Southern Mountain Music on the Mason-Dixon Line combines Reed's 1960s recordings, some of the earliest she ever made and available here for the very first time, with modern-day field recordings of her descendants and those she inspired within her Appalachian community. This deluxe edition highlights Reed's deep repertoire--folk ballads, minstrel songs, country standards and originals--and traces the impact her music made and is still making today. The two-CD set is accompanied by a luxurious publication tracing Reed's influence and the folklorists who have tracked it: Henry Glassie, who first heard Alex and Ola Belle play in 1966 at the back of the Campbell's Corner general store, and Clifford R. Murphy, who, four decades later, recorded Reed's modern successors in Maryland, Delaware and Pennsylvania.

Dwight Hamilton Diller is a musician from West Virginia devoted to traditional Appalachian fiddle and banjo music, and a seminary-trained minister steeped in local Christian traditions. For the past 40 years, he has worked to preserve archaic fiddle and banjo tunes, teaching his percussive, primitively rhythmic style to small groups in marathon banjo workshops. This book tells of Diller's life and music, his personal challenges and his decades of teaching an elusive musical form.