What is the modern in Southeast Asia's architecture and how do we approach its study critically? This pathbreaking multidisciplinary volume is the first critical survey of Southeast Asia's modern architecture. It looks at the challenges of studying this complex history through the conceptual frameworks of translation, epistemology, and power. Challenging Eurocentric ideas and architectural nomenclature, the authors examine the development of modern architecture in Indonesia, Malaysia, Myanmar, the Philippines, Singapore, Thailand, and Vietnam, with a focus on selective translation and strategic appropriation of imported ideas and practices by local architects and builders. The book transforms our understandings of the region's modern architecture by moving beyond a consideration of architecture as an aesthetic artifact and instead examining its entanglement with different dynamics of power.

“Utopia” is a word not often associated with the city of Bangkok, which is better known for its disorderly sprawl, overburdened roads, and stifling levels of pollution. Yet as early as 1782, when the city was officially founded on the banks of the Chao Phraya river as the home of the Chakri dynasty, its orientation was based on material and rhetorical considerations that alluded to ideal times and spaces. The construction of palaces, monastic complexes, walls, forts, and canals created a defensive network while symbolically locating the terrestrial realm of the king within the Theravada Buddhist cosmos. Into the twentieth century, pictorial, narrative, and built representations of utopia were critical to Bangkok’s transformation into a national capital and commercial entrepôt. But as older representations of the universe encountered modern architecture, building technologies, and urban planning, new images of an ideal society attempted to reconcile urban-based understandings of Buddhist liberation and felicitous states like nirvana with worldly models of political community like the nation-state. Bangkok Utopia outlines an alternative genealogy of both utopia and modernism in a part of the world that has often been overlooked by researchers of both. It examines representations of utopia that developed in the city—as expressed in built forms as well as architectural drawings, building manuals, novels, poetry, and ecclesiastical murals—from its first general strike of migrant laborers in 1910 to the overthrow of the military dictatorship in 1973. Using Thai- and Chinese-language archival sources, the book demonstrates how the new spaces of the city became arenas for modern subject formation, utopian desires, political hegemony, and social unrest, arguing that the modern city was a space of antinomy—one able not only to sustain heterogeneous temporalities, but also to support conflicting world views within the urban landscape. By underscoring the paradoxical character of utopias and their formal narrative expressions of both hope and hegemony, Bangkok Utopia provides an innovative way to conceptualize the uneven economic development and fractured political conditions of contemporary global cities.

With rich photography and insightful commentary, this Thai architecture and interior design book showcases some of the finest modern masterpieces in Southeast Asia. A tremendous body of sophisticated and sensitively designed architectural work has been produced in Thailand in the first decade of the 21st century. The 25 houses in The Modern Thai House illustrate the radical new ideas coming from a dynamic younger generation of architects who are producing work comparable with and sometimes even surpassing the very best architecture in the world. Most of these architects were trained in the U.S. or U.K. and reflect not only American and European sensibilities but also affinities with their contemporaries in Asia --including Japan, China, Singapore, and Bali--all hotbeds for innovation in modern design. The houses in this book are readily accessible from Bangkok, Phuket, and Chiangmai. They reflect a wide variety of concerns and solutions, such as: sustainability; responses to climate; strategies for cooling with minimal electricity; openness versus security in a large metropolis such as Bangkok; cultural sensitivity and responsiveness, as evidenced in a "three-generation house," built for a society in which the extended family is still prevalent; and cultural memory, as in the use of elements such as pilings, verandahs, and steeply pitched roofs with large overhangs that echo traditional Thai designs. Nurtured by an increasingly knowledgeable and wealthy clientele, modern architecture in Thailand is emerging with a variety of innovative architectural expressions.

Modern Art of Southeast Asia: Introductions from A to Z features 60 concise and accessibly written accounts of the key ideas and currents underlying modern art in the region. These are accompanied by over 250 beautifully reproduced artworks from the collection of National Gallery Singapore, and other public and private collections in Southeast Asia and beyond. The book offers an informative first encounter with art as well as refreshing perspectives, and is a rewarding resource for students.

From three architecture industry experts comes a book nearly as sophisticated as the luxury homes profiled within. Inspired by new architectural agendas, such as rethinking congregational spaces and promoting a minimalist lifestyle, the luxury homes from across of Southeast Asia collected in this book dazzle with a bold new perspective on modern architecture. The 400 color photographs inside place you in beachfront scenes where the waves crash only inches from your feet; where you laze dreamily, jungle-side, in dazzling hotels; and finally, you come face to face with the most innovative concepts in all of Asia. With an additional 200 architectural plans to further inspire modern architecture aficionados, New Directions in Tropical Asian Architecture presents breathtaking specimens from throughout Southeast Asia, including: India Indonesia Malaysia Singapore Sri Lanka Thailand Let the luxury homes and residences in this book wow you, and open your eyes to a side of Southeast Asian architecture that you've never seen before.

