In the early 20th century, South Bend, Indiana's population more than tripled. Established industries like Studebaker and the Singer Sewing company rose to unprecedented heights of production, new businesses took root, and immigrants flooded into the area. Photo postcards, originally a quick and inexpensive form of communication, became key documents of South Bend's growth, recording events, businesses, landmarks, and people. Through nearly 200 vintage postcards, this book details South Bend's story from the turn of the 20th century to the aftermath of World War II. These images give a glimpse of lost glamour, representing the city as past generations witnessed it.

In the early 20th century, South Bend, Indianas population more than tripled. Established industries like Studebaker and the Singer Sewing company rose to unprecedented heights of production, new businesses took root, and immigrants flooded into the area. Photo postcards, originally a quick and inexpensive form of communication, became key documents of South Bends growth, recording events, businesses, landmarks, and people. Through nearly 200 vintage postcards, this book details South Bends story from the turn of the 20th century to the aftermath of World War II. These images give a glimpse of lost glamour, representing the city as past generations witnessed it.

The land now called St. Joseph County was familiar ground to Native Americans long before recorded history. Many Indians, including the local Potawatomie and Miami, trod the well-worn path that offered a two-mile portage between the St. Joseph River (and Lake Michigan) to the Kankakee River and eventually the Mississippi River. Pierre F. Navarre built a log cabin beside the St. Joseph River in 1820, and began a settlement that would eventually become South Bend and Mishawaka in St. Joseph County. The over 200 vintage images in this book, drawn from St. Joseph County and Mishawaka as well as South Bend, look back at the commerce, industry, and businesses like Studebaker, Ball Band, Singer, and Bendix, which grew on the rich resources of the area. Education was a high priority for early settlers, and they established one-room schoolhouses and Notre Dame University. The photographs show public places, buildings, and servants, some long gone, others that are still with us today. And of course, there are pictures of the people, the homes they built, and the activities they enjoyed in their northern Indiana home.

Kansas City, Missouri, has long been a bustling center of activity in the heart of the Midwest, hosting the railroads that rambled through its stockyards and the jazz pioneers who made a lasting mark on music history. This collection of vintage postcards from the late 1800s through the 1950s brings to life the people, places, and events of old Kansas City. The unique postcards printed in this book capture the historic downtown area and the Country Club Plaza as well as the private notes of a homesick visitor, paying homage to a time long gone, but not forgotten.

South Bend, Indiana stood at the crossroads of several major Native American trading routes long before the Europeans, led by the French, arrived from Canada and the East Coast to trade for furs. The city on a bend of the St. Joseph River soon became an important commercial center for settlers moving west. Eventually, the University of Notre Dame and Studebaker would call the growing community home.

As introduced in the book Plymouth's First Century: Innovators and Industry, more than 175 years of hard work, modernization, patriotism, and development have contributed to the vivid tapestry of the Plymouth community. This volume, comprised of vintage photo postcards, documents the businesses, people, activities, structures, and streets that have shaped Plymouth's rich history. From the legendary Daisy Manufacturing Company to present-day traditions like the Plymouth International Ice Spectacular, these remarkable images of Plymouth's historic people and places will continue to enlighten readers for generations to come.

Postcards From a Rock& Roll Tour is drummer Gordy Marshall's witty and wry take on life on the road touring with legendary rock band The Moody Blues. Part memoir, part travelogue, it's a candid, unexpected and often hilarious account of just what it's like to travel around the world playing to sell-out audiences, living out of a suitcase and spending days and days on a tour bus. If you thought being in a rock band was all sex, drugs and rock and roll, then think again. Postcards From a Rock & RollTour gives a rare insight into the reality of life as a travelling musician. Includes a foreword by the legendary Graeme Edge of The Moody Blues.

The Real Photo Postcard Guide is an informative, comprehensive, and practical treatment of this wildly popular American phenomenon that dominated the United States photographic market during the first third of the twentieth century. Robert Bogdan and Todd Weseloh draw on extensive research and observation to address all aspects of the photo postcard from its history, origin, and cultural significance to practical matters like dating, purchasing, condition, and preservation. Illustrated with over 350 exceptional photo postcards taken from archives and private collections across the country, the scope of the Real Photo Postcard Guide spans technical considerations of production, characteristics of superior images, collecting categories, and methods of research for dating photo postcards and investigating their photographers. In a broader sense, the authors show how "real photo postcards" document the social history of America. From family outings and workplace awards to lynchings and natural disasters, every image captures a moment of American cultural history from the society that generated them. Bogdan and Weseloh’s book provides an admirable integration of informative text and compelling photographic illustrations. Collectors, archivists, photographers, photo historians, social scientists, and anyone interested in the visual documentation of America will find the Real Photo Postcard Guide indispensable.

At the start of the 20th century, Birmingham was one of the fastest growing cities in the South, sometimes referred to as the "Magic City." It began as a town located at the intersection of two railroads and then quickly expanded and took in neighboring communities. Around this time, photographers traveled around the United States taking photographs of towns and cities and turning the photographs into postcards. The postcards collected here show historic Birmingham's downtown, hospitals, parks, communities, schools, hotels, and industries. These images serve as a record of everyday life in this bustling Southern city.

From the Great Depression through the early postwar years, any postcard sent in America was more than likely a “linen” card. Colorized in vivid, often exaggerated hues and printed on card stock embossed with a linen-like texture, linen postcards celebrated the American scene with views of majestic landscapes, modern cityscapes, roadside attractions, and other notable features. These colorful images portrayed the United States as shimmering with promise, quite unlike the black-and-white worlds of documentary photography or Life magazine. Linen postcards were enormously popular, with close to a billion printed and sold. Postcard America offers the first comprehensive study of these cards and their cultural significance. Drawing on the production files of Curt Teich & Co. of Chicago, the originator of linen postcards, Jeffrey L. Meikle reveals how photographic views were transformed into colorized postcard images, often by means of manipulation—adding and deleting details or collaging bits and pieces from several photos. He presents two extensive portfolios of postcards—landscapes and cityscapes—that comprise a representative iconography of linen postcard views. For each image, Meikle explains the postcard’s subject, describes aspects of its production, and places it in social and cultural contexts. In the concluding chapter, he shifts from historical interpretation to a contemporary viewpoint, considering nostalgia as a motive for collectors and others who are fascinated today by these striking images.