Contributions investigate the settlement patterns, maritime connectivity, and material culture of the southeast of Crete in a diachronic fashion, in an attempt to define it as a region and trace its history. Papers focus primarily on the archaeology of the sites along the coastal strip spanning between the Myrtos Valley and Kato Zakros.

New insights from the archaeology and pottery of the sanctuary of Hermes and Aphrodite at Syme Viannou, Crete The Sanctuary of Hermes and Aphrodite at Syme Viannou VII: The Greek and Roman Pottery presents in two volumes the Greek and Roman pottery recovered from the excavation of the sanctuary of Syme Viannou, one of the most long-lived and important cult sites of ancient Crete and the Aegean. The site, which is known as the Cretan Delphi, was dedicated to Hermes and Aphrodite for much of its history. The present study analyzes and catalogs 865 pieces, dating from across the early first millennium BCE to the mid-first millennium CE. Kotsonas integrates traditional typological and chronological inquiries with contextual considerations, macroscopic and petrographic analyses of ceramic fabrics, and quantitative studies. The resulting work provides detailed documentation of the pottery from Syme Viannou and explores its ritual and other roles within the diachronic panorama of cultic and other activities at the site. It also supports a broader understanding of the role of ceramics in sanctuary contexts by introducing systematically comparative perspectives on the evidence of pottery from other Cretan and Greek sanctuaries. Volume 2 presents synthetic studies of the material, exploring the use of different ceramic fabrics, the relationship between the form and function of the vessels, and the place of ceramic items in the cultic practice and daily life at the sanctuary in Greek and Roman antiquity.

This book examines the rich corpus of mosaics created in Crete during the Roman and Late Antique eras. It provides essential information on the style, iconography, and chronology of the material, as well as discussion of the craftspeople who created them and the technologies they used. The contextualized mosaic evidence also reveals a new understanding of Roman and Late Antique Crete. It helps shed light on the processes by which Crete became part of the Roman Empire, its subsequent Christianization, and the pivotal role the island played in the Mediterranean network of societies during these periods. This book provides an original approach to the study of mosaics and an innovative method of presenting a diachronic view of provincial Cretan society.

This book brings together for the first time scholars working on the Bronze Age settlement patterns and material culture of the southern Ierapetra Isthmus, a region that actively participated in the coastal and maritime trade networks of East Crete. During the past few decades, while various archaeological projects focused on the northern isthmus, the Ierapetra area remained largely neglected and unknown, a terra incognita. Yet, new excavations at Gaidourophas, Anatoli Stavromenos, Chryssi Island, Bramiana, and the ongoing research at the site of Myrtos Pyrgos are showing that the coastal area of Ierapetra was a vibrant and thriving settlement landscape during the Bronze Age. Far from being simply on the periphery of the major Minoan centers, the southern Ierapetra Isthmus played important roles in the cultural dynamics of Crete. Aiming to be the first building block in the development of an archaeological understanding of the region of the southern Ierapetra Isthmus, this book presents the status of the discipline and indicates future research trajectories.

The art and iconography of the Minoan civilisation of Bronze Age Crete is rightly described as having a refreshing vitality with a fortunate combination of stylisation and spontaneity in which the artist is able to transform conventional imagery into a personal expression. The dynamism, torsion and naturalism evident in Minoan art stands in stark contrast to the hieratic rigidity of other ancient civilisations, and nowhere is this more apparent than in the iconography of the Minoan Epiphany, a set of mainly glyptic (rings, seals, and seal impression) images which appear to depict religious celebrants experiencing direct and seemingly ecstatic encounters with deities. This collection of essays explores this central aspect of Minoan religion, taking a strongly archaeological focus to allow the artefacts to speak for themselves, and moving from traditional ‘representational’ interpretations into ‘embodied’ perspectives in which the ecstatic capabilities of the human body throw new light on Aegean Bronze Age ritual practices. Such ideas challenge rather passive assumptions modern Western observers hold about the nature of religious feelings and experiences, in particular the depictions of altered states of consciousness in ancient art, and the visionary potential of dance gestures. Speculative asides on the potential for a Minoan origin for Classical Greek humanism, and hints in the imagery on ancient Cretan conceptions of the cosmos, are set against sound archaeological theories to explain this lively and dynamic corpus of images. Beautifully illustrated with images and sketches of the relevant artefacts, this wide-ranging volume will stimulate audiences with archaeological, prehistorical and spiritual interests, as well as historians of religion and art. ‘The Minoan Epiphany’ also represents an influential antecendent to the Visionary Humanist philosophy which forms the majority of Bruce’s current independent research interests.

Archaic and classical Crete : the "period of silence"--Methods of ceramic analysis -- Eleutherna -- Knossos -- Lamps : Eleutherna and Knossos -- Gortyn -- Isthmus of Ierapytna -- Praisos and its territory -- Pottery styles and influences -- Internal transformations -- Overseas trade and Cretan society -- Archaic Cretan austerity and the Spartan connection.

Thoroughly researched, Rodney Castleden's Minoans: Life in Bronze Age Crete here sues the results of recent research to produce a comprehensive new vision of the peoples of Minoan Crete. Since Sir Arthur Evans rediscovered the Minoans in the early 1900s, we have defined a series of cultural traits that make the ‘Minoan personality’: elegant, graceful and sophisticated, these nature lovers lived in harmony with their neighbours, while their fleets ruled the seas around Crete. This, at least, is the popular view of the Minoans. But how far does the later work of archaeologists in Crete support this view? Drawing on his experience of being actively involved in research on landscapes processes and prehistory for the last twenty years, Castleden writes clearly and accessibly to provide a text essential to the study of this fascinating subject.

This volume presents the papers of an international colloquium on the archaeology of houses and households in ancient Crete held in Ierapetra in May 2005. The 38 papers presented here range from a discussion of household activities at Final Neolithic Phaistos to the domestic correlates of "globalization" during the early Roman Empire. These studies demonstrate a variety of methodological approaches currently employed for understanding houses and household activities. Key themes include understanding the built environment in all of its manifestations, the variability of domestic organization, the role of houses and households in mediating social (and perhaps even ethnic) identity within a community or region, household composition, and of course, household activities of all types, ranging from basic subsistence needs to production and consumption at a suprahousehold level.

A comprehensive account of the Palaces, control networks and spatial dynamics of Neopalatial Crete, the floruit of the Minoan civilization.

Ruth Abbey assumes no knowledge of the text or of Nietzsche. She maps her chapters onto those of Nietzsche's text, allowing you to read the guide alongside the book. Altogether, she opens up Human, All Too Human for new readers, while more experienced Nietzsche scholars will appreciate the new perspective.