The modernization of traditional houses in each country may be understood as a process by which various aspects of culture and architecture originating from China, India, European colonial countries and international style were assimilated into various forms and elements of traditional houses. In contemporary houses recently developed in Southeast Asian cities, influences of more nearby regions such as South Korea, Hong Kong and Singapore can easily be found. Even under such multi-cultural influences, Southeast Asian countries sought compromises and maintained each country's unique housing culture, resulting in the differentiation of each country's housing style. This book aims to find out the uniqueness of each Southeast Asian country's modern housing through the understanding of the modern housing typologies of each county produced by the process of modernization. Previous studies of Southeast Asia's urban housing were mostly on political, institutional and economic issues, which can be said to be macro-issues. However, this book focuses on the forms of urban housing, which is rather a micro-issue, compared to previous studies.

With over 350 vibrant photographs, extensive commentary and architectural plans, this architecture and design book showcases the modern luxury homes of Asia. The Sustainable Asian House celebrates modern architecture as an expression of environmental, social and cultural sustainability, as seen in some of the most breathtaking luxury homes in Southeast Asia. Gorgeous residences in Thailand, Malaysia, Singapore, Indonesia and the Philippines beautifully exemplify the trend towards sustainable architecture that engages with the natural world. The 27 houses featured in this fascinating and stunningly photographed architectural digest provide endless inspiration for architects, designers, builders and home buyers. The Sustainable Asian House illuminates the region's reinterpretation of tropical architecture and the growing interest in traditional materials and craftsmanship. There is a new emphasis on fresh air, natural light and spatial variety, reflecting the importance of well-being. Designers are considering issues such as orientation to the sun and prevailing winds to reduce energy consumption and carbon footprint. Instead of treating the tropical climate as something to overcome, the architects featured in this book present regional solutions on how to live appropriately in the contemporary tropical world.

The modern states of Indonesia, Vietnam, Thailand, the Philippines, Myanmar, Malaysia, Singapore, Cambodia, Laos, Brunei, and East Timor were once a tapestry of kingdoms, colonies, and smaller polities linked by sporadic trade and occasional war. By the end of the nineteenth century, however, the United States and several European powers had come to control almost the entire region - only to depart dramatically in the decades following World War II. perspective on this complex region. Although it does not neglect nation-building (the central theme of its popular and long-lived predecessor, In Search of Southeast Asia), the present work focuses on economic and social history, gender, and ecology. It describes the long-term impact of global forces on the region and traces the spread and interplay of capitalism, nationalism, and socialism. It acknowledges that modernization has produced substantial gains in such areas as life expectancy and education but has also spread dislocation and misery. Organizationally, the book shifts between thematic chapters that describe social, economic, and cultural change, and country chapters emphasizing developments within specific areas. will establish a new standard for the history of this dynamic and radically transformed region of the world.

Peter Rowe and Yun Fu’s second volume on the modernization of architecture in the Far East deals with Southeast Asia and Austronesia, including the 12 nation states of Vietnam, Cambodia, Laos, Myanmar, Thailand, Malaysia, Singapore, Indonesia, Brunei, East Timor, Philippines and Taiwan, as well as the ocean peoples of Polynesia, Melanesia and Micronesia. The modern architecture of these culturally and nationally heterogenous regions echoes local vernacular traditions and colonial as well as postcolonial hegemonies from both the East and the West. The book tells the stories of these separate roots and their culmination into contemporary architectural production, analyzing the distinctiveness and quality of approx. 65 building projects that have emerged in the past half century.

British artists and commentators in the late 18th and early 19th century encoded the twin aspirations of progress and power in images and descriptions of Southeast Asia’s ruined Hindu and Buddhist candi, pagodas, wats and monuments. To the British eye, images of the remains of past civilisations allowed, indeed stimulated, philosophical meditations on the rise and decline of entire empires. Ruins were witnesses to the fall, humbling and disturbingly prophetic prompts to speculation on imperial failure, and the remains of the Buddhist and Hindu monuments scattered across Southeast Asia proved no exception. This important study of a highly appealing but relatively neglected body of work adds multiple dimensions to the history of art and image production in Britain of the period, showing how the anxieties of empire were encoded in the genre of landscape paintings and prints.