Dancehall: it's simultaneously a source of raucous energy in the streets of Kingston, Jamaica; a way of life for a group of professional artists and music professionals; and a force of stability and tension within the community. Electronically influenced, relevant to urban Jamaicans, and highly danceable, dancehall music and culture forms a core of popular entertainment in the nation. As Anne Galvin reveals in Sounds of the Citizens, the rhythms of dancehall music reverberate in complicated ways throughout the lives of countless Jamaicans. Galvin highlights the unique alliance between the dancehall industry and community development efforts. As the central role of the state in supporting communities has diminished, the rise of private efforts such as dancehall becomes all the more crucial. The tension, however, between those involved in the industry and those within the neighborhoods is palpable and often dangerous. Amidst all this, individual Jamaicans interact with the dancehall industry and its culture to find their own paths of employment, social identity, and sexual mores. As Sounds of the Citizens illustrates, the world of entertainment in Jamaica is serious business and uniquely positioned as a powerful force within the community.

In 1954 Dame Enid Lyons, the first woman elected to the Australian House of Representatives, argued that radio had ‘created a bigger revolution in the life of a woman than anything that has happened any time’ as it brought the public sphere into the home and women into the public sphere. Taking this claim as its starting point, Sound Citizens examines how a cohort of professional women broadcasters, activists and politicians used radio to contribute to the public sphere and improve women’s status in Australia from the introduction of radio in 1923 until the introduction of television in 1956. This book reveals a much broader and more complex history of women’s contributions to Australian broadcasting than has been previously acknowledged. Using a rich archive of radio magazines, station archives, scripts, personal papers and surviving recordings, Sound Citizens traces how women broadcasters used radio as a tool for their advocacy; radio’s significance to the history of women’s advancement; and how broadcasting was used in the development of women’s citizenship in Australia. It argues that women broadcasters saw radio as a medium that had the potential to transform women’s lives and status in society, and that they worked to both claim their own voices in the public sphere and to encourage other women to become active citizens. Radio provided a platform for women to contribute to public discourse and normalised the presence of women’s voices in the public sphere, both literally and figuratively.

Forging new ideas about the relationship between race and sound, Furlonge explores how black artists--including well-known figures such as writers Ralph Ellison and Zora Neale Hurston, and singers Bettye LaVette and Aretha Franklin, among others--imagine listening. Drawing from a multimedia archive, Furlonge examines how many of the texts call on readers to "listen in print." In the process, she gives us a new way to read and interpret these canonical, aurally inflected texts, and demonstrates how listening allows us to engage with the sonic lives of difference as readers, thinkers, and citizens.

[V.23] The second part of Henry the Fourth. 1940.--[v.24-25] The sonnets. 1924.--[v.26] Troilus and Cressida. 1953.--[v.27] The life and death of King Richard the Second. 1955.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Citizenship policies are changing rapidly in the face of global migration trends and the inevitable ethnic and racial diversity that follows. The debates are fierce. What should the requirements of citizenship be? How can multi-ethnic states forge a collective identity around a common set of values, beliefs and practices? What are appropriate criteria for admission and rights and duties of citizens? This book includes nine case studies that investigate immigration and citizenship in Australia, the Baltic States, Canada, the European Union, Israel, Mexico, Russia, South Africa and the United States. This complete collection of essays scrutinizes the concrete rules and policies by which states administer citizenship, and highlights similarities and differences in their policies. From Migrants to Citizens, the only comprehensive guide to citizenship policies in these liberal-democratic and emerging states, will be an invaluable reference for scholars in law, political science, and citizenship theory. Policymakers and government officials involved in managing citizenship policy in the United States and abroad will find this an excellent, accessible overview of the critical dilemmas that multi-ethnic societies face as a result of migration and global interdependencies at the end of the twentieth century.