Sound Actions
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Author |
: Alexander Refsum Jensenius |
Publisher |
: MIT Press |
Total Pages |
: 305 |
Release |
: 2022-12-13 |
ISBN-10 |
: 9780262544634 |
ISBN-13 |
: 0262544636 |
Rating |
: 4/5 (34 Downloads) |
Synopsis Sound Actions by : Alexander Refsum Jensenius
A techno-cognitive look at how new technologies are shaping the future of musicking. “Musicking” encapsulates both the making of and perception of music, so it includes both active and passive forms of musical engagement. But at its core, it is a relationship between actions and sounds, between human bodies and musical instruments. Viewing musicking through this lens and drawing on music cognition and music technology, Sound Actions proposes a model for understanding differences between traditional acoustic “sound makers” and new electro-acoustic “music makers.” What is a musical instrument? How do new technologies change how we perform and perceive music? What happens when composers build instruments, performers write code, perceivers become producers, and instruments play themselves? The answers to these pivotal questions entail a meeting point between interactive music technology and embodied music cognition, what author Alexander Refsum Jensenius calls “embodied music technology.” Moving between objective description and subjective narrative of his own musical experiences, Jensenius explores why music makes people move, how the human body can be used in musical interaction, and how new technologies allow for active musical experiences. The development of new music technologies, he demonstrates, has fundamentally changed how music is performed and perceived.
Author |
: |
Publisher |
: |
Total Pages |
: 690 |
Release |
: 1912 |
ISBN-10 |
: HARVARD:32044102789567 |
ISBN-13 |
: |
Rating |
: 4/5 (67 Downloads) |
Synopsis Primary Education by :
Author |
: United States. Congress. House. Committee on Interior and Insular Affairs. Subcommittee on Water, Power, and Offshore Energy Resources |
Publisher |
: |
Total Pages |
: 632 |
Release |
: 1989 |
ISBN-10 |
: LOC:0009336708A |
ISBN-13 |
: |
Rating |
: 4/5 (8A Downloads) |
Synopsis Investigation of the Exxon Valdez Oil Spill, Prince William Sound, Alaska by : United States. Congress. House. Committee on Interior and Insular Affairs. Subcommittee on Water, Power, and Offshore Energy Resources
Author |
: Miguel Sales Dias |
Publisher |
: Springer Science & Business Media |
Total Pages |
: 294 |
Release |
: 2009-01-12 |
ISBN-10 |
: 9783540928645 |
ISBN-13 |
: 3540928642 |
Rating |
: 4/5 (45 Downloads) |
Synopsis Gesture-Based Human-Computer Interaction and Simulation by : Miguel Sales Dias
This book constitutes the thoroughly refereed post-proceedings of the 7th International Workshop on Gesture-Based Human-Computer Interaction and Simulation, GW 2007, held in Lisbon, Portugal, in May 2007. The 31 revised papers presented were carefully selected from 53 submissions. The papers are organized in topical sections on analysis and synthesis of gesture; theoretical aspects of gestural communication and interaction; vision-based gesture recognition; sign language processing; gesturing with tangible interfaces and in virtual and augmented reality; gesture for music and performing arts; gesture for therapy and rehabilitation; and gesture in Mobile computing and usability studies.
Author |
: John Michels (Journalist) |
Publisher |
: |
Total Pages |
: 776 |
Release |
: 1890 |
ISBN-10 |
: UOM:39015015749263 |
ISBN-13 |
: |
Rating |
: 4/5 (63 Downloads) |
Synopsis Science by : John Michels (Journalist)
Vols. for 1911-13 contain the Proceedings of the Helminothological Society of Washington, ISSN 0018-0120, 1st-15th meeting.
Author |
: Walter Lewis |
Publisher |
: London : William Reeves |
Total Pages |
: 188 |
Release |
: 1911 |
ISBN-10 |
: UIUC:30112064243493 |
ISBN-13 |
: |
Rating |
: 4/5 (93 Downloads) |
Synopsis Modern Organ Building by : Walter Lewis
Author |
: Joseph Jastrow |
Publisher |
: |
Total Pages |
: 308 |
Release |
: 1890 |
ISBN-10 |
: HARVARD:HNUMLB |
ISBN-13 |
: |
Rating |
: 4/5 (LB Downloads) |
Synopsis Collection of Reprints of Articles by Joseph Jastrow by : Joseph Jastrow
Author |
: |
Publisher |
: |
Total Pages |
: 492 |
Release |
: 1902 |
ISBN-10 |
: UCAL:B523292 |
ISBN-13 |
: |
Rating |
: 4/5 (92 Downloads) |
Synopsis International Catalogue of Scientific Literature, 1901-1914 by :
Author |
: Joseph Jastrow |
Publisher |
: |
Total Pages |
: 78 |
Release |
: 1890 |
ISBN-10 |
: STANFORD:36105041202867 |
ISBN-13 |
: |
Rating |
: 4/5 (67 Downloads) |
Synopsis The Time-relations of Mental Phenomena by : Joseph Jastrow
Author |
: Alexander Refsum Jensenius |
Publisher |
: MIT Press |
Total Pages |
: 305 |
Release |
: 2022-12-13 |
ISBN-10 |
: 9780262372213 |
ISBN-13 |
: 0262372215 |
Rating |
: 4/5 (13 Downloads) |
Synopsis Sound Actions by : Alexander Refsum Jensenius
A techno-cognitive look at how new technologies are shaping the future of musicking. “Musicking” encapsulates both the making of and perception of music, so it includes both active and passive forms of musical engagement. But at its core, it is a relationship between actions and sounds, between human bodies and musical instruments. Viewing musicking through this lens and drawing on music cognition and music technology, Sound Actions proposes a model for understanding differences between traditional acoustic “sound makers” and new electro-acoustic “music makers.” What is a musical instrument? How do new technologies change how we perform and perceive music? What happens when composers build instruments, performers write code, perceivers become producers, and instruments play themselves? The answers to these pivotal questions entail a meeting point between interactive music technology and embodied music cognition, what author Alexander Refsum Jensenius calls “embodied music technology.” Moving between objective description and subjective narrative of his own musical experiences, Jensenius explores why music makes people move, how the human body can be used in musical interaction, and how new technologies allow for active musical experiences. The development of new music technologies, he demonstrates, has fundamentally changed how music is performed and perceived.