Comprehenseive guide to the music of the 1960s.

The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era's social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, Sound Commitments, examines the encounter of avant-garde music and "the Sixties" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, participatory "events," performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the "Third World," delving into the deep richness of avant-garde musicians' response to the decade's defining cultural shifts. Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.

(Harp). Feelin' groovy? Sylvia Woods' spiffy collection of 40 songs from the 1960s will inspire you to put on your embroidered bell-bottoms and wear some flowers in your hair. Some of the pieces can be played by beginning harp players, but most are at advanced beginner to intermediate levels. Fingerings, lyrics and chord symbols are included. Pieces are in C or sharp keys, and can be played on either lever or pedal harp. About half of the songs do not have any lever changes within the pieces. 96 pages, spiral-bound. Includes TV and movie themes, and music by: Burt Bacharach and Hal David; Bob Dylan; Tony Hatch; Justin Hayward; Mick Jagger and Keith Richards; Gerard Marsden; John Phillips; Nino Rota; John Sebastian; Paul Simon; Jerry Jeff Walker; Brian Wilson; and more. Includes songs made popular by: The Animals; The Association; The Beach Boys; Jimmy Clanton; Petula Clark; Judy Collins; Donovan; Bob Dylan; The Fifth Dimension; Jerry and the Pacemakers; The Lovin' Spoonful; Joni Mitchell; The Moody Blues; The Nitty Gritty Dirt Band; Peter, Paul and Mary; Elvis Presley; The Rolling Stones; Simon and Garfunkel; The Turtles; Dionn Warwick; The Youngbloods; and others. Playable on lever harps and pedal harps.

John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.

A detailed historical analysis of popular music in American film, from the era of sheet music sales, to that of orchestrated pop records by Henry Mancini and Ennio Morricone in the 1960s, to the MTV-ready pop songs that occupy soundtrack CDs of today..

Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other areas to explore the symbiosis of the sonic and the visual in the counterculture of the 1960s.

Everything you wanted to know about one hit wonders. Packed with information, interviews with the one hit heroes and snippets of lyrics from those songs everyone loves to hate, this is the perfect book about this very special element of pop culture.

From the Sunday Times bestselling author Which fifty people made Britain the wreck she is? From ludicrous propagandist Alastair Campbell to the Luftwaffe's allies, the modernist architects, it's time to name the guilty. Quentin Letts sharpens his nib and stabs them where they deserve it, from TV gardener Alan Titchmarsh, the dumbed-down buffoon who put the 'h' in Aspidistra, to the perpetrators of the 'Credit Crunch'. Margaret Thatcher ruptured our national unity. The creators of EastEnders trashed our brand over high tea. Thus, he argues, are the people who made our country the ugly, scheming, cheating, beer-ridden bum of the Western world. Here are the fools and knaves and vulgarians who ripped down our British glories and imposed the tawdry and the trite. In a half century we have gone from end-of-Empire to descent-into-Hell.

This is a completely new, revised, updated and expanded book: Sounds From the 60s - takes you behind the scenes with the stars of rock n' roll, pop, blues and jazz at two of the top Northern UK clubs, Club 60 & The Esquire, owned by Terry Thornton. This is a fascinating and unique account of life behind the scenes during the 1960s in the great industrial city of Sheffield, when a musty old beer cellar helped stage a remarkable revival of popular music, and provided a unique live showcase and platform for a host of top British and international performers - including many notable up and coming local young stars! They included: - Joe Cocker, Dave Berry & The Cruisers, Zoot Money, Frank White, Jimmy Crawford & The Coasters, Eric Clapton, Rod Stewart, Elton John, Alan Price & The Animals, Georgie Fame, Graham Bond, Screaming Lord Sutch & The Savages, Long John Baldry, John Lee Hooker, Sonny Boy Williamson, Sister Rosetta Tharpe, Frankenstein & The Monsters, Johnny Dark & The Midnighters, The Walker Brothers, The Kinks...and many more...This revised book also includes dozens of rare, exclusive and nostalgic photographs of the stars actually performing at the clubs during a seven-year period, together with a host of exclusive stories and pictures of the many regular club members and supporters from that era.