South Asian Transnationalisms explores encounters in twentieth century South Asia beyond the conventional categories of center and periphery, colonizer and colonized. Considering the cultural and political exchanges between artists and intellectuals of South Asia with counterparts in the United States, continental Europe, the Caribbean, and East Asia, the contributors interrogate the relationships between identity and agency, language and space, race and empire, nation and ethnicity, and diaspora and nationality. This book deploys transnational syntaxes such as cinema, dance, and literature to reflect on social, technological, and political change. Conceiving of the transnational as neither liberatory nor necessarily hegemonic, the authors seek to explore the contradictions, opportunities, disjunctures, and exclusions of the vexed experience of globalization in South Asia. This book was published as a special issue of South Asian History and Culture.

This book uses the concept of transnational networks as a way to understand the South Asian diaspora. Offering a unique and original insight into the South Asian diaspora, this book will be of interest to academics working in the fields of South Asian studies, diaspora and cultural studies, anthropology, transnationalism and globalization.

This book investigates the identity issues of South Asians in the diaspora. It engages the theoretical and methodological debates concerning processes of culture and identity in the contemporary context of globalisation and transnationalism. It analyses the South Asian diaspora - a perfect route to a deeper understanding of contemporary socio-cultural transformations and the way in which information and communication technology functions as both a catalyst and indicator of such transformations. The book will be of interest to scholars of diaspora studies, cultural studies, international migration studies, and ethnic and racial studies. This book is a collection of papers from the journal South Asian Diaspora.

This book is the first of its kind to significantly concentrate on trans-nation, transnationalism and its dialogue with various nationalisms in South Asia. Taking the absence of discussion on transnationalism in South Asia as a conspicuous lacuna as well as a point of intervention, this book pushes the boundaries of scholarship further by organizing a dialogue between the nation-state and many nationalisms and the emergent method of transnationalism. It opens itself up for many cross-border movements, formulating the trans-South Asian discursive exchange necessitated by contemporary, theoretical upheavals. It looks at such exchanges through the prisms of literature and cinema and traces the many modes of engagement that exist between some of the globally dominant literary and cinematic forms, trying to locate these engagements and negotiations across three geopolitical formations and locations of culture, namely region, nation and trans-nation.

This book makes a significant contribution to interdisciplinary engagements between Theatre Studies and Cultural Geography in its analysis of how theatre articulates transnational geographies of Asian culture and identity. Deploying a geographical approach to transnational culture, Rogers analyses the cross-border relationships that exist within and between Asian American, British East Asian, and South East Asian theatres, investigating the effect of transnationalism on the construction of identity, the development of creative praxis, and the reception of works in different social fields. This book therefore examines how practitioners engage with one another across borders, and details the cross-cultural performances, creative opportunities, and political alliances that result. By viewing ethnic minority theatres as part of global — rather than simply national — cultural fields, Rogers argues that transnational relationships take multiple forms and have varying impetuses that cannot always be equated to diasporic longing for a homeland or as strategically motivated for economic gain. This argument is developed through a series of chapters that examine how different transnational spatialities are produced and re-worked through the practice of theatre making, drawing upon an analysis of rehearsals, performances, festivals, and semi-structured interviews with practitioners. The book extends existing discussions of performance and globalization, particularly through its focus on the multiplicity of transnational spatiality and the networks between English-language Asian theatres. Its analysis of spatially extensive relations also contributes to an emerging body of research on creative geographies by situating theatrical praxis in relation to cross-border flows. Performing Asian Transnationalisms demonstrates how performances reflect and rework conventional transnational geographies in imaginative and innovative ways.

"A milestone in diaspora studies, this collection will be useful for students of sociology, anthropology, history, politics, globalization, migration, transnationalism, and postcolonial studies."--BOOK JACKET.

The Komagata Maru incident has become central to ongoing debates on Canadian racism, immigration, multiculturalism, citizenship and Indian nationalist resistance. The chapters presented in this book, written by established and emerging historians and scholars in literary, cultural, religious, immigration and diaspora studies, revisit the ship’s ill-fated journey to throw new light on its impact on South Asian migration and surveillance, ethnic and race relations, anticolonial and postcolonial resistance, and citizenship. The book draws on archival resources to offer the first multidisciplinary study of the historic event that views it through imperial, regional, national and transnational lenses and positions the journey both temporally and spatially within micro and macro histories of several regions in the British Empire. This volume contributes to the emerging literature on migration, mobilities, borders and surveillance, regionalism and transnationalism. Apart from its interest to scholars of diaspora and nationalism, this book will deeply resonate with those interested in imperialism, migration, transnationalism, Punjab and Sikh studies. This book was originally published as a special issue of the journal South Asian Diaspora.

This book critically examines the history and current issues on the migration of Indian students to Australia.

In migration studies, the nexus between migration and development in the global South has been meticulously debated. However, a unanimous resolution to this debate has not been found, due to the ever-changing nature of international migration. This book advances knowledge on the global debate on the migration-development relationship by documenting experiences in a number of countries in South Asia. Drawing on the experiences of global South Asians, this volume documents the impact of migration on the social, economic, and political fields in the broader context of development. It also presents a regional experience by looking into the migration-development nexus in the context of South Asia, and analyses the role South Asian migrants and diaspora communities play in the South Asian society. Contributions from a variety of disciplinary backgrounds, including sociology, anthropology, political science, international relations and economics, document the development implications of South Asian migration. Broad in scope in terms of contents, timeline of migration, and geographical coverage, the book presents empirically-based case studies involving India, Bangladesh, Sri Lanka, Pakistan, and Nepal and their emigrants living and working in different parts of the world. Going beyond reporting the impacts of migration on economic development by highlighting the implications of ‘social development’ on society, this book provides a fascinating contribution to the fields of Asian Development, Migration Studies and South Asian Studies.