The concept of southern manners may evoke images of debutantes being introduced to provincial society or it might conjure thoughts of the humiliating behavior white supremacists expected of African Americans under Jim Crow. The essays in Manners and Southern History analyze these topics and more. Scholars here investigate the myriad ways in which southerners from the Civil War through the civil rights movement understood manners. Contributors write about race, gender, power, and change. Essays analyze the ways southern white women worried about how to manage anger during the Civil War, the complexities of trying to enforce certain codes of behavior under segregation, and the controversy of college women's dating lives in the raucous 1920s. Writers study the background and meaning of Mardi Gras parades and debutante balls, the selective enforcement of antimiscegenation laws, and arguments over the form that opposition to desegregation should take. Concluding essays by Jane Dailey and John F. Kasson summarize and critique the other articles and offer a broader picture of the role that manners played in the social history of the South. Essays by Catherine Clinton, Joseph Crespino, Jane Dailey, Lisa Lindquist Dorr, Anya Jabour, John F. Kasson, Jennifer Ritterhouse, and Charles F. Robinson II Ted Ownby teaches history and southern studies at the University of Mississippi.

Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.

Peter Blake was one of the best-known sailors of our time; he served as a Special Envoy of the United Nations Environment Program and took great interest in sustainable economic development. In a 30-year sailing career he won every significant bluewater race on the planet, including the America's Cup and the Whitbread Around the World; and slashed the record for the fastest non-stop circumnavigation under sail. His murder in the Amazon made headlines worldwide.

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This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient.

Angela Esterhammer, a student of Frye's in the 1980s, has provided annotation and an introduction that demonstrates the poets' importance for Frye's literary and cultural criticism and provides a twenty-first-century perspective on the legacy of his work.

Blake and Tradition is an investigation of the sources of Blake's knowledge of the Neoplatonic and Hermetic tradition and allied currents of thought. The volumes contain what was then new information on Blake's vast fund of exact knowledge in these fields, and Kathleen Raine interprets his works in the light of the ideas that originally inspired and informed them. The core of this important work of scholarship formed the A. W. Mellon Lectures in the Fine Arts in 1962 at the National Gallery of Art in Washington. The expanded, two-volume work was originally published by Routledge & Kegan Paul in 1969.

Drawing from a rich trove of archival sources, Eubie Blake: Rags, Rhythm, and Race tells the extraordinary story of a key 20th-century African American composer and traces the path his career blazed for other black artists